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dest ae " Moeller: Oe sat 
i ities ee ee ee Ce ea eee | ; 


7. “Childret Play” Thom; B. C. apergieeany 20 

8 “Sheep an -Fowl,” Van ‘Severdonck: R ay 

9 “The Basture Pond," Murph; hae ease 195 
'10 Tees, in the fits *, Buatetsur +s 


mpar 95 
1 “Buttermilic “Girl, P Schlesinger; Felix: Fulk... 9 75 
B What 9 5 Vill 2 eerainal’'s Library,” 


som, Fr Carroll, Hugh af Grant and Other | Ia OTRBRMIN Lat TWA. <a eascuals ata Maes 75 
_ Friends of the Late Owner Among (38 “Mountain’ torrent." Biskeldci G4. ee 6 
_ the Purchasers—Top Price Was $680, | 44 (In the Vestibule,” Schill; Dr. J. W. Gibbs. . sey OB 
for Homer Martin's “Golden Sands” | 3p “RETRO Coa I ae 

S iniety of the. paintings in the collection | ‘an sheep.* "Com: Wi Strame! 116 Miia dee a 


Ng. 
18 “Gamesters’ Quarrel,’  Portielie: D. ‘Huber, ir. oe 
19 “Reverie,” fscosura; John F. Carrol... ...2 04 


95 
Gibbs's. executors have ordered ‘to be dis- 20 “Marguerite,” Bertzik; Mrs. Selgrist......... 70 
21 “Late November,’ ‘Wyant, John F. Carroll... 230 


persed at. auction, were sold by Thomas FE. 22 “A Pleasing Reflection,” Portlelje; John PF, | 
‘arby’ ot: the: American Art Association in CAPE OM ai ie lE Kao mes Vacant pag oe lee an gem 95 


of the late. Frederick 8. Gibbs, which Mr. 


' exactly duplicating those of Messrs. Christie, ‘ 
‘Mans 


crowde -with buyers, bidders and other . 


Persone. 


& Woods. Mendelssohn Hall was 


interested in the Gibbs pictures, 


Say 23 “Thoughtful,” Wiles; William Halpin......... 7 
Mer 30h n Hall last evening for. $15,215. It. on “Sunset Gleam,” Murphy; T. FE. BCs”: is 40 
pe: the first sale of the winter of | sufficient panel Neat in the Catsuills, "Blakelock; W. B. Me 
mportance to take place in Mendelssohn 26 "Kittens," Neuville: Dr, J. W. Gibbs 000007 55 
ui “which: has taken the place of: old a1 HT In ag Cottage Garden,” Fletcher; A. H. 

. hickering Hall as the theatre:for the pub- 28. “Happy Fancies,” Loop: H. R. Wilson... ...., 240 
Tic sale of important art collections, New . a eee heli Mog Sis Masato olde so ge bik 
York. having no Governmental auction | | 3t “Perplexity.” Sieferts A. H. Hal ae 55 
“The New Book,” pipe te Orth + i 95 
room like ihe Hotel Drouot, and no rooms | 88 “Stil Life,” Reain: W. Breen Ata ie | 5) ie 

34 “Débutante,” Blenner; W. B. Strange 2202,/..5 85 


“Woodland Farm,” Koekkoek; W. ee Strang 85 
ot aaa in the Pasture,” Howland: . Hoch- 

BCT ara opera Ou oan ts pelt elias San ae ok) Wind 1 105 

| 837: “Bon Voyage,” Pinchart;:A. H. Falk.......,; 55 
88 “Sunset,” Murphy; New. York Cooperaltve 


ald 


, 60 “Oxen in Stable,” Bonheur; ee . Kelley.... 650 
‘51 “On the Bronx, * §. RB. Gifford; B. Hochschiid 110 
52 “June Flowers, K, Robie; Mrs. R. M. Haan..., 360 
63 “Poling Up Stream,” Craig; <r Aa Raley tes . 55 
54 “Playmates,” Guillemin; W. M Fa of Bait 65 
55 “Stone Bridge,” Van Flten; Dr. J. W. Gibbs. 65 
'56 “Smugglers’ Cave, Jones's Wood,” “Wyant: 


i night’ ‘8 auction, to learn something of the 
‘indications of what prices were to rule in 
this sale, which is in some respects the 
most interesting from the standpoint of 
American art that has taken place since 


oni of whom, who were not buyers last . pa Joaaee er ee wining BE 260 | 
‘will figure among the purchasers | 2s Reema nec | 

o-night: ‘Or tid neo night, when the bet- bes “Say “When, v RE bbe Paps ts 7 310 
ter offerings will come under Mr. Kirby’s — Saat ee Se ae ae 
-small ivory hammer, ~ | 42 sAlgerney Heifer,” Hart; J. B. Ward......., 45 
we? iE has ; 43 Basie er of Artillery,” Perio yre;‘A. G. Lack- 

_A considerable percentage of last‘even-— ; OR cays Ue es ee * 140 
‘ing’t ak “In the Woods,” Inness; AVES eran 10 
: 8. attendance ote professionals, moe Fe “Peaceful Company,” Echtler; A. mt Hebets. cbt 
‘amateurs and some merely interested 46 “Cavalier,” Schreiber; H. R. Wilson. ....../ 
laymen—had apparently come to look u mEctoetal Days,” Har ue Rave... 4 200 
Over the ground as revealed by the first is “In the Orchard,” Mosler, W. B. Strang... 100 | 


j Misc) SECTISHE eile ous cbs Gara eee Deane 105 
the Thomas B. Clarke sale in 1898.. Mr. os “Morning,” Richet; A. H. Lehmater........ 210° 
‘Gibbs had acquired the usual potful of Pre taae Comicaelotah anes 1 
Variegated canvasses entitled to no serious 59 rerane from Market,” Brown; J. R. 
consideration a ine the ans ipaeen col- 60 “Pet Bird pa okesti 2 L cree ae ei 
' Je ecumulate, and man 61 “Expectation yder; H. DGS anes ok 55, 
_Tector is boun vd af a Vs i y 62 ,Flirtation,” Pinchart; ft Be a Hamilton, 85 
; of these were disposed of last evening, 63 bi Fan Gleam,” De Haven; G i va Walker. 108 
| sma um iv 64 “Pleasant.Pasture,” Marais: ttenham.. 480 
dave a fai in ber of TepTesen tat vais 65 “Near Laaren, Holland, i Ranger; J. T 

' paintings, forerunners of the best offerings | Kerrissey.... eS ic a Ci aa “eae eden 150 
ies uni i ; } 66 “Brittany. Lan scape,” Young; A. F. Bremer. 250 
of to night and to-morrow night. The 67 “Gleaner,” Le Polttevin; Searles AP PUBCON Hey 2 1151 & 


‘indiscriminate 10ts brovgbt the average | 
|of the evening down, but the prices of a 

\few of the American paintings indicated 

‘the interest which some of the better ex- 

_amples are to bring out in the succeeding 

‘evenings of the sale. 


68 “Charcoal Burners,” Murphy; J.T. Rial eh a8 
69 “October,” Ochtman; John F. Carro OES No castes 130 
70 “In the Garden,” Carpentier; H. Hinds... 60 
71 “The Foot Bridge,” Delobbe; W. B. Strang.. 140 
72 “An Italian Maiden,” Epp; L. A. Lanthler.. 110 
| 73 Verte to Port, * McCord; William <A. of 
| ALGO HI Poy 8 6 ¢ Fee Sa Rete Be eee OAONA aL RE TRUE fins EA Lore Bt bol oc) arn 225 
74 Leeda. Sands,” Martin; William Macbeth.. 680 
Wh) “Arabian Horsemen at Chellf,” W. ashington; 


the T.ono Tatand Share # 


S 
* 7 

2 260 | 

580 | 


Grandpa,” Mosler; W. B. Strang: .:. 


aa nt ‘ ‘ LIPS OPATAIE CU Pen) (athe syle tau eirece. tare ety pees 200 
h gecre of the political’ friends of Senator | 76 “The Nest,” Wood: Ws EY SUPAD ES Sanicemconuanne 180 | | 
lee, were among the attendants at the 77 “On athe ‘Sawinill River,” Cropsey; W. B. B. 
aa PRAM BS Su eih etc snus ch Ute tumble bacas eit 130 
sale, John F. Carroll, W. M. K. Olcott, 78 “Pen Speund tsiand: "De ifs; C. W. Ogden’. 85 8 ¢ 
‘County Clerk Hamilton and Hugh J. Grant | bs “Walting,” Guy; H. D. Rohlfs., 2) 0.000... 250 e : 
‘figuring in the list of purchasers, The sae area aie Berkshire,” Bristol; John “¥, antl Perea 
Pe ae lm NTT TCL LORE aye wl a yi sik PAles mie ple lsle, eielg OW Mle mibne 64 ig wa Tmele | + 
feomers brother, Dr. Wilson Gibbs, 81 “Still Life,” Chase; John F. Carroll ee LO ae Ra 90 iS ; , 
eet a number of the pictures. The 82 "Brunette, Plot; John F. Oarroll.. ........... 510 | 3 ay 
er of the’ Innesses was supposed 83 “Dotober Morning,” Post; New. York Co- ge ie on! 
have sereened himself behind a pseu- opera ve Soc PVov vee eee ae sio es suse dete eevee s % SD } 
84 “Return from Pasture,” Cortez; S. S. Laird... 240 4 |o | 
peas because his name had not: hereto- 85 “Near Overschie, Holland,” Bogert; T. B. H. | ine 
| fore figured lio pristine icture ES pees ri aupe te acca aed ton! Fi | B gt 
uyers. Mac t 2 ea ler, oug. t the ” hy ory,’ agbporg,; : ugnes, €AVent........ a | ‘ 
‘exquisite Homer Martin “Golden Sands” Levereaa ant Fine,” Bakeloes) Saas S| Bo 


| for $680. top price of the night. : ia - 


q P TO ns ats oes Potion sale of nee ated 
_F. 8. Gibbs’s paintings, held in Mendelssohn — 
‘Ha Ail appreciated “generously «Senato yl 
Gibbs’s choice of pictures at. the second | 
the on of the auction last Peete) For | 

pee -Seven pictures so. 2 was. 
pai 8 rhe with the $15,215 proceeds ‘of. 
Wedn Oy. evening’s sale makes the total 
Oats: $40,495, or considerably more than, 
a ecording to. report, the whole. collection 
st Mr. Gibbs, thereby once more de- 
onstrating the value of paintings as an 
vestment, even in a very miscellaneous 
ection. The concluding session of the 


| Won eek 
bbs auction comes this: evening, when “158 ‘Meditation, 
e best and most interesting and valuable 7.“Defiance,” Hom 


his paintings are to be offered. ie “Near. Chapinv] 


5 —Twilig 
weaves a Kecrid Valley, New Hampshire,” ee Ae eee our 
ught the highest price last evening, ___ erative Society... 
ying to T. R. Ball for $1,525, and a firm of 161 oa Vibert: 3 ee con 
dealers took Wyant’s “Golden Hour” at 162 “Gray Evening,” Wya 
“ 163 Village in the vale, Ea 
$1,000. George Inness’s “Evening on_the ebmerssia sath ae, Gv bg 
udson” weht at $900, and Murphy’s “Sun- 104 “Spring,” Mazini: 


own” at $600. 165 “Domestic Bliss,” Cai 
a Following - are the pictures sold, with 166 “Peconic,” Casilear; 


iy 167 “December Sunset. i Gr 
partite’ ana buyers’ names and prices: 168 “Edge of the Orchard,’ 


me 
| 91 “Milltary Road to Tiflis,” Verestchagin; N. 169 “Taner Coen ig 


ib BD MOR rOOlresey - tes amie ol Sotelo aaiehles 110 170 ee a tne Buffal 
a aA , honely, Lake,” Blakelock; W. Sidden- Ty Ra Belts ae 
cee pak gS es ARR A Ne Ne Vaca DON she “Ratly Moria’ Martin: sie 
apnnosenes,* Siefert; . Rushmore...... * 70) 172 a igs Her Pets,” Fowle 
ar “Not Such a Fool as. He Tooke Dolph; HH.) ’ Reals HORM ua WLI yr soe cUe eh= 
eCPM IN OMTOOIRD AS. tas ceases Sages bee Quase's ays 85 178 S Golden, Hour,” Wyant; Se 
~695 “Sunset on thé Plains,” Blakelock; L. R. 114 “Keene Valley, Wyant; R 
SMS URGE. Ane. sin cee hate sare aber tees 55 175 “No Eas Prey,” ‘Ronner; A 
“Echo Lake,” Johnson; R. P. D. Ennis...... 130 176 “Springtime,” Defauz; A.M. 
a “At the Well,” Henry; H. V. Newcomb..... 115 177 “Sunlit Woods,” Inness; Nat 
98 “Sunset at Sea, * Blakelock; C. A. Schieren. a 178 “Viaduct at-Laricha, Innes 
99 “Indian Burial Place,” Blakelock: ERS Las Ou 179 “In the Adirondacks,” Rix; 


100 “Landscape,” Murphy; John F. Carroll... ae 120 
101 “Objects of Art, Louvre,” Desgoffe; A He: 181 ee at Dresden, Lake’ 
Peo CARGIMSHGIINGT tages o's plate Senta eee phe ene os 80 le E. H. Curtis. 
102 “The Besi of Friends,” Ronner; C.L. Gregor. 6&5 | 182 “Field Artillery,” 
103 “Forest Glade,” Biakelock; New York Co- 


180 “Indian Corn,” Bridges; aA. 


ee 


Wilson.....5.% ai 
Operative Socloty.igs fo oc EN ease Oickens 55 | | 183 “Young Mother,” TF caters M 
104 “in theCatskills,” Blakelock; New York Co- 184 “Female Head,” Asti; E. Mc 
OQUSraUVE SOCEbYI tac; ee uk baka Oh Dobe accu 110 | 185 “Evening on. the Hudson," I 
105 Set chatted the Wall,” Grolleron; G. E. Rush- a Pall. ; a 
Chasis hier a einer) Maem tetan MeN gi aad oe 186 “Tn Al orta,” of Was net n: W 
“106 “Path Through the Woods,” ‘Wyant; O. A. } 187 “Found,” G is H. ear bia Sea 
eNO ht ati as c's woety tee yet Hie pa sees 225 \ 188 “Late November,” “Bolton J n 
407 andian Hasit * Blakeiock: At a at na . 155 Arend.° 
wh Besa,” jtpwn Pies Scott & Fowles... 20 a Ae "ever sie 
# \ . i (a: ven. ZN aiding Wole eoarelat alae 
“1h “Coquette,” Masura; J. K. Duffy............ ee ue ; 
| 112 “Moonlight,” Blakelock; New York Coopera- Total, two evenings. .........c+-ee- 
' +4 tive Society. LUE e he T eh. SRE ee Robe ace ae aide pee Rewer MEE Bas 
“118 “Venice,” Rigo: A.D. Lewisohn. 21.12.2002. 540 
i “Landscape,” Murphy: L. Bamberger....... aro 
/ 115 “Landscape,” Dupré; M. Eredaen eR en Meow OLO 
'116 “High Bluits,” Biakelook: © . A. Schieren, . 60 
ct 7 “Evening Glow,” Blakelock: L doses A. Lemaire.. 130 
118 “Female Head,” Henner; H. V. Newcomb... 410 
119 apy Bay of Na aples, ” Alvarez; A. S. H. Jones.... 100 
120 “The Last Chance,” Creifelds: W. B. Strang. 100 
4 321 “October Day,” Murphy; W.:B. Strang...... 310 
| 122 Twilight,” ‘Blakelock: N. Y. Cooperative Sc. 175 
28 Ro ea Meadows,” Van Marcke> M. lag | 
ee “Bniranee to the Palace,” Pasini: igh i POE 
AMO TON ce cs ziv dnt aidan dation x's GALEN ek os 810 
25 Footpath Across the Pasture,” Wyant; 
bi : Pe OMPIUSCH Meni dix 5 h3% RR Ue aes 
126 “Normandy Coast,” Martin; C. A. Schicren 280 


127 “Landscape,” Blakelock; E E. C. Anderson.... 130 
Hop “The Bugler,” Perboyre; Felix Fulk........ 


130 
29 “Sportsman's Rest,” Col; FP. i 
‘180° “ “Teal Head” Acti: W. x Bis | ee oe 


eo 


“\, 


eee ee: en ees Sr ee oe Te 
ash pei = —_ aw - Raa Be TER 


+ 
_ ae By, ae “¢ i 

é Sai N 4 
ars 


pe OF THE SALE OF a4 LAE q 


SENATOR'S PAINTINGS. 


A Blakelock, “The Pipe Dance,” Goes for 


$3,100, the Top Figure of the Collee- 
tlon—An Inness Brings $%2,550— 
Ziem’s “Grand Canal’ Goes for $3,000 


Nearly all of the most interesting paintings 


_ |in the late Senator F. S. Gibbs’s collection 
_| had been put in the lot to be sdld on the 
| third and last evening of the auction, and | 
| they brought the receipts of last evening’s | 

sale at Mendelssohn Hall up above the | 


| $50,000 mark, 


| When Mr. Kirby’s gavel fell on the sale | 

of the last picture of the 283 in the cata- | 
logue, the grand total of proceeds for the | 
| three evenings was $91,140, to which is to | 
be added several hundred dollars receipts | 


from the sale of Mr. Gibbs’s collection of | 
| art books and of catalogues of other col- | 
| lections, which were disposed of in. the | 
American art galleries on Thursday after- | 


noon. 


e figures for ‘a: collection not re- | 


Lec Gabis or any particularly disting 
canvases, and replete wit mediocrity, 


| rather go to show that the common fear 
tt would be an inauspicious season | 


for the dis of pictures was a ground- 
| less one after all. 
Blakelock’s, “The Pipe Dance,” bre 


| the highest Price of of the night, '$s, 100. it | 


} was bou ny by ABMS ther Jearn. The | 
coouad was the klyn Institute. | 

ne a good competition for | 
Martin’ s “On the Seine,” which jomber | 


$2,200. Murphy’s, “ Afternoon in§ pter 
| which cost Gibbs $1,550 a coupl 
years ago at “the Sullivan 0 went 


inte 250, but this slight falling off ia nota | 


noticeable characteristic of the 
iner’s “Evening,” went at $ fee 
t’s small canvas, 7)4x12 
ee ib 
ra eS 


authorship nness’s 


as the bidding tor this painting started 


| at $1,000 and was keen up to $2,550, at. tures | 


ice it sold. A pc abs emanat ae 


Hons Trices 
Following are ae. Se sald, 9 ai 


| names of artists and 


} 189 “The Youn Mother, ” Callle: H. F. Mura. f ” 0 
190 later Village,” Blakelock; ‘a. OV. New- % 


191 “S panish Nadal Player, * Zamacols; ‘Mrs. 


eg 

192 “AC Cavalier and Ladies of the Court, *isabeyi | 
rs. J. Schmidt. ; Chee oe. ae 

193 “Girt with Fan,” Blakelock 

| 194 “Near Tamworth,” Johnson 


berg. 
| 195 “Distant Encampment,” Biaikelock; We H. 
Bourgoyne..... eee 

} 196 “Landscape,” Thom; ‘Sinsheimer URS Aa colby 80 
{ 197 “Wash. Day. at othe “Monastery,” Vibert: 


e any anges ie . 
RES | 


ing | 
Storm” were clearly without J‘ yoleaa effect, | 


198 ee the Harbor’ ‘Mouth, oon Blakelock: F. A. 


olhorst 


199 “Landscape, Murphy; J. F. Gilroy 


200 * hd Lone Wigwam,” Blakelock; YSplepal- 


” Murphy; E. 
i the Arrow,” Biakelock: J. Rob- 
a 


inson (agent) 


| 206 “The Smoker,” Schreiber; W. B. Strang.. 


207 “A Skirmish,” Grolleron; A. D. Meyer 
208 Beach is the Woods,” Corot; H. 


Tribe,”  eiapclogee 


aoe Robinson a it sia Werder alone alent 500 


211 “Absorbed,” Moeller; np J. Harmon 
| 212 “A Song ot Circassia,” Mowbray; O. Passo- 


ee Figg Rd ia Gye Glo bis eify igietd lao ce MOTUS SIRE Leas 630 


Ee este Departure, % Grison: ADE 


| en apes ofa 


a Te 
np en nr penn 
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Dt ee 


hi 4 
a 
Yi 
(ee a! 
re A, 
Mee * iF 
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ra 


a ie hal Ants 


ttl UN, 


at . iy Pi 
LA xl Aah Fe iN ’ 
WER MOAR NS ae 
i i N\ 
es 


roe, AN A 


{/ : Mi Va a (bet 
: 7 bate wy avs can Ot 9, (OH ie Bid), ‘% i id f } 
i AFM ry A “ 
‘a! F AY F y, i mn 
' Pee hy: : TNT Ai fe fd a) Jans 
aa ts ah fe 7 S a i se (i) ‘ A ¢ 
yy Ee fF a 
i en e ae Ifa r rey p cA t 4 
: as} * 
A ‘ t= ¥ fs Ne § f a t 
i f Ping} . 
p 


PERING. BRING $15,215. 


ds of the Late Owner Among 
Purchasers—Top Price Was $680, 
Homer Martin’s ‘“‘Golden Sands.’’ 


of the paintings in the collection 
ate Frederick S. Gibbs, which Mr. 
executors have ordered to be dis- 
J at auction, were sold by Thomas E. 
of the American Art Association in 
endelssohn Hall last evening for $15,215. It 
as the first sale of the winter of sufficient 
portance to take place in Mendelssohn 
all, which has taken the place of old 
tickering Hall as the theatre for the pub-| 
: sale of important art collections, New| 
ork having no Governmental auction 
om like the Hétel Drouot, and no rooms | 
‘actly duplicating those of Messrs. Christie, 
anson & Woods. Mendelssohn Hall was | 
‘owded with buyers, bidders and other | 
>rsons. interested in the Gibbs pictures, | 
ome of whom, who were not buyers last 
rening, will figure among the purchasers 
-night or to-morrow night, when the bet-| 
x offerings will come under Mr. Kirby’s | 
nall i ivory hammer. 

A considerable percentage of last even-| 
ig’s attendance—some professionals, some | 
mateurs and some merely interested 
yymen—had apparently come to look 
ver the ground as revealed by the first) 
ight’s auction, to learn something of tho, 
idications of what prices were to rule in| 


vis sale, which is in some respects the | 


‘ost interesting from the standpoint of. 
merican art that has taken place since, 
16 Thomas B. Clarke sale in 1898. Mr. | 
ibbs had acquired the usual potful of) 
ariegated canvasses entitled to no serious, 
onsideration which the uninitiated col-| 
ietor is bound to accumulate, and many '| 

these were disposed of last evening, 
ith a small number of representative 
aintings, forerunners of the best offerings | 
E to-night and to-morrow night. The | 
discriminate tots brought the average 
' the evening down, but the prices of a. 
‘w of the American paintings indicated, 


ie interest which some of the better ex-| 


amples are to bring out in the succeeding | 
venings of the sale. . | 
Some of the political friends of Senator 
ibbs Were among the attendants at the 
ile, John F. Carroll, W. M. K. Olcott, 
punty Clerk Hamilton and Hugh J. Grant 
guring in the list of purchasers. The- 
snator’s brother, Dr. J. Wilson Gibbs, ° 
Jught a number of the pictures, The | 
urchaser of the Innesses was supposed | 
» have screened himself behind a pseu-| 
bnym, because his name had not hereto- 
re figured in the seasonal liste of picture 
ayers. Macbeth, the dealer, bought the 
cquisite Homer Martin “Golden Sands” 
m $680, top price of the night. 

The pictures sold, with the names of the | 
winters and the buyers and the prices, | | 


1 


low; 
“Bvening,” Creifelds; G. A. Almslee......... 30 | 
(andseape,’ ’ Blakelock: H. R. Wilson... nat 
“Guitar layer,” Caille; John F. Carroll. 65 
Meetin’s Out, 3 Henry; W. B. Strong....... ’ 100 
“Morning,’ Blakelock; New York Coopera- 
Me PIDORGEY clone eck oe eo aye Ey 175 | 
The Oldest Inhabitant,” Moeller; C. LL. | 
Gre MUA e cee abe diac Oaks COMES crud diye Lioe 3 


“« ken, ke gh 2 4 > eee 


~ SG eee seme ee eee 
- See eet cece fe ee 4 
sor 4 aw LS seehcheh ei es: 


ii is “The Promenade,” see sii oe Meier 


a Carroll, Hugh J. Grant ‘and Other Pee 


ou 
ae Bi 
In ne Westibute,” Seiilii: pr. 


“16 PReciaening from the 1 Hengy: D. Hu- ; 


rr ee 


‘7 “sheep. ”» Tom: W.B. ‘Sirane. 


1S “Reverie,” Escosura: John F. Carroll........ i 
20 “Marguerite,” Bertzik; Mrs. Selgrist......... 70 
21 “Late November,” Wyant; John F. Carroll... 280 
(22 Gee of ee Reflection,” Portielje; John Ff. a 
Ph partie ead * Wiles; William, ‘Halpin.....2. 95 
24 “Sunset Gleam,” Murphy; T. E. H. Curtis..... 400 
25 “Waterfall in the Catenills, i Blakelock; W.B : a 
Ci aes eh gaa SR SCR be PMR IUCS ue Sowennons Naan ry are Ae ve 5 
oe ilcete. Neuville; Dr. J. WwW. Gibbs ie esa 55 
rt “English Cottage Garden,” Fletcher: AL oH. a 


‘Falk 
28 “Happy Fancles,” Loop; H. R. Wilson........ 210 
29 “Autumn Sunset,’ ars ate G. G. Benjamin. ..200 


At CRE nan. «oni NRE StS DPC “e 100" 
48 “Gamesters’ Quarrel,’ ’Portielje; D. Huher Jr. 209 


| Hall, 


80 “A Head,” Henner; F. W. Hunter............ 280 | 
a “Derplexity, "Stefert; Ry: H. Paley ee 55 
32 “The New Book,” Polen TON Worta a: 2s: . 95 
ee “Still Life,” Ream; WB Stran ie ak sa ce ee 85 
34 “Débutante,” Blenner; W...B- Strange oo. i * 85 
a “Woodland Farm,” Koekkoek: W. i Strang 85 

36 “Pond in the Pasture,” Howland; - Hoch- 

UPTMRELTEL or O55 Oe oe kka ua eb he Se POUT al oe age ea 105 
a “Bon Voyage, 2 PiInchany As Ms hale. cue, 55 


73 “Coming to Port, » McCord; Willlam A. 


CE 5 a e Fe ee Bo ye oe Te, 


38 “Sunset,” Murphy; New York Cooperaltve _ 
Society pi cdyr Rye ewe SL SR ce SRL Candee Ma atte a NAT 

89 “Frosty Morning,” Grolleron; William se. 
PORE se Ae AV ee were oni a wink oie Be nteey 165 

40 “Say When,” ‘Tamburini; A. O. pike . 310 

41 “Spanish Peasants,” Amorés; A. G. Lack- ae 
oi Fal wridialaldipia:ielete wielb.b 8's’ aiplgie a teieiisia slg elbleiate «© 6léle dle & o 
42 aA rernoy Heifer, “Warts Js BS Ward. 22 45° 
43 bahia aoe of Artillery,” Perboyre; A. G. Lack- 140 
44 “Tn the Woods,” Inness: R. L. Rave Ser ets acts 
45 “Peaceful Company, ” Bchtler; A: O. Deshong 185 
46 “Cavalier,” Schreiber; H. R. Ww Teo sae iy 
a “Hunters,” Inness; R. L. Sut hie Stu en ae SHEA 300 
48 “Colonial Days,” Harris; eet OTG essere 105 
os “In the Orchard,” Mosler; W 5. Bytes EASA 160 
50 “Oxen in Stable, ’» Bonheur; . Kelley.... 650 
51 “On the Bronx,” S. R. Gitanae Be achechiia 110 
52 “June Flowers,” Robie; Mrs. R M. Haan.... 360 
63 “Poling Up Stream,” Craig; A. H. Falk......, 55 
64 “Playmates,” Guillemin; W. M. K. Olcott... 65 
55 “Stone Bridge,” Van Elten; Dr. J. W. Gibbs. 65 
56 “Smugglers’ Cave, Jones’s Wood,” Wyant; 

: Mrs. Segrist WicN Sd ararapial eee sara rea ere uote eG . 105 
57 “Morning,” Richet; A. H. Lehmaier........ 210 
58 “jam a Confessional,” Irving; G. G. Ben- 

Pt ay ree ee A Se Re eee Cao 

59 As Mei Naar from Market,” Brown: J. R. 
ILETTISS OY Soies sic se ses aise EO Re Ee Rate 125 
60 “Pet Bird, ti Chase; wi Re Hs FLamMUNton 25 4 < 85 
61 “Expectation,” Ryder; H BG Wack is Dba 60 eur re aE a . 65 
62 “Flirtation,” Pinchart; T. L. Hamilton.. 85 
63 “Sunset Gleam, ” De Haven: G. M. Walker. . 105 
64 “Pleasant Pasture,” Marais’ W. Sittenham.. 480 

65 “Near Laaren, Holland,” Ranger; J. TT. 
KRerrisS@y ) Auk ose ik ssi a ate cee aed Seca eos 150 
66 “Brittany "Landscape, "Young; A. F. Bremer. yt 

67 “Gleaner,” Le Poittevin; Searl ne id Be hs Ree 
68 “Charcoal Burners,” ered asa . T. Kerrissey. 3 

69 “October,” Ochtman; John F. Carroll sea e gy Sg 
70 “In the Garden,” Carpentier; H. Hinds: ... fos 
71 “The Foot Bridge,” Delobbe; W. B. Strang.. 140 
72 “An Italian Maiden,” Epp; hsteay We Lanthier.. 110 


SIOGUMIN Ay Mostacuis Rah ae pra le aot ARCH e bee ors 225 
74 “Golden Sands,” Martin; William Macbeth.. 686 
7 “Arabian Horsemen at Chelif,” Washington: 
W..B. Strang.. eSNG SUR eR aie) erates Pie 6.0) 
76 “The Nest,” Wood: We Bo Strang.) vegies ren: 130 
77 “On the ‘Sawmill River,” Cropsey; Ww. B. 
Stra ee Bos hahaa cla eure, s Sat Hae Ere oe 30 
78 “Ten Pound Island,” De Haas; C. W. Ogden... 85 
719 “Waiting,” Guy; H. ‘D.Rohtts” cuits eens, 50 
80 “Long. Pond, Berkshire,” Bristol; John F. 
Carros seks png SO aR Seba ee De Oe een 160 
81 “Still Life,” Chase; John F. Carroll..... Py ean 90 
8&2 " Brunette,“ Piot; John F. Carroll... ... Sadie ges 510 
83 “October Morning, ” Post; New York teste 
aperativepoclety.. cA ea ee ee 
4 “Return from Pasture,” Cortez: S.S. Laird.. 
S “Near Overschie, Holland,” Bogert; T. E. i. 
Cab bx ri hs yey MCDM ot 9 RE am QO Pe MARE oI te 255 
86 “Old relat (CA a Latta Hughes, TAREN GE scien 460. 
87 “poutier and Flume,” Blakelock; Hugh J 
Cee: voy cient Shr Atera nantes Mik fier canvill oh aise ote Mae 55 
88 “porest of Fontainebleau,” Magnus; E. J. 
g 5475) 0 oN ae aa Mle OAL MERE ASD Gre Spee DS VIN oro MOLSEERL (Qt ae 260 
89 “Helping Grandpa,” Mosler; W. B. Strang.... 530 
90 “New: York from the Long Island Shore,” 
Miller; L. G. Bloo mingdale. ........00....0... 210 
Total, $15,215. 2 
wk SY 


according to. report, the wh 


investment, 


brought ‘the highest price . las 


Hudson” ‘went at $900, and aie “sg " 


artists’ 4na buyers’ names and ‘pric 


‘105 Mee or the Wall,” Grolléron’ 6. B: 


phre 
137 «on 


138 “Companions,” Himthes: H.W: sagan ae 
189 “Goss sip 
oc 


140 “Oxtordshires on the, Reece" 


ane pee generous 
Gibbs’s choice of pictures at 
session of the auction last 
the ninety-seven pictures sold 
paid, which with the $15,2 

Wednesday evening’s sale ma 
to date $40,495, or considerably 


cost Mr. Gibbs, thereby onc 
monstrating the value of pain 
even in @ very. 
collection. The concluding. Ss 
Gibbs auction comes this -e 
the best and most interesting a 
of his paintings are to be offere 

Wyant’s “Keene Valley, New 


going to T. R. Ball for $1 525, an 
dealers took W: ant’s “Golden 
$1,000. George’ Inness’s “Kvenin 


down” at $600. 
Following are the pictures | sold 


$1 “Military Road to Tiflis,” Verestcha 


D. -Estabroolk st: ese ee aes 
92 a Lonely Lake,” Biakelock; W. 
ate Eo ae ee oe oe 
93 “Innocence,” Siefert: C. E. Fuabraores) 
94 “Not. Such a Fool as: He Looks,” ‘Dolph: 
Vo NeEeWeOnib.Uh cs on ee ee ee 
~ 95 “Sunset on abe saa Biakelock: Fas. 
> AUBDACHEL Soni yeas peers | cea ee 


ne “At the Well,” Henry: ‘HE. v. Newcomb... 
“Sunset at Sea,” Blakelock; (ORR S Sone 
“Indian’ Burial Place,” Blakelock:. 
“Landscape,” Murphy; John “By Carr 
“Objects of Art, Louvre,” Desgoffe; Avil 
Tieinshelmer 4% las oc vs eae woes 
102. “The Best of Friends,” Ronner: C. L. Grege 
108 “Forest Glade,” Blakelock; New, York 
operative Society... 
104 “in the Catskills,” Blakelock; New ‘York 
operative Societ 


tyra 
ed tee BES 


ee ee er ee ee ee ee ee 


106 “Path 7 Through the Woods.” Wyant: 
chiéren ae 
107 “Waytarers, 2 Blakelock: a  Humpin 
108 “Indian Hunter, a Blakelock; A. o 
109 “Stump Speaker,” Moeller; 5 mit 
110 “A Beau,’ "Herrmann; Scott & Fowles.. 
111 “Coquette,” Masura; J. Kary soe 
112 “Moonlight,” Pic cpsiasees NeW ee 
tive Séciety. Sadie Manat Pane q 
113 “Vénice,” ork A. 


116 “High Bhiffs,” Bicone 6° 
117 “Evening Glow, ” Blakelock; 
118 “Female Head,” Henner; 
119 “Bay of Naples,” Alvarez; / Nes: 
120 “The Last, Chance,” Creifelds;. . Stra. 
121 “October Day,” Murphy; 'B. Strang. 
122 “Twilight;” Blakelock; N. ¥. Coopera: 

123 Exepen Meadows,” Van Mere f 
BINS. yeh ea pean eee By Balh 

124 “mntrance to the Palace, 
* Carrelh ss. 01. Gee eee eee 
125 ' ea Across the Pastiire,” ig 
_M. ‘J. Hirsch 


ee ee ee re 


er eee 


i. Se Ben mee eerie ea ee ae tees age 
133 nicadtng hl Rabelais, Hg Vibert; a ah 
134 “After a “Summer ‘Shower, a Biakelock N 

x; Cooperative SOOLETVe a faa, she Getetad |e 
135 “Sunrise,” Martin; W. B. Strang. wbid ah oie re 
136 “Early Autumn,” Murphy; A. C phe 
fcketie Berne Beliecour; ige ; 
Derwer 24 AOE ee ee pee ORES. 


on the Highway,” 5 


Thom, 
hschild . ; 


ggins; J. E. Ward. 


0 he Fe tee ee eee Boe 


tite ee ok 


810 Dupre 
epiines e . 
iS on; Ww. ‘'B. Beane +390 | ; 
Woes S. Chait. 290 
‘New York Coop- 


vate ee 


s Sa 


Bl eiqie i eam oyeth 


eins-'— 


F 
Pas slene ede re ete. d's 


ee ee ed 


. irs 


ee 


See ees ea rice wees : 


Betie ecour; 


on Sy 


EB a alienate ey 


»y 
pee eo: ea tqptsicg bc 4 
_—_——— 


‘s) Pree: -.. $25,280 
ee then edieg Ba “B28 


OR a PICTURES. 


? THE. "SALE OF fee LATE 
ane cele PAINTINGS. 


» Pipe ous Goes for 
p Aggies of the Collec- 
ness Brings $2,550— 
oe Goes for $3,000 


n: es Ss. Gibbs’ ’s collection 

in the lot to be sold on the 
last. ibe ted of the auction, and 
eceipts of last evening’s 
ane np above the 


spehere 
ie 
a 


Mr. Kirby's Se ai fell on the sale 


Mast picture. of the 283 in the cata- 
the grand total of proceeds for the — 
svenings was $91,140, to which is to 
several hundred dollars receipts 
> sale of Mr. Gibbs’s collection of 
ra of « talogues of other col- 


which were disposed of in the 
4 1 art galleries on Thursday after- 


gures for 2 gollection not A 

any particular istinguis. 

8, and replete wit. th mediocrity, 
0 to show that the common fear 

would be an inauspicious season 


| Wer ay of pictures was a ground- 


pene an “The Pip anos” brought 


ne Goer gE Het he | 
We y rge earn e | 
ES 

was — a good 


iad the Brooklyn Institute. 
competition for 


‘ 
ee 


$1 eae ae iis 


nis small canvas, 


seasons ago at a public sale for $450, 
pgp fi as af ae a sera tel 

an iG); * u Ge 
$1,150. These last Hes. OMe Sat 
for Henry Ward Beecher. 


the Builivan sale, went for 
ing off was 
 notic anlo pparactanistio of the sale. jal, 
5 BBlat nek 
x nches e 
un Bath,” which Mr. Gibbs bought a few 


at 
at 
at 


ictures were painted 


rious underground Tumors that had 


been set. going, expressin 


doubts of the 


authorship of Inness’s “The Approaching 


Storm” 
as the 


were clearly without adverse effect, 
bidding for this painting started 


at $1,000 and was keen up to $2,550, at which 
price it.sold. A glance at the list of pictures 
sold will reveal that the paintings which 
gave Mr. Gibb’s collection its chief claim 


Homer, Inness, 
and so on, did 


|to attention, those by the Americans, 
Wyant, Murphy, Minor, : 
not go begging, although 


the sale was without sensational prices. 


Following are the 
names of artists and buyers and prices: 


189 “The Young Mother,” Caille: H. F, Murray.. 
190 Peavey hele ay Blakelock; H. V. New- 


OOM eas Ha 8 4 eat ie ce Cb sepa bis eae oe seweede & 
Oe hie 4 tig Wie eae ee ee ee ec omele reeset ees 


Steet eee e er ee ee ee arte nner ege 


bat as Sprueder- 
195 “Distant Bisiine ” sigieslbek: WwW. H. 

Bourgoyn 
196 “Landscape,” 


PO ee wr ee ee Meee ew weber ses eee 


HH: 
198 “At the Harbor Mouth: ” Blakelock; F. A. 


aintings sold, with 


80 


. 270 


70 
160 


Tolhorst... we vlns o Upwblapenbninsuretas yale ode deh's 40 


199 “Landscape,” Murphy: J. F. Gilroy... ..... 


185 
200 “The rope Wigwam,” Blakelock; Spiegel- 


245 “Rainy Day, * Miller; W. B. Strang... 2.2... 
246 “A Prize Bull,” Thayer; G. G. Benjamin , 


TIEN E  oliad wistarnctin isn» PO eae ees eee 100 
2k Chak hie Coast of. Galitd mata: * Blakeocks 25 
PALME Mets: acc Oe ee ak Nee Bey oo ee Ok 45 
202 “Head of a Lady,” Brush; M, J. Stack...... 175 | 
203 “Spanish Lady with Fan, ” Fortuny; H. V. 
ENG RUDOLIAD. pic oitae See os De Nya ca pip Mea ar 400 | 
204 “Landscape,” Murphy; E.. Heller.......... 200 
205 “Shooting the A ” Blakelock; J. Rob- 
inson (agent) $ AS, pac ie 510 
206 “The Smoker,” Sc ber; . Strang.... 100 
207 “A Skirmish,” Grolleron; A. D. Meyer Spey 350 
208 ney, of the Woods,” Corot; H.: V. New- = - 
Pe POLE tired iets Dy oma 6 eA At Biss 
200 “Nightfall on the World,” Minor; Blank.... 170 
210 “Indian Girl—Ujntah b akelock:; 
J, Robinson (agent) . & 4% We, RA, «25... 500 
211 “Absorbed,” Moeller; J. J.-H@fmon........ 90 
212 “A none of Circassia,” Mowbray; 0. Passo- 
213 “A eiendustine Departure,” Grison; A. E. 
ATV ESCO oa sista d Chase ees AG abi Slglew Bien eat 200 
214 “On the Upper Thames,” Minor; C, A. 
| SCHISLEti ess ole oes te acy awh Coro Melte Caw eet 
t- 245 “Evening,” Biakelock; Pecki. eX. 239 
216 “Summer—Sunshine i Shadow.” Inness; 
Scottie Fowler 416s Oe as yas eek 1,075 
217 “Peaceful Afternoon,’ * Wiggins: Blank ies 130 
, 218 “Roadside near Honfleur, * Martin; G. G. 
BBV AG Ta The sects tae eeee yoaia aid Sew ele does is 2 
219 “Springtime, Fontainebleau,” Gouble; E. 
GEA CLADE UDI Satis asccibea reais Alpe seek Ia what ners Sylva op! atari a 
220 “September Evening,” Minor; L. Bam- 
PUBL OL octal Spetasah kalo ee Uise oie gta che tegen 560 
221 “At the Pier,’ * Haquette; R.E. Dearburg.. 140 
222 “The Sun Bath,” John S. Sargent; Mrs. 5 ; 
Bee TTTIA sig fis a ce gf a ees Siete aint ote 575 
223 “Portrait of a Lady,” Knaus; C. E. Cash. . 180 
224 “Waiting for the Bey,’ *Simoni: A. Lewisohn. 200 
225 “Coast Bushes,” Martin; SEATICSH Le Hoe ees BE 
226 “Light Triumphant,” ‘Inness: Scott and 
SAA MSA heey wide ei ae ae AAO Es Mies aes eae 8 ,150 
227 “First Touch of Autumn,” Murphy; J. W. 
HATE eta esa ea aoa ba ea ea Sabie ateiaret si 825 
228 ee ROeCED? and Cattle,” De Haas; R. H. We 
229 “ihe ‘Coast of France,” Martin; T. E. H. 
CHATTAR oro ECA he RENCE care oe sie waSielers 875 
230 “Early Spring,” Baker; J. Manning....,.... 410 
231 “Edge of the Woods,’ ’ Parton: Blank........ 150 
232 “Just by Chance,” Goubie: Pabouris.. ccs. 620 
933 “View in County Kerry,” Wyant: W. B. 
SHMAN BY 6 dled a bed kore page tens ran ces tenes 475 
934 “Winter Moonlight,” McEntee; W. 5S. 
SPIED CEOs aor shed ala ere eek ie g's Ae /y ee niga ae 
235 “A Barnyard Corner.” Baker; J. Reinboth 
OM PAIY aceon se oe es ae pita tte tes 
236 “An Opening in “the Forest,” Shurtleff; 
ET OTHE MILO Tac in ace eee rae myatie Miagery > 
237 “For His Country,” Berne-Bellecour; H. R. 
NV ALSO Ain uhh attiae 5 «his Nighingecs shee nineties sass 410 
238 “The Lesson,” Selgnac; W. W. Fuller....... 120 
239. “The Letter,” Blenner; a ‘Greene....... ys 240 
240 “Speak, Sir,” Brown; L. L. Feruski........, 420 
241 “Overlooking. the Sea,” Wiggins: R. L. 
VWERIESTIONT Geist cui b Pe aig yi tenia Kiaegt dine age pina Be 180 
242 “Close of Day,” Wyant; Sa, TEVONG. kos see 610 
248 “Figure of a Boy.” Rubens; J.J. Harmon... 100 
244 “Approaching Storm.” Inness; Scott & 
POC LOS AT Wee tie we ie aes etre ek Geir ate a lesu hy 2: 90 


So eee 2 Bp = 


248 “Event Fr A Ya Som srative 


O04 6 e.g 0 © Se cig. S148 2 Be cle + 6's ole we 6S a 5 


Phew arise tw ew te eee e rina « 
BAe) 0010 44 = vin A. 9 vy wo 8 S's bie 516 We cue Swe glove wl 


ee Dogs,” » OC. Evans. ...., 
me «Wet Day in Ootaver.” Eaton; Lt L. Fer- | 


e Pipe Dance 


tee 


4 
258 ligne # chess ig Garay Hearns, : 


| 954 “On the Hill,” Wigeins; A . W. Thayer... 
35 “Phe Wounded Stag,” Blakelock: i G. 
Bloomingdale oo eV bless droop hye ee el en 5, 
| 256 “Landscay a Wyant; = A. Healyv icc .c. 3} 
257 “Cloudy ’ Weir; B dati yo Lee ee See > 
258 ne foal Bool,” Sanchez-Perrler: W. B. 
259 wthe “Old ‘Farm, “Dupré; Robinson (agent). 0 
260 “Girl in Blue,” Henner; C. BE. Cash. a), 5.: epee dt 
261 “Pastureland, Kaaterskill, ” Wyanty, JG 
Evans’ et eigen cobs fe ri 4( 
262 “Gray Day,” Murphy; J. R. Andrews...... 4 
263 “Evening Calm on the Scheldt,” Clays; 
Knoedler & Cos ios i 4 ae. oe eee 65 
264 Para: Me the Sound,” Minor; Robinson 
ON) silica 2 ee dee 2 ent eee 6( 
265 “Autumn Ev ening,” Murphy; TT. Ee Hs Curse 
chasis aeale 6 ba 2 piled ee ae aa ‘hi 
266 “Qray Morning,” Wyant; Scott f Fowles... :73 
267 “Pool in the Meadow,” Wyant: J. F. Carroll. 7i 
268 “Cloudy Afternoon,” Murphy; C. H. De 


Silwere. fi 0 ¥ oo RO ee ee 6; 

269 “Autumn Evening,” Wyant; T. E. Curtis. .1,0: 

270 “Finishing Touches,” Worms; C. E. Cash..... 5° 
271 een Pept ada to My Old Farm, ¥ Murphy: 

umphreys oth Gn sien ER ye TS 9 


272 “Landscape, Ranger; B. Mansfield........ 4¢ 
273 “Selling the White Slave,” Decamps; Fishel, 
Adler &*Schnwartg :27.522 te an ee ee 
274 “Sage’s Ravine, Martin; J. .C. Evans. 3.3 6 
275 “The New Suit of Clothes,” Grison; M. Tan- 
NEMO AU oii eos Cea es eee te crete 4¢ 
276 role Interlor—Keene Valley,”  Inness: 
Fy Carroll e046 oe ee be ee 5s 
277 “tale Nemi, Italy,” Inness; Knoedler & Co. 8 
278 “Near the Sea,” Martin; W. Clausen........ 1,0€ 
279 “Sheep Pasture,” Victor Dupré; S, L. 
Schoonmaker: iiiigc) 342 nn eee 6E 
280 “After the Harvest, ‘ Cox; T. E.’H. Curtis... 32 
281 “On the Seine,” Martin: Scott & Fowles... 2,20 
282 “Afternoon in September,” Murphy; T. ts 
Hamiten |i. 2. 1 wenseecine an. ac ae ae eee 1,28 
283 “The Gleaners,” Innes: A. D. Meyer.. 72 


99 “Indian Burial Place,” Blakelock ( assed 


on Thursday evening); . Benjamin. 6 
Total . sis bk a alone eletintees $50.64 
Previous. total . + 1ti'e St, slel iat 4a oo Ie eee 
Grand? total 93.00 ya e Shee eas ae $91,14 


“wie 


rae 


ILLUSTRATED CATALOGUE 


OF 


MODERN PAINTINGS 


THE PRIVATE COLLECTION 
FORMED BY THE LATE 


FREDERICK S. GIBBS 


NEW YORK 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY 
ORDER OF MRS. DAISY MEADE GIBBS AND THE 
MORTON TRUST COMPANY, EXECUTORS 


AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


ON THE EVENINGS HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
THOMAS EK. KIRBY 
OF THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK: 1904 


at 


EDITED BY THOMAS E. 


x 
, 
a 
. . 
~ 


ON FREE VIEW 


AT THE AMERICAN ART GALLERIES 

MADISON SQUARE SOUTH, NEW YORK 

FROM FRIDAY, FEBRUARY 19th, UNTIL 
THE DATE OF SALE, INCLUSIVE 


PRIVATE COLLECTION OF THE LATE 


FREDERICK 8S. GIBBS 


EXECUTORS’ UNRESTRICTED PUBLIC SALE 
AT MENDELSSOHN HALL 


ON THE EVENINGS OF 
WEDNESDAY, THURSDAY AND FRIDAY 
FEBRUARY 24th, 25th AND 26th, 1904 


BEGINNING EACH EVENING PROMPTLY AT 
HALF PAST EIGHT O’CLOCK 


* 
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) ‘ 
Ay but 
i g ' 4 
ai 
* 
. ei 
i, 
\ 
t 


Subscriber’ s ) Copy No. ya 


EDITION LIMITED TO TWO HUNDRED AND 


Fi 
s 
¢ 
P 
7 
‘ 
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+ 
$ 
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FIRST NIGHT’S SALE 
WEDNESDAY, FEBRUARY 24rn, 1904 


AT MENDELSSOHN HALL 


BEGINNING PROMPTLY AT 8.30 o’ctocK 


ay lad RICHARD CREIFELDS 
1—EVENING 


In the foreground is part of an inlet with a sloop and a Tow - 
boat moored to the rough bank, and beyond is a farming country 
with scattered trees and, on the right, the spire of a village 
church with the crescent of the new moon in the evening sky 
above. 


Signed at the right, R. Creirerps. 
Height, 2% inches; length, 6 inches. 


73 *” RALPH ALBERT BLAKELOCK 


2—LANDSCAPE 


On both sides of the picture great masses of foliage are in 
silhouette against a quiet evening sky, and in the middle dis- 
tance is a sunlit hillside. A pool which echoes the color of the 
clouds reaches from the right two-thirds across the foreground. 


Signed at the left, R. A. BLAKELOocK. 
Height, 4 inches; length, 7 inches. 


57S. 


LEON CAILLE 


\ J. F ae 
38—GUITAR PLAYER U Wo Se nie 


A young woman in white chemise, red bodice and black 
petticoat is seated at a table, holding a guitar across her lap. 
On the table is a piece of blue drapery with a white vase of 
flowers. Over the back of the chair, relieved against a wardrobe, 
is a red kerchief. 

Signed at the left, Léon Catuxe. 
Height, 6 inches; width, 4 inches. 


FE. L. HENRY, N.A. 


j—MEETIN’S OUT n- be oo 


/ O07 


In the broad village street in front of the enclosure around 
a large church with a lofty spire rising high against a summer 
sky, the country people are gathered for a few moments’ gos- 
sip before returning to their homes. In the foreground is an 
old-fashioned chaise, drawn by a white horse, in which a farmer 
sits with his wife and child and a dog, and, leaning forward, ex- 
changes gossip with a quaintly dressed villager, who, accom- 
panied by his wife and two children, stands on the little green. 


Signed at the right, E. L. Henry. 
Height, 8% inches; width, 64% inches. 


Sa SS 
Se a aT 


ener Sea # 


* 
ae 
Pid 
* 
ee 
* 


“ 


RALPH ALBERT BLAKELOCK 


+ 
5—MORNING UNG) A DF Le VYatretu 

A long row of trecs which are varied in shape and of different 

heights extends across the middle distance in strong contrast 

against a blue sky partly covered by drifting white clouds and a 

line of far-away hills. In the foreground is the bend of a river 

with a boat moored to the bank. 
Signed at the right, R. A. BiaKe ocx. 


Height, 54 inches; length, 9 inches. 


LOUIS MOELLER, N.A. 


ae 


> Reena eS — sa : ——— 


2 va) 
fae 4 /, ‘ Mie ye 
6—THE OLDEST INHABITANT SS ad oe % Seat 


tos z 


An old man sits facing the spectator, busy whittling a / 
stick. He is dressed in a gray shirt, black waistcoat and brown 
trousers and the figure is seen to the knees only. In the back- 
ground is a barrel, a coat and hat hung against the wall and 


part of a window. 
Signed at the right, Lovis Mortter, N.A. 
Height, 7 inches; width, 5 inches. 


ye J. Se aa THOM . 


7—CHILDREN AT PLAY fo 6 Unelrer~ 


Two gnarled and broken tree trunks have fallen on the grass 
near a country road, and two little boys and a girl are playing 
horse with them. A toddling child is standing in the grass 
behind and the group is in full sunlight against a low growth 
of small trees and bushes, over which, on the left, dominates a 
great spreading apple tree. 


Signed at the right, J. C. ‘THom, 792. 
Height, 7% inches; length, 11% inches. 


F. VAN SEVERDONCK 


oe CP ba 
S5—SHEEP AND FOWL 


Two sheep and a pair of lambs are grouped in a grassy bit 
of pasture near a pool. One of the ewes stands alertly watching 
over her young. A drake is just about to swim across the pool 
and a cock and hen feed in the near foreground. The horizon 
is low and a great rounded cloud half covers the sky. 


Signed at the left, F. Van SEvERDONCK. 
Height, 7 inches; length, 91% inches. 


J. FRANCIS MURPHY, N.A. 


e SI a a Ee. 4 j 


I—THE PASTURE POND 


In the foreground a fair-sized pool or pond reflects the 
clouds and the deep tones of a clump of trees which grows near © 
by and, mostly in shadow, is in strong contrast against a sunlit 
slope and the sky. On the left in the extreme distance, beyond 
a few isolated trees, is a wood. Near the zenith is a strip of 
blue, broken by a small white cloud. 


Signed at the left, J. F. Murrny. 
Height, 5 inches, length, 7 inches. 


RALPH ALBERT BLAKELOCK 


ra 


i : 
/) EJs L 7 f ‘ 
& 5 Uo- Y OPE one Sy trr-tu ; d 
/ ; 


10—SUMMER IN THE CATSKILLS 
'd 


Stately trees on the left extend out of the picture at the top. 
On the right the irregular line of a rocky hillside is in contrast 
against a simple sky which has a few strong accents near the 


horizon. A rivulet tumbles over the rocks in the foreground. 


Signed at the right, R. A. Biaxketock. 
Height, 7 inches; width, 4% inches. 


: FELIX SCHLESINGER 


Fa ead | 
Fibre Toabek 
l1—THE BUTTERMILK GIRL - 7 


A little girl dressed in white short-sleeved chemise, purple 
- bodice, blue petticoat and faded green apron is seated, holding 
in her left hand a brown glazed jug and in her right a large 
spoon. 
Signed at the upper left, F. Scu esincEr. 
Height, 9% inches; width, 7% inches. 


a JOSEF EMANUEL WEISER 
oe ee ar: 5 / E fe at 
| 12—IN A CARDINAL’S LIBRARY (Aa Oe ae 


/ 

A cardinal in full robes is seated ina richly upholstered easy 
chair before a table on which is a pile of old books together 
with a pewter jug, a globe, an inkstand and a few papers. He 
is absorbed in reading one of the volumes and does not observe 
that a smiling serving maid is handing him a letter. 


Signed at the left, & Weiser, ’87. 
Height, 9% inches; width, 6Y inches. — 


os ees RALPH ALBERT BLAKELOCK 


V4 # e : y 
183—A MOUNTAIN TORRENT 8 i a / 2/, ee re 


Dashing between great rocks is a are foaming water- 
course across which a log has fallen. From the rocks on the 
left rise great dead tree trunks with stumpy branches. In the 
misty distance are dimly seen the forms of great wooded hills. 

Signed at the left, R. A. BuaKetocx. 
Height, 7 inches; width, 44% inches. 


ADOLPHE SCHILL 


eo 7m 
1,—-IN THE VESTIBULE rs. CA Y si 


‘g 
Judging from a hat, a scarf and an umbrellé which are 
deposited on a hat rack, the owner of these articles, an old priest, 
has just returned from a walk. He stands near the door with 
an ample red handkerchief in his right hand. A hanging clock 
on the wall marks the approach of the dinner hour. 


Signed at the right, A. ScHiLt. 
Height, 7% inches; width, 5 inches. 


ee 


See 
~~ — 


Pare VICTOR mae 


15—THE PROMENADE oe a. 
A lady in a Watteau dress of pink silk ie satin 


petticoat stands in path in the chateau garden holding in front 
of her a bunch of flowers and a folded parasol. A little King 
Charles spaniel gambols in front of her. In the background is 
a mass of tall trees in full foliage with the blue sky showing 
through here and there. 


Signed at the bottom, V. CHAVET. 
Height, 8 inches; width, 5 inches. 


pays EK. L. HENRY, N.A. 


16—RETURNING FROM THE WALK a 


Through a gateway, where the rank j ivy has Bilas covered 
one stone post and spanned the opening with an arch of green 
leaves, is seen in full sunlight the figure of a young lady dressed 
in white with a red shawl over her arms, and accompanied by two 
pet dogs. In the shadow of the ivy-covered wall on the right 
is a garden seat with a parasol, a book and a shawl. 


Signed at the left, KE. L. Henry, Warwick, 776. 
Height, 8 inches; width, 5¥ inches. 


Pat wad JAN BEDYS TOM 
Zi ges ae a 
17—SHEEP IPS ree ie 


A flock of sheep, some of them newly sheared, and a brown 
goat are trotting along a grass path under the low branches of 
a forest, headed by a capering lamb. 


Signed at the right, J. B. Tom. 


Height, 7 inches; length, 9 inches. 


o GERARD PORTIELJE 
ead | 


1) ioe 
18—THE GAMESTERS’ QUARREL NSS / a eS Oe. 
A 


A crowd of men have been playing some simple game of 
chance at a large table in a cabaret and a dispute has arisen. 
An excited workman has overturned his chair and is about to 
attack his opponent, but is restrained by a little girl who clings 
to him in fright. In the background is a quaint wooden stair- 
case and balcony, on the right a doorway and on the left a 
fireplace. 

Signed at the right, GERARD PoRTIELJE. 


TTeight, 7 inches; length, 9¥% inches. 


IGNACIO DE LEON Y ESCOSURA 


o Pree oy jin 7: bare 


A young lady in Elizabethan~costume, wearing a red bodice 
trimmed with rich lace, and a pale green petticoat, is seated at a 
table, leaning her head on her right hand and thoughtfully con- 
templating an open letter. There is a Delft vase full of flowers 
and a casket on the table, and in the background a Dutch 
mirror hangs on a wall of Spanish leather. 


Signed at the left, Lron y Escosura. 


Height, 11 inches; width, 8 inches. 


A. BERTZIK 
Toe 
ey 


20-—MARGUERITE Wari Z- 
a The maiden dressed in a rich velvet gown with feathers in 


her hair is standing in a pathway which winds under the willows 
through a glade in a great park. She plucks the leaves from a 
flower as if repeating, “‘ He loves me, loves me not.” On the left 
under great oaks is a vista to a distant gentle slope with a mass 
of trees beyond. 


Signed at the upper left, /Brrrzix. 


Height, 9% inches; width, 6% inches. 


ALEXANDER H. WYANT, N.A. 
Og a ay y, 
21—LATE NOVEMBER | B Jhon a toarrrtl 


by 
A muddy road or broad path leads from the foreground 
across a rough meadow and disappears in the middle distance 


among clumps of bare bushes and dead weeds and grass. There it 
are a few farmhouses and a wood in the extreme distance and the 
sky is almost entirely covered by confused cloud forms. 

Signed at the left, A. H. Wyant. 


Height, 7% inches; length, 10 inches. 


EDWARD PORTIELJE ‘ 
hire. at Lf 
‘928A PLEASING REFLECTION (hon J barr. 
Y 


In a sumptuous interior crowded with richly upholstered 
furniture a young lady in a pale blue jacket and ample white 
satin petticoat is seated near a table on which stands a copper 

vase full of flowers, holding in her left hand a small ornamental 
mirror in which she is studying her own reflection. Her left 
hand holds a bunch of flowers in her lap. 


Signed at the left, PortTtE Je. 
Height, 8% inches; width, 7 inches. 


a IRVING R. WILES, N.A. 


23-—THOUGHTFUL FF sare 


This is the head and bust of a young girl seated half back 
to the spectator with her head slightly turned over her right 
shoulder. She has auburn hair and wears a dress of soft gray 
material trimmed with mauve. 

Signed at the right, Irvine R. Wites. 
Height, 9 inches; width, 7 inches. 


J. FRANCIS MURPHY, N.A. 


2,—A SUNSET GLEAM re & a 2 i 


Meg : 

In a flat marshy country a clump of trees, some in autumn 
foliage and others bare of leaves, shelter a simple cottage and 
form with it a mass of rich color against a golden sunset. A 
broad gleam of amber light breaks from the low clouds and flashes 
across the sky, imparting a rich glow to the desolate waste of 
pasture and reflecting in a sedgy pool in the foreground. 


Signed at the left, J. Francis Murpny, 1901. 


Height, 12 inches; length, 16 inches. 


rs RALPH ALBERT BLAKELOCK 
2 


25—WATERFALL IN THE CATSKILLS Se 


A stream flowing through a well-wooded region tumbles over 
a ledge of rock in the foreground, winding round under an 
irregular clump of lofty trees on the left which dominate in 
mass the rest of the landscape. Rosy clouds are scattered over 
the sky and the sun is just sinking behind a low, distant hill. 

Signed at the right, R. A. BuiaKeEtock. 


Height, 8% inches; width, 8% inches. 


BRUNEL NEUVILLE 


/) 


26—KITTENS a A Ad ie Ce ae 
pat sh TO . . \ 
U9: "" Three small, spotted kittens are sitting around a plate full 


of food on a rough tiled floor, and a third is climbing out of a 
box filled with straw, near which, in the background, is a birch 
broom leaning against the wall. 

Signed at the right, Brunen NEvvILLE. 


Height, 8% inches; length, 10% inches. 


. BLANDFORD FLETCHER 
S, : 


27—ENGLISH COTTAGE GA VY SF nt 
RDEN ) fo, 1 


In the foreground a gardener is hoeing over one of the 
small patches into which the cultivated ground is divided, and 
beyond the garden a row of thatched outhouses and a large 
two-storied cottage, also thatched, extend across the horizon 
and with a few trees make an irregular sky-line. 


Signed at the right, BLANDFoRD FLETCHER. 


Height, 8 inches; length, 12 inches. 


HENRY A. LOOP, N.A. 


28—HAPPY FANCIES a 
betel oC Jy ai A 


9 fg ea 
; A mother in simple robe of thin white material lies on her 
back on the grass in a pleasant forest glade. One arm is thrown 
over her head and the other is stretched out toward a rock on 
the edge of a pool in the immediate foreground. Sitting beside 
the mother and resting against her knees is the nude figure 
of a small child who holds a clover leaf to the chin of the smiling 


woman. 
Signed at the right, H. A. Loop, 791. 
Height, 10 inches; length, 16 inches. 


J. FRANCIS MURPHY, N.A. 
cea 7 


Q9—AN AUTUMN SUNSET << -& lee 


In the left of the foreground is a small pool shinimering in 
the evening light, and from the right a rough level meadow, 


broken here and there by rocks and tufts of dry herbage, sweeps 
away around the corner of a wood to the distance where the 
ground rises to a range of low wooded hills. The light of the 
sky is focussed near the horizon in the middle of the picture and 
the warm glow from the setting sun further enriches the autumn 
tints on the trees and grass. 

Signed at the right, J. Francis Murrny, 1901. 


Height, 8 inches; length, 10 inches. 


JEAN JACQUES HENNER 


i 
30—A HEAD f° PRA LL 


aye “7 
This is the profile of a young girl lighted from above, the 
head slightly lowered and the eyes cast down. There is a mass 
of brown hair framing her face and falling over the shoulders, 
and the strong light on her chest brings into strong relief the 
red velvet of her bodice. 


Signed at the left, J. J. HENNER. 
Height, 9 inches; width, 7 inches. 


ALFRED SIEFERT 


er is ax 
ae Che i F plh 
31—PERPLEXITY 


This is the head and shoulders of a fair haired young lady, 
seen just above the waist. The head is lowered and turned to 
the right, the eyes looking straight out of the picture. A thin 
gauze fichu is thrown about her neck and where it meets at her 
bosom she has pinned a red and a salmon pink rose. The back- 
ground is a simple tone of gray. 

Signed at the right, A. Srererr. 


Height, 13% inches; width, 10% inches. 


J. H. DOLPH 
pa 


32-—THE NEW BOOK ley 7 eo tg 
/ 


A magazine has been left lying open on a table and a half- 
grown kitten has chosen it as a resting place. Near by is a 
square glass inkstand with the cover raised. | 


Signed at the left, -Dotru. 
Height, 10 inches; length, 12 inches. 


. C. P. REAM 
3 oe 


Af —, By 
33—STILL LIFE ee ot 


A glass of white wine, a large peach and a ia oe 


grapes are grouped together on a black marbled slab. In the 
- glass is reflected the window of the room in which the picture was 


painted. 
Signed at the right, C. P. Ream. 


Height, 9% inches; length, 11% inches. 


- CARLE J. BLENNER 
aed 


34—A DEBUTANTE pf WI. ST Arg 
p= 


This is a head in profile and the shoulders of a young lady 
in a pink low-necked dress, holding a bunch of roses to her bosom. 
The background is a simple tone of gray. 

Signed at the upper right, Carte J. BLENNER. 


Height, 10 inches; width, 8 inches. 


BAREND CORNELIS KOEKKOEK 
IS ee WOODLAND FARM > Si 


A Flemish peasant woman, accompanied by her dog, "A 
along a muddy road which winds to the right foreground between 
a rude shelter and a thatched hovel. A flock of sheep, driven by 
a man in a red cloak, follows her. In the middle distance, in a 
passage of strong sunlight, a large farmhouse, with its roof 
partly tiled and partly thatched, stands on a grassy knoll under 
high trees. 


Signed at the right, B. C. KorKKoex, 1856. 
Height, 13% inches; width, 12 inches. 


vee ALFRED C. HOWLAND, N.A. 


36—THE POND IN THE ogee J 


The foreground is occupied by a quiet sheet of water, broken 
by weeds and grass, and beyond is a hillside with a few rounded 
trees on the left and on the right a view along a distant valley. 
Two cows stand in the pond and others come there to drink. 
The light of the sky is concentrated near the horizon and touches ~ 
here and there the edges of the rolling clouds above. 


Signed at the right, A. C. Howranp. 


Height, 12 inches; width, 9 inches. 


i. y ) r ae eae: iin, 7 ; 

; i i eT a tek ee Ae i re 
: 7, . i a ee [2 ig 7 
i \ ‘ } “ “9 lar ao ° et Sl ae . 7 ' 
| ‘ ' ; ee hw) “Pig Sens ie! rth 

. : hs ; sapetti i i e x ; ae , : 
Bal Tie “Wh lia dip 
= ‘ > ; at } ‘“ 4 R} 5 _ 5 


: E ay} 53 


at 

. yw 

: Vy 
ff 


‘ ree 
i ae 1 
id A 
. a 
‘ 
: i 
, 
‘ 
* 
* 
i 
a 
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s 
+ 
. 
‘ 7 
“ 
’ 
x ~ 
4 
h 
v 
| 
. 
’ 
. 
‘ 
. 
- 
‘ 
. 
- 


EMILE AUGUSTE PINCHART 
soe 
Ve. / 

37—BON VOYAGE © eee eg Pe 

A young woman is sitting in the bow of a boat, which occupies 

the whole foreground, and, holding an opera glass in her lap, 

clasps with her right hand the waist of a little girl who is lean- 

ing over her knee. Both are gazing at some distant vessel which 

is bearing away a relative or a friend. 


Signed at the bottom, Pincwart. 


Height, 10% inches; width, 8% inches. 


J. FRANCIS MURPHY, N.A. 


7 


By v4) J ve) eae ? 
sl Pei UO y) . tee save 7 : - ae | 
~ 88—SUNSET 71 MY. Nor ee rt Oa lg 

( ( 


On the left is a clump of trees in autumnal foliage, one of 
which, with a slender, crooked trunk, rises high above the others 
and is in strong relief against the golden light from the sun, 
which has just set behind the low hills in the distance. A slug- 
gish stream flowing at the foot of the clump broadens out to 
cover half the foreground and is luminous with sky reflection. 


Signed at the right, J. Francis Murpny, 1900. 


Height, 10 inches; width, 8 inches. 


ol PAUL GROLLERON 
f | 


39—A FROSTY MORNING )-_ Othe 


A French cavalryman in a gray overcoat covering a blue and 
red uniform, and a brass helmet with horsehair plume, is stand- 
ing in a path, lighting his pipe. In the distance behind him, half 
hidden by the inequalities of the ground, three comrades are 
gathered around a camp fire. 


Signed at the right, P. Grotirron. 


ITeight, 14 inches; width, 10 inches. 


f ANTONIO TAMBURINI 
ht OOS eh Pane 
40—‘ SAY WHEN” O VY 1, 


In the wine cellar of a monastery two monks are engaged 
in the pleasant occupation of tasting the new vintage. One 
of them pours the rich fluid from a flask into a wineglass held 
by his companion, who leans on a large red umbrella. On the 
left is a great wicker-covered demijohn, rather the worse for 
wear, a flask, and an earthen pan under the tap of a huge wine 
cask. On the right, in the background, is a doorway with a 
small grated window above it. 


Signed at the right, A. Tampurinti, 1887, FLorENCE. 


Height, 13 inches; width, 10 inches. 


a 
\ 
: 


apni, 


a A. A. AMOROS 


41—SPANISH PEASANTS Ce fe AN CfO11t 


In a rough interior a Spanish youth is seated, playing a 
guitar, and behind him is a smiling girl in a brilliant red bodice, 
holding her hands to her head. An elderly peasant in embroid- 
ered jacket, short white breeches, gaiters and sandals, with a 
bright orange kerchief wound about his head, is dancing with 
both arms raised, holding in the right hand a glass half full of 
wine. . : 

Signed at the left, A. Amords, Roma. 


Height, 11 inches; width, 8 inches. 


Be WILLIAM HART, N.A. 
a | 
42—AN ALDERNEY HEIFER iets Fare(_ 


This is a study of a red and white heifer standing face to 
the spectator, in full suniight. The head is slightly lowered. 
The background is sunlit grass and a mass of foliage beyond. 

Signed at the lefi, Wm. Hart. 
= Height, 10 inches; length, 12 inches. 


P. E. L. PERBOY RE 


43—AN OFFICER OF ARTILLERY: ¥. 


An officer is seated on a large, dark bay horse near a line of 
posts on a great open field. On his head is a brass helmet with a 
high crest with a red pompon and a trailing plume of horsehair. 
His dark blue coat, saddle cloth, holster and roll are trimmed 
with red and he wears tight buckskin breeches and tall boots. 
In the distance, under the trees, is a multitude of spectators ap- 
parently watching a military mancuvre. 


Signed at the right, P. E. L. Perpoyre. 
| ‘Height, 11 inches; width, 8% inches. 


oe GEORGE INNESS, N.A. 


Pol “Eon 
LL—IN THE WOODS ~~" 


A sombre forest is lighted by a flash of sunlight which touches 
here and there a rough tree trunk, a branch or the carpet of 
rich grass, and in the foreground brings into prominence the 
seated figure of a woman in a straw hat, a blue blouse and a 
white petticoat. 


Signed at the right, G. INNEss, 1866. 
Height, 12 inches; width, 9 inches. 


ADOLF ECHTLER 


/ ey Oe 
P, ee ae 


ey i f) ri ; L) 
45—A PEACEFUL COMPANY piri ee? Ves Lee eS 
A young mother, holding her infant in her arms, stands in f- 
a cottage doorway in which the lower half of the door is shut. 
Two flaxen-haired children look over the closed part of the door, 
watching a little girl who sits on the doorstep with a scattered 
mass of flowers near by and a black cat eating from a plate. 


Signed at the right, A. 
Height, 11% inches; width, 7 inches. 


CHARLES B. SCHREIBER 


ee, we eae 
46—A CAVALIER } Sarr 


With his left hand resting on his hip and his right on the hilt 
of a sword with the point on the ground, a seventeenth century 
cavalier stands with head erect and feet wide apart. He wears 
a gray hat, a buckskin coat, a red-sleeved jacket, green breeches, 
a blue sash, and riding boots with spurs. 


Signed at the upper left, Cu. Scurerer, 1894. 
Height, 12 inches; width, 7 inches. 


GEORGE INNESS, Nieaa 


47—THE HUNTERS (n. ot pee 


A path runs down to the foreground between steep banks 
covered with bushes and trees. Sunlight flecks the tree trunks 
and foliage and brings into strong relief the figure of a hunter 
in red shirt and straw hat, who, with a companion crouching be- 
_hind him, watches the actions of his dog pointing game in front. 


Signed at the left, G. Inness. 


Height, 12 inches; length, 10 inches. 


CHARLES X. HARRIS 


«48 COLONIAL DAYS Wha en 


Two gentlemen in the costume of the early part of the nine- 
teenth century are seated in front of a colonial fireplace and in 
front of them a soldier, in a dark blue uniform, leans across a 
table towards his auditors as he relates to them his experiences 
in war. Behind the table a footman is drawing the cork from a 
bottle. On the mantel is a clock and two vases of flowers stand- 
ing in front of a large mirror and on the wall to the right is the 
portrait of a lady in a gold frame. 


Signed at the right, C. X. Harris. 
Height, 15 inches; length, 21 inches. 


From tHe Tuomas B. CLiarKe CoLiectrion. 


Pa 


HENRY MOSLER, A.N.A. 


oe? © 
ga W/. = : 
4I—IN THE ORCHARD od i oe. Ze ee 


t-, 

A little barefooted girl, with her apron full of fruit, 7 

apple to her mouth as she leans against the trunk of an apple 

tree in a sunlit orchard, where tall lilies and other flowers grow in 

rank profusion, and the ground is covered with grass and fallen 
fruit. 


Signed at the right, Henry Moster. 


Height, 12 inches; width, 9 inches. 


MLLE. ROSA BONHEULR 
50—OXEN IN STABLE : 7 
Two sturdy brown oxen, sparingly spotted with white, are 
quietly feeding in their stall, back to the spectator. The light 
comes from the right and throws a deep shadow upon the 
second animal, whose fore quarters are hidden behind the huge 

bulk of his mate. 
Signed at the left, Rosa BonHEvR. 
Height, 12% inches; length, 17 inches. 


_, SANDFORD R. GIFFORD, N.A. 
Ve 


f 2 : 
I ig 
OE Nee ON ae ae Hritachaee 


It is mid-afternoon in early winter when the sun is veiled by 
a chill mist. The bare branches of the dense woods on either side 
of a broad, gently flowing stream show a softened contour 
against the gray sky. On a leaf-strewn point on the right a 
figure stands near the water’s edge. 
Signed on the back, S. R. Girrorp, December, 1861. 


Height, 12 inches; widih, 10 inches. 


JEAN BAPTISTE ROBIE 
( 0}: io pon) ) ben 
Son Ct SA ee 


52—JUNE FLOWERS 


A bunch of large roses and various other flowers which glo- 
rify the garden in June have been thrown carelessly on the 
ground near a shallow pool on which floats a fallen rose leaf, 
and here and there on the blossoms and leaves are glistening 
drops of water. 


Signed at the right, J. Rosie. 
Height, 14 inches; length, 18 inches. 


- WILLIAM CRAIG 


ad 4 
58—POLING UP STREAM CLI Fin 7 es 
(Water Color) 


A man is poling a red skiff up a shallow but broad stream 
which flows between rocky banks in a broken country where 
scattered trees grow on the bluffs and there are few signs of cul- 
tivation. There are patches of sunlight here and there on the 
rocks and trees, and scattered cumulus clouds partly cover the 
sky. 

Signed at the right, Wm. Crate. 


Height, 10 inches; length, 14% inches. 


- ALEXANDER M. GUILLEMIN 

g 4.408 ; iia 
ee ee, a : 

§4—PLAYMATES ee ET ac I ee, Me (crt? 


A peasant woman with a red shaw! over her head, and wear- 
ing a red jacket with green sleeves, and a dull purple petticoat, 
sits on a bench, and against her knees leans a small girl dressed 
in blue and white who holds a head of ripe wheat to a bird 
perching on a basket high up in the corner. 


Signed at the left, A. GuILLEMIN. 


Height, 13% inches; width, 10 inches. 
| 


|, | KRUSEMAN VAN ELTEN, N.A. 


: Ge ye )- itt 


55—THE STONE BRIDGE 


A shallow, meandering stream which runs down to the left 
foreground is crossed in the middle distance by a stone bridge 
with a single arch, over which a fisherman is walking with his 
dog. On the left is a clump of wind-tossed trees and on the 
right are low bushes overhanging the water. The sky is full of 
wind clouds, piling up and threatening a storm. 


Signed at the right, KrusremMAN Van ELTEN. 


Height, 10 inches; length, 154 inches. 


ALEXANDER H. WYANT, N.A. 
fd eee | 
56—THE SMUGGLERS’ CAVE—JONES’S WOOD 

Built against the side of a sandy hillock is/the stone facade 
of a rude shelter which in earlier times was possibly the cellar of 
a brick structure above. On the left small workshops and other 
buildings show that the city is advancing in this direction and 
will shortly sweep away this relic which for many years was 
known to the frequenters of Jones’s Wood as the Smugglers’ 
Cave. 7 


Signed at the right, A. H. Wyant, Jury 3, 1869. 


Height, 9 inches; length, 16 inches. 


- LEON RICHET 3 
5?—MORNING | le. 1. a seca 


An irregular pond, which reflects the gray light of the morn- 
ing sky, breaks into a brown meadow where a solitary tree 
stands on a low point near the water. Behind this sentinel is a 
large rounded mass of trees and in the distance other scattered 
clumps and a line of wooded hills. The sunlight flashes on the 
meadow in the middle distance, where a figure of a peasant 
woman stands near the water’s edge. 


Signed at the left, Lion Ricuet. 


Height, 1014 inches; length, 16 inches. 


J. BEAUFAIN IRVING 


{fj /) ae: | 
Us we Ko © a) eS cata aha 


Pi 


58—AT THE CONFESSIONAL 


Standing near a mahogany confessional, with her clenched “ 
right hand resting on the base of a column, is a lady in a black 
dress with a brilliant red shawl over her left arm and a blue 
knitted scarf around her head and neck. The face of a priest 
is dimly seen through a small latticed opening in the side of the 
confessional. High up on the gray wall behind the figure is a 
gas jet with a glass globe. 


Signed at the right, J. B. Irvine, 1866. 


Height, 16% inches; width, 12 inches. 


J. G. BROWN, N.A. 


(O58 hy 
59—RETURNING FROM MARKE Ul. a 


A little girl in pink calico dress, white apron and a sunbonnet 
tied around her neck is walking along a path across the fields, 
carrying in her left hand a tin pail and in her right hand a paper 
parcel, holding at the same time a full basket on her arm. Be- 
hind her is suggested a farming country with cultivated fields, 
coppices, a few houses and a church. 


Signed at the left, J. G. Brown, N.A. 
Height, 22 inches; width, 15 inches. 


la WILLIAM M. CHASE, N.A. 


Pm A ag 
60—THE PET BIRD (/. y~ Jans bien 


A little girl in a pink and white striped dress and black 
stockings is standing in front of an open window which is draped 
with lace curtains, holding in her hands a cage with a canary 
bird. Through the window opening is seen a bit of garden 
with a sunlit path and a slender iron paling. 


CA 
3 


Signed at the left, Case. 


Height, 19 inches; width, 12 inches. 


, #£§YLATT P. RYDER, N.A. 


| ‘ Ratt 
61—EXPECTATION ft. oe | eer 


The housekeeper has fed the cat and her two kittens on the 
hearth of an old-fashioned fireplace, and, going out, has left the 
green painted door beside the fireplace slightly ajar. The kittens 
play about, but the cat watches the crack of the door with at- 
tention. On the right is a kitchen chair painted dull red and in 
it a workbag. 


Signed at the left, P. P. Ryper, 792. 
Height, 14 inches; length, 20 inches. 


EMILE AUGUSTE PINCHART 
re Cased oie 2 ee 
62—FLIRTATION Pepe pee Lr ae 


On a rustic roadside bench a country maiden, with her market 
basket on her knee, sits chatting with a young gentleman who, 
from his attitude, seems eager to improve his opportunity for 
love-making. They are dressed in late eighteenth century cos- 
tume. Behind the figures, a narrow path across a grass-covered 
hillside leads to a house among the trees. 


Signed at the left, Pincwart. 
Height, 14 inches; width, 10% inches. 


FRANK DE HAVEN, A.N.A. 
= 0 ies oO 


693—A SUNSET GLEAM _~ Vim Ye 


VAY 
The sun is setting on the left ve a thick orchard, throw- 
ing the foreground into deep shadow. A broad gleam of warin 
light touches the rounded mass of the fruit trees, the thin foliage - 
on two tall trees on the right and softens the distance beyond. 
A band of clouds stretches across the upper part of the sky, 
showing a simple passage of blue below. 


Signed at the left, F. De Haven. 
Height, 12 inches; length, 14 inches. 


ADOLPHE CHARLES MARAIS 


Le ie eee : 
64—A PLEASANT ENTE, A td 
SPAN - ee 


A red-spotted cow and a white companion stand in full 
sunlight facing the spectator. Beyond on the left a third 
animal is lying down, ruminating. The background is a mass 
of trees in full summer leaf, mostly birches, and a small bit of 
blue sky shows at the top of the picture among the leaves. 


Signed at the left, Av. Marais. 
Height, 17 inches; length, 21% inches. 


VSO. HENRY W. RANGER, A.N.A. 


65—NEAR LAAREN, HOLLAND WA Y oF ae 
i 


From the left foreground a waterway runs through the flat 
meadows and cultivated fields, past clumps of low trees until lost 
in the middle distance. On the left a shattered canal boat lies 
half sunken at the bank and on the right is the corner of a 
garden. A few small clouds drift across the sky. 


Signed at the right, H. W. Rancer. 


Height, 12 inches; length, 16 inches. 


HARVEY YOUNG 
wee : 
66—A BRITTANY LANDSCAPE ge oe ig Seer ae 


A small pond lies at the foot of a slope and on one side a 
row of poplars raise their slender shapes against the cloudy 
sky while on the other a path winds around a projecting point 
of high ground toward two houses which stand among the trees 
in the distance. A peasant woman sits on the edge of the pond 
looking into the water. In the foreground is a grass-grown 


field broken by rocks and low bushes. 
Signed at the right, Py 76. 
Height, 15 inches; length, 19 inches. 


LOUIS LE POITLTEVIN 
Jf Si pf. 
67—THE GLEANER es ey. 


In the foreground a peasant woman with a rude rake and 
carrying a heavy sheaf of wheat is walking along a grassy 
path’ through a broad piece of waste ground on the banks 
of the Seine where wild flowers and weeds grow in great pro- 
fusion. On the right the river, reflecting the mauve light from 
the evening sky, sweeps around under high hills at the foot 
of which houses nestle among the trees. On the left the ruddy 
disk of the harvest moon hangs low in the sky with a cloud 
bar across her face and above it is a long, narrow cloud in the 
simple sky. 

Signed at the right, Louis LE Porrrrvin. 


Height, 16 inches; length, 25 inches. 


J. FRANCIS MURPHY, N.A. 
By ue ti 

68—THE CHARCOAL BURNERS hee Te : 
Under an irregular cluster of trees, part with green and 
part with autumn-tinted foliage, stands a wooden building 
painted dull red and near it a stack of fuel half hidden by under- 
growth. A broad meadow cut by the narrow line of a streamlet 
gently slopes upward on the right, and on a low hillside at the 
horizon is a farm-house near a large wood. The light of the sky, 
which is covered by dense white cloud forms, is concentrated 

behind the tree tops on the left. 


Signed at the right, J. Francis Murpny, ’98. 


Height, 16 inches; length, 22 inches. 


2 ia 


ae LEONARD OCHTMAN, A.N.A. 
a 


69—OCTOBER y jEae oA é. arr. 


It is a pleasant farming country with comfortable farm- 
houses scattered over a low hillside among the trees where the 
autumn sun strikes warmly. In the foreground, which is in 
shadow, is a sloping field with tall dry grass and weeds and 
here and there a bit of gray rock showing. <A rosy cloud shows 
in the upper left corner of the sky and near the horizon 
are small rounded forms of thin masses of vapor. 


Signed at the left, Leonarp OcHTMAN. 


Height, 12 inches; length, 16 inches. 


y  ~ EVARISTE CARPENTIER | 


b : , 4 
70—IN THE GARDEN Jé 7 as fe 


This is a full length figure of a young lady in a blue satin 
dress of medieval fashion held up at the side by a cord, showing 
a dull red figured damask petticoat. In her right hand she 
holds a bunch of flowers at which she is looking while she holds 
one of the blossoms to her bosom with her left. She is standing 
on the marble terrace of a house where there are tropical plants 
in square green pots. In the distance is a grassy enclosure, % 
surrounded by high trees, with a large chateau still farther 
away. 


Signed at the left, Evrm Carpentier, ANVERS. 


Height, 20 inches; width, 15 inches. 


bs gies FRANCIS ALFRED DELOBBE 
Vis ac 


Y1—THE FOOT BRIDGE ee ES ) 


A bare-footed, bare-armed maiden, dressed in a black bodice, 
negligently laced over a sleeveless chemise, and a gray petticoat, 
is seated on the rude railing of a rustic bridge. Behind her is 
a wood flecked by spots of sunlight and below the shallow stream 
is seen gently flowing over a sandy bed. 


Signed at the right, A. DELOBBE. 


Height, 22 inches; width, 12% inches. 


RUDOLF EPP 


Se a ae wi 
72—AN ITALIAN MAIDEN Ptr, es 


A young Italian peasant girl wearing a white kerchief 
folded in the characteristic manner over her head, a long-sleeved 
chemise, a variegated bodice, red woollen petticoat and blue 
apron, is sitting on a stone bench, her hands idly folded in her 
lap. Beside her is an earthen jug and on the right in the dis- 
tance is the white facade of a large house against the blue sky. 


Signed at the left, R. Epp. 


Height, 18 inches; width, 13% inches. 


5 id " >+ oa ead 
- i ; : aa 1a, ant ge 
ra i ' A es 
* "y i af Z a £ Y 
¥ ‘ j ha 2 ‘ am - 
] meh), > 4 27's 7m 
* Fs . ee : 


GEORGE H. McCORD, A.N.A. 
poe 2 as VA | 
73—COMING TO PORT 1 ¢ OW Art. 


A brig running under full sail, deeply laden, is wallowing 
through the rough water at the entrance to a harbor showing 
both port and starboard lights. A spar buoy on the right shows 
that the tide runs strong against the wind. In the distance on 
the left is a light-house and behind the brig a schooner, close 
hauled, sails across the broad path of the light from the full 
moon which shimmers on the waves. 


Signed at the left, G. H. McCorp, A.N.A. 
Height, 14 inches; length, 20 inches. 


/ ve HOMER D. MARTIN, N.A. 
0 ae £ ey 
74—GOLDEN SANDS vA, Se pr are eee oe 


On a broad waste of sand, left bare by the receding tide, 
the figure of a woman with a heavy basket on her shoulders is 
seen struggling along toward the high, wooded shore in the 
distance. From the sky, which is thinly veiled by cirrus clouds, 
a broad flood of light falls upon the sand and the distant hill- 
side and shimmers in the horizon on the left where there is a 
suggestion of a narrow line of the sea. 


Signed at the right, H). Martin. 


Height, 15 inches; length, 24 inches. 


GEORGES WASHINGTON 
ee Oo 


75—ARABIAN HORSEMEN AT ae : 
Oe 
On a rough plain covered with tufts of coarse grass there 


is a large assemblage of Arab horsemen who are holding some 
sort of a fantasia. One of the horsemen in the group on the 
right holds a green and gold banner, and here and there in the 
crowd pistols are fired into the air and horses are urged to 
prance and gallop. Against a soft blue sky in the background 
rises a jagged range of rocky peaks with verdure-clad foot hills. 


Signed at the left, G. Wasuincron. 
Height, 20 inches; length, 24 inches. 


fe THOMAS W. WOOD, N.A. 
oe CO 
%6—THE NEST TP. iS 


A little curly-haired girl has been shown by a colored/farm- 
hand a hen’s nest in the hay and, raising herself by the boards 
which keep the hay in place, she looks at the eggs with intense 
interest. The farmer leans with his right hand on a pitchfork 
and with his left he points to the nest. There is a pile of pump- 
kins and squashes behind him and beyond is the rude structure 
of the cow stable. 


Signed at the right, T. W. Woon, 1881. 


Height, 22 inches; width, 17 inches. 


Cadi Ur ¢ LE. 


peat 
Ties 


Weel, WMA 7 


eee 


Gee 


JASPER F. CROPSEY, N.A. 


77—ON THE SAWMILL RIVER Va ; US co | 


eo, i Be Lae A | 
78—TEN POUND ISLAND ee JP g 
VA, 


The broad, placid river winds through the middle distance 
between flat meadows where trees grow luxuriantly and is lost 
at the foot of high hills far beyond. Feathery elms and maples 
in brilliant autumn dress are scattered over the field at the left 
where a herd of cows are feeding, some of them near a narrow 
tributary of the larger stream, which flows around a point on 
the right which is crowned with a clump of splendid trees. 


Signed at the left, J. F. Cropsry, 1891. 


H eight, 12 inches; length, 20 inches. 


Steere tk, DE HAAS, N.A. 


a7, 


It is a gray day on the coast and low clouds are drifting sea- 
ward from the land, sweeping over the low summits of the hills 
on the shore and threatening a soft rain. A small rocky island 
is the focus of the composition and two schooners are anchored 
in the smooth water not far away, the more distant one with her 
mainsail set. Other smaller craft are seen in the distance. 


Signed at the right, M. F. H. ve Haas, N.A. 


Height, 12 inches; length, 23 inches. 


SEYMOUR J. GUY, N.A. 


¥9—WAITING te ce KY (Crkdfe fe = 4 


This is the life-size head and shoulders of a girl leaning on 
her folded arms with her head turned to the left. She wears a 
wide-brimmed straw hat, a white chemise and a lavender shawl 
and holds in her left hand a bunch of flowers, conspicuous among 
them two yellow lilies. Behind her head are the extended 
branches of a great tree, below which there is a glimpse of a 
distant landscape. 


Signed at the left, $. Guy, 1882. 
Height, 24 inches; width, 20 inches. 


J. B. BRISTOL, N.A. 


oe 7. L, 2 
80—LONG POND, BERKSHIRE b 


A pleasantly wooded slope on the right sweeps down to the 
shore of a great pond which is bordered by a range of rugged 
hills in the distance. Scattered trees grow on the flanks of the 
hills and great ledges of rock crop out here and there. The 
sky, in which small masses of light clouds are drifting, is cov- 
ered with a warm haze. A single sailboat floats on the water on 


the left. 


Signed at the righi, J. B. Brisrot. 
Height, 18 inches; length, 30 inches. 


6a 


2 WILLIAM M. CHASE, N.A. 
Ve . ) dee 
Sf STILE LIFE a oa 9anrttl. | 


/ 
/ 
7 


Grouped together on a table are a large copper kettle, tinned 
on the inside, a polished tin stew pan with short handle, two 
Spanish onions, a small squash and two large red peppers. 
The background is a simple deep tone and the light falls from 
the left. 


Signed at the right, W. M. Cuase. 
Height, 21 inches; length, 29 inches. 


Fe ADOLPHE PIOT 
O ff © ge 
82—A BRUNETTE J ¥- arrrth 


A young girl with mischievous dark eyes and a profusion 
of curly brown hair leans forward with her head thrown back 
and clasping to her bosom with her bare arms and hands a few 
roses. Around her shoulders is a diaphanous scarf, and behind 
her head, which is life size and in three-quarters view, is a blue 
plush curtain. 


Signed at the right, A. Prior. 
Height, 25% inches; width, 20 inches. 


pee W. MERRITT POST 


83—AN OCTOBER Co nba a 
A narrow stream flows a stone-arched bridge in the 


middle distance and tumbles over a rocky bed to the foreground. 
On the right of this are several trees, some of them in full 
autumn foliage, others already bare of leaves, and behind them 
is a green field with a wood beyond. On the left the view extends 
across pastures to a line of forest against the sky, at the horizon, 
where the brilliant light of the rising sun strongly accents 
drifting clouds. 


Signed at the left, W. Merritr Post. 
Height, 20 inches; length, 30 inches, 


A. CORTEZ 

i nt 

8)—THE RETURN FROM met ie pa 

A donkey, two cows and a flock of sheep have been halted on 

a grassy plot near a river by a sturdy sheep dog who stands in 
front on guard. Behind the group stands a peasant woman 
with a bundle on her shoulder. A mass of tall trees in early 
autumn foliage contrasts against the hazy sky on the right, and 
on the left two cows are wandering along the river bank. 


Signed at the right, A. Cortez. 
Height, 25% inches; width, 21% inches. 


., - GEORGE H. BOGERT, A.N.A. 
aa 


85—NEAR. OVERSCHIE, HOLLANDS £2 Dae ey 


From the foreground on the left a narrow canal, bordered 
on one side by houses and on the other by a grassy bank and 
tow path, leads to the distance where the great form of a wind- 
mill rises high above the neighboring buildings. A peasant in 
a blue blouse rides a horse along the path and on the right is 
a group of red-tiled houses. Great rolling clouds, threatening 
showers, hang in the sky, showing here and there patches of 
blue. 


Signed at the right, Gro. H. Bocerrt. 


Height, 20 inches; length, 30 inches. 


‘; AUGUST HAGBORG 
Akbar? 


) / 4 oe, re Fe 
86—THE OLD STORY JP SF (Yq ligt 


A young fisherman, who has been mending his net, il on 
the sand just above the beach and entertains with vivacious 
conversation a maiden who sits in front of him, her hands clasped 
around her knees and her head turned toward the youth, in 
whose tale she is unaffectedly interested. In the middle distance 
the curved line of beach is broken by several fishing boats which 
have been left stranded by the falling tide, and the sky is covered 
by confused forms of clouds with the light concentrated behind 
a low bluff at the right. 


Signed at the right, Hacnore. 


Height, 26 inches; length, 32 inches. 


Pact iad RALPH ALBERT BLAKELOCK 
87—THE BOULDER AND THE ru An. 


ee 


Two high perpendicular gnhe crowned with trees stand close 
together, forming a narrow gorge through which dashes a moun- 
tain torrent, and along this stream a path has been built of plank 
to enable the visitor to walk through the gorge and under a boul- 
der which in falling from the heights above has been caught in 
the narrow jaws of the chasm half way up the cliff. A tiny bit 
of sky shows at the top above the trees and the light strikes 
crisply on the foreground, intensifying the depth of the shadow 


in the flume. 
Signed at the left, BLAKELOCK. 
Height, 54 inches; width, 28 inches. 


CAMILLE ee 


88—THE FOREST OF a 


A small pool nestles at the foot of great he trees which, 
with twisted branches, rise high in the forest, almost covering 
the sky with their dense foliage. A well-worn path leads from 
this pool over a slight rise, and beyond, a figure of a woman 
who is walking away, carrying a heavy burden in either hand, 
disappears among the trees. Great boulders are scattered here 
and there in the rank grass and undergrowth, and a passage of 
sunlight in the middle distance strongly accents the oxsee the 
rocks, the tree trunks and the foliage. 


Signed at the left, CamittE Macnvs. 


Height, 53 inches; width, 38 inches. 


<->, + HENRY MOSLER, ae 
aa 


89—* HELPING GRANDPA” JP. Us. sg 


In the shadow of an apple tree in a _ large sunlit orchard 
two flaxen-haired little girls, the smaller one in a spotted blue 
calico dress and the other in a brown dress with a blue pinafore, 
are struggling to turn the handle of a large grindstone upon 
which an old man in his shirt sleeves is holding a scythe. Be- 
hind the farmer, on the grass, are his coat and hat and the 
handle of the scythe; and in the background, beyond a large 
open space of sunlit grass, is a mass of foliage hiding the sky, 
and under the trees are glimpses of farm buildings and fences. 


Signed at the left, Henry Moster, 1895. 
Height, 41 inches; length, 52 inches. 


CHARLES H. MILLER, ee 
oe sane ae oe, “4 Oberg he he £ 


90—NEW YORK FROM THE LONG ISLAND oe " 


From the right of the foreground roughly constructed land- 
ing places with confused groups of piles run away to the dis- 
tance where many ships are moored to the shore. On the broad 
river in the immediate foreground a boat with two men is towing 
a raft of wreckage; and beyond, a prominent object in the com- 
position, a white ferryboat bearing the name “ Queens ” has just 
started to cross. Beyond the ferryboat is seen the point of 
Blackwell’s Island with several rocks showing above the water, 
and a long row of buildings, with here and there a spire or a 
tower, forms the sky line at the horizon. Great masses of clouds 
fill the sky, showing near the zenith patches of blue beyond. 


Signed at the right, Cuas. H. Mirren, N. Y. 
Height, 32 inches; length, 65 inches. 


— 


SECOND NIGHT'S SALE 
THURSDAY, FEBRUARY 25rn, 1904 
AT MENDELSSOHN HALL 


BEGINNING PROMPTLY AT 8.30 o’cLOCK 
VASILI VERESTCHAGIN 


91—MILITARY ROAD TO TIFLIS Aa, ea 
er ad, TO AW / / ear 


A characteristic bit of scenery in the Caucasus where a broad 
shallow river winds around between serrated peaks, their flanks 
softened by vegetation and their rocky summits cutting sharply 
against a clear sky. Following the windings of the stream is 
the narrow ribbon of the military road built by the Russians for 
strategic reasons, marked in the distance by little clouds of 
dust raised by passing vehicles. 


Signed at the right with Russian initial. 
Height, 84 inches; width, 6% inches. 


RALPH ALBERT BLAKELOCK 


92—A LONELY LAKE V/s ee eae 


ee 

TA A rocky point with large rounded masses of trees projects 
into the quict lake on the right, and across the water the long 
slope of a mountain flank rises against the evening sky. Above 
it a flock of wild ducks flies in single file toward their refuge 
for the night. 


Signed at the right, R. A. Biaxrtocx. 


Height, 3 inches; length, 644 inches. 


OOO a OS al int ae a 
“he cea, TRUS ee ee ee 


ALFRED SIEFERT 


983—INNOCENCE UA a (e../ 
5 ad . 


iS & This is the head of a young girl with a wreath of pansies 
in her hair and a bunch of the same flowers in her bosom. The 
head is inclined to the right and the eyes look geist out of 
the picture. 


Signed at the right, A. Srererr. 
Height, 4% inches; width, 3 inches. 


J. H. DOLPH, N.A. 


bee SUCH A FOOL AS ze jogs ae 
a 


ote A small frog has found his way upon a stone-flagged path 
where flower-pots stand in the bordering grass, and here he is 
met by a crouching cat who stretches out her neck and gazes 
fixedly at the intruder. 


Signed at the right, J. H. Dotrn, 73. 


Height, 9 inches; length, 12 inches. 


RALPH ALBERT BLAKELOCK 
2 i 
95—SUNSET ON THE PLAINS YH Ga Poy 4, 


Framed by a great mass of trees on either side is a wide 
extent of wooded plain with a simple, luminous sunset sky above. 
On the left an Indian in a red blanket sits under a tree and 
watches the sunset. 


rae 


Signed at the right, R. A. Brake rock. 


Height, 44% inches; length, 7 inches. 


DAVID JOHNSON, N.A. 


96—ECHO LAKE, FRANCONIA, N. H. fo PA 
vias Seal sat Beyond the smooth waters of the lake, which stretches across 
the foreground, from a wooded hill on the right rise three lofty 
mountain tops, the nearest ones partly wooded and the dis- 
tant peak bare of vegetation. A boat with two people crosses 
the lake, leaving a sparkling wake. 
Signed at the right, WD. 


Height, 44% inches; length, 7 inches. 


BE: LL. HENNEY, N-A- 


97—AT THE WELL a g Va en 
Erve 


ee 


A well, protected by ared painted curb and roof, stands near 
a white house, part of which is seen in full sunlight against a 
blue sky. A servant girl is drawing up the bucket by means of a 
rope over an iron wheel. On the left is a slender tree extending 
out of the picture at the top, and in the sunlit path below is a 
cockerel followed by two hens. 


Signed at the right, E. L. Henry. 
Height, 8 inches; width, 5% inches. 


RALPH ALBERT BLAKELOCK 


98S—SUNSET AT SEA ne: O of Li ae 
Ps ae) hae : 
of ey 


Lazily drifting on a gently rippling expanse of water is a 
sloop with sails spread. The vessel is all aglow with a ruddy 
light which comes from the sun setting on the right, behind the 
spectator. Near the horizon is a bank of luminous low clouds. 

Signed at the left, R. A. BiaKetock. 


Height, 5 inches; length, 8 inches. 


RALPH ALBERT BLAKELOCK 


99—INDIAN BURIAL PLACE, COLORADO () vs b, ee 
Pog: 7? | 


In the foreground is a rude platform of poles’ raised a few 
feet above the ground and near by are two Indians. In the 
middle distance is a large group of redmen. The broad plain 
extends unbroken to the distance, where a great range of moun- 
tains rises against the sky. 


Signed at the left, R. A. Braxetock. 


Height, 4% inches; length, 7 inches. 


J. FRANCIS MURPHY, N.A. 


100—LANDSCAPE | C ee | es 
Y Art h 


ns} ieee 
ol wees On the right is a low hillock jutting into a broad marshy 


meadow; and from this elevation, which is covered with autumn- 
tinted bushes, rises a clump of slender trees with frost-turned 
foliage. In the foreground is a pool of water reflecting the white 
clouds of the sky and on the left in the distance is an irregular 
rank of forest trees. 


Signed at the left, J. F. Murrny. 


Height, 5 inches; length, 7 inches. 


BLAISE ALEXANDRE DESGOFFE 


101--OBJECTS OF ART, BD oe MC. Le a 
| es 3 : . 
Several rare specimens of glassware with a gold-mounted H 
| chalice are grouped on a piece of rich red velvet around an 3 
elaborately worked and superbly mounted beaker of cut ruby 
glass. 
Signed at the upper right, Buaise Descorre, 1896. 


Height, 9% inches; widih, 6% inches. 


HENRIETTE RONNER 


102—THE BEST OF FRIENDS oo Ly | 


cone 
4. A white spitz dog is seated on a red cushion in an -chair, 


with ears erect, and a gray cat is affectionately rubbing against 
him. In the background are a curtain and a green porcelain vase. 


Signed at the left, HENRmETTE RonNER. 


Height, 9 inches; width, 7 inches. 


wh 
. 
ui 
- a 
-. 
a s.4 
—, 
a: 
ae 
- 
a 


* 
‘ 


RALPH ALBERT BLAKELOCK 


103—A FOREST GLADE oF 2 ine AS a 
Laces 4 kag - atizt Dy 
In an open wood interior, wher¢ the sunlight flecks the rich 
vegetation and foliage, two Indians are seen under the trees, one 
standing with a bow in his hand and the other sitting on the 


grass. 


Signed at the right, R. A. BuaKetock. 
Height, 6% inches; width, 5% inches. 


RALPH ALBERT BLAKELOCK 


5 ed | os 2 / a i 
104—IN THE CATSKILLS | a 3 Ge fitene a ee 

/ 

A waterfall tumbles down into the foreground among rocks Aa 


and rankly growing bushes, and against the sky in the upper 
part of the composition are seen a few scattered trees in full 
foliage, touched here and there by the frost. 


Signed at the right, R. A. Biaxerocx. 


Height, 64% inches; length, 742 inches. 


PAUL GROLLERON 


105—DEFENDING THE WALL | oe oe tt va 
gee ar 
The fight is raging around a country residence, and behind | 

a low plastered wall which has been partly overthrown a line 

of French infantrymen have established themselves and are 

doing effective work. In the foreground an officer with his left 

arm in a sling leans on the wall, holding his sword in his hand. 

On the right is a peaceful landscape and beyond the cloud of 

battle smoke is a simple sky with clouds near the horizon. 


aR 


Signed at the left, P. GRroLiERon. 


Height, 9% inches; width, 7 inches. 


ALEXANDER H. WYANT, N.A. 


106—PATH THROUGH THE Wer aes. eo we 


peels Pea ec see | 
of - On the shore of a lake, across which is dimly seen the forms 
of high hills, is a tangled wood through which has been cut a 
narrow path obstructed here and there by fallen trees. Part way 
up the path is the figure of a sportsman with his gun. 
Signed at the left, A. H. Wyant. 


Height, 8 inches; width, 6 inches. 


RALPH ALBERT BLAKELOCK 


107—THE WAYFARERS be wi 
mao. 7? 7 6 Nasa, Gt 
The light of the setting sun, glowing in the distance b¢hind 7 
a high hill, throws the foreground into deep shadow and the 
luminous sky contrasts strongly against tall trees on either side. 
A woman in a red shawl and a boy carrying a bundle are walking 


in the shadow toward the spectator. 


Signed at the right, R. A. BuaKetock. 
Height, 8 inches; width, 6 inches. 


RALPH ALBERT BLAKELOCK 


108—AN INDIAN HUNTER oe, b — / 
ee ia oy 


ee | 
Standing on the banks of a brook which flows from under 

large forest trees is an Indian with bent bow about to shoot at 

a running deer. There is a warm light in the small area of sky 

which is seen between the trees, and the whole landscape is in the 


glow of late sunset. 


Signed at the right, R. A. Biake ocx. 
Height, 8 inches; width, 6 inches. 


ps 


ae 
rs 


LOUIS MOELLER, N.A. 


109—THE STUMP SPEAKER Sf Le 


An old man with gray beard is standing behind a table, 
resting on his left hand while he holds his right to his ear. From 
the humorous expression of his face it may be imagined he has 
just uttered a campaign joke. The background is a wainscoted 
wall showing a corner of a covered cabinet and part of an oval 
framed picture. 


Signed at the right, Louis Moretier, N.A. 


Height, 7 inches; width, 5 inches. 


LEO HERRMANN 


110—A BEAU Se rte Fe 


A smiling young beau of the time of the Directory is stand- 
ing on a broad gravel path in a well-kept park, his left leg 
extended and his hands holding his stick clasped behind his back. 
He wears a chapeau, a bright red coat, white waistcoat, buff 
breeches and white stockings. 


Signed at the left, Leo Herrmann. 


Height, 10 inches; widih, 6 inches. 


-E. MASURA 


111—THE COQUETTE () ee Se es kd., 


~~ vo ae Wi, 
ba Bi This is the full length Cae a young lady in ydlidr Ne 


satin dress and with a large bunch of feathers and flowers in 
her hair. Coquettishly holding her fan to her face and rais- 
ing her skirt with her left hand she walks across the room. 


Signed at the left, E. Masura. 


Height, 7% inches; width, 5 inches. 


RALPH ALBERT BLAKELOCK 


a ) Sy, 
112—MOONLIGHT ere aay a age ee 7 easy 
eg) ao Plot Forty 
oe ra O- On the right is a rocky iléide with masses of densely grow- Ys 
ing trees against a simple sky. ‘The full moon is rising above 


a slope in the distance on the left, and its strong light flickers 
on the surface of a river which winds through the forest. 


Signed at the right, R. A. BraKetock. 


Height, 6 inches; length, 8 inches. 


MARTIN RICO 


oe O ne 


- oa 

S ras Z This is a view of one of the interesting water fronts of 
Venice where the small canals are spanned by slender arched 
bridges; fishing boats with gay sails and other craft are moored 
to the quays, and sandalos and gondolas float on the rippling 
water. From the clustering house tops the dome of a church rises 
on the left and a tall tower soars high on the right. 

Signed at the left, Rico. 


Height, 64 inches; length, 11% inches. 


J. FRANCIS MURPHY, N.A. 


114—LANDSCAPE ats Cs Onn 


Ee fais fen 
: On the left a large tree half covers the sky with its dense 


foliage, and on the right a red-roofed building catches the sun- 
light on its whitewashed gable. In the distance under a soft 
sky are other farm-houses and trees. 


Signed at the left, J. Francis Murpuy, ’90. 


LEON VICTOR DUPRE 


115—LANDSCAPE Ba 


Sead 
A clump of trees on the left is touched by the sunlight, 
which strongly accents the slender trunk of a tall tree. On the 
right and in the middle distance is a pond in which two cows are 
drinking. Across the pond is a bit of sunlit meadow with two 
sturdy oak trees, and behind them is a spot of concentrated rosy 
light in a cloudy gray sky. 


Signed at the left, Vicror Dupré. 
Height, 7 inches; length, 10% inches. 


RALPH ALBERT BLAKELOCK 


116—HIGH BLUFFS, CALIFORNIA 7 / 
La MO A? Licre. Le. AGL, Si) ae 
r In the foreground a great jagged, rocky cliff rises high to 
the left, and below and beyond are a tumbling sea, a projecting 


point of rock and a sunset ih Sea gulls swoop along the 
face of the bluff. 


Signed at the left, R. A. BuaKEtock. 


Height, 7 inches; width, 442 inches. 


RALPH ALBERT BLAKELOCK 


117—EVENING GLOW oe ve Le 


aoe ae 


It is the moment before the sun touches the horizon, and the 
full glowing disk sends a flood of warm light over the whole 
landscape, gilding the bushes and trees and flashing on a broken 
mass of clouds which floats high in the heavens. In the right 
foreground are two tall trees and on the nae is a pool with rocky 
banks covered with wild growth. | 


Signed at the right, R. A. BLaKeEtock. 
Height, 5% inches; length, 9¥% inches. 


JEAN JACQUES HENNER 


ie Ee: HEAD > a Ur. Sige! a 


Lf. 


This is the head of a girl, facing the spectator, strongly 
lighted from above, with a profusion of brown hair falling over 
her shoulders. She wears a dull red dress of soft material. 

Signed at the upper right, J. J. HENNER. 
| Height, uu inches; width, 8% inches. 


LUIS ALVAREZ 


119—-THE BAY OF NAPLES. : of ae 
oS ag b i Al ae 
This is a view of the water front of the city of Naples 
_ from the bay, and it extends in perspective along Santa Lucia 
to the Castel d’Ovo in the distance. A gayly painted row-boat 
with three ladies floats on the quiet water in the foreground and 
a little farther away are moored three similar craft, brightly 
decorated. ‘The smooth surface of the bay reflects the bright 
facades of the houses and the soft tones of the hazy sky. 


Signed at the left, L. Atvarez, Napoui, 779. 


Height, 7 inches; length, 11 inches. 


RICHARD CREIFELDS 


120—THE LAST CHANCE Le S Lic. ae 


a a7. “™ Three workmen are seated at a table in a cabaret shaking 
dice apparently to decide who shall pay for the refreshments. 
The man on the right wears a red shirt and his mate opposite 
is distinguished by a red handkerchief around his neck and a 
pair of much-soiled overalls. Hanging against the rough plaster 


wall in the background, which is otherwise broken by a doorway 


on the right, are two engravings. 
| Signed at the right, R. Crerreps. 


Height, 8% inches; length, 11% inches. 


J. FRANCIS MURPHY, N.A. 


1@1—A4N OCTOBER DAY yy’ 7p oS? 


S/O an open country ab the eicech arora i ean 
pen country at the edge of a wood which occupies the 
left hand half of the picture stretches away to a low horizon 
beyond a clump of low trees in the right middle distance. Great 
masses of rolling clouds, strongly lighted, fill the lower part of 
the sky. The glory of autumn is seen in the flashes of brilliant 
color in the foliage and in the variety of tones in the verdure 
of the pasture. 
Signed at the left, J. Francis Murpury, 796. 


Height, 8 inches; length, 12 inches. 


RALPH ALBERT BLAKELOCK 


122—TWILIGHT Ps a South 


/ ae i oe 
The sun has set and the’ last ruddy glow still lingers at the 
horizon and the warm light flecks the edges of scattered clouds 


against which the dark masses of two clumps of trees on the 
left come out in strong contrast. In the foreground a rivulet 
sparingly reflects the evening light. 


Signed at the right, R. A. BiaxKetock. 
Height, 7% inches; length, 10% inches. 


—S 


‘23 


123—IN TREPORT MEADOWS Fr ee 


EMILE VAN MARCKE 


era. * ‘eileen bred 3 
A red cow, spotted with white, is lying down in the immediate 


124—ENTRANCE TO THE PALACE 


» SO ae “dO 


foreground, quietly chewing the cud, and many others are rest- 
ing on the grass in the pasture behind. On the left in the 
horizon is a village church with houses clustered near and on the 
right are other buildings farther away. The sky shows spots 
of soft blue through thin clouds. 


Signed at the right, Ewite Van Marcxe. 
Height, 9 inches; length, 12% inches. 


ALBERTO PASINI 


The facade of a sumptuous palace, hes th arched doorway 
surmounted by a double window, decorated with rich tiles, oc- 
cupies the left of the composition and a wall extends to the 
right, showing sky and trees above. Two men with long guns 
have dismounted from their horses at the palace door and are 
there talking with an aged inmate. Leaning against the wall 
at the left of the doorway is a Nubian beggar resting his 
hands on a long staff. 


Signed at the left, A. Pasint. 
Height, 10% inches; length, 14 inches, 


ALEXANDER H. WYANT, N.A. 


125—FOOTPATH ACROSS 1 ies eae Ve 
Daye vo ted 


A pasture covered with coarse grass with h nd there an 
outcropping rock gently slopes from the foreground up to the 
middle distance, where a few trees in summer foliage stand on 
the crest of the low elevation and contrast in silhouette against 
a simple gray sky. There is a rift of strong light near the 
horizon and below it is a wide distance suggesting a bare rolling 
country. 


Signed at the right, A. H. Wyant, 777. 


Height, 9 inches; length, 14 inches. 


HOMER D. MARTIN, N.A. 


126—THE NORMANDY COAS fa gel 
‘) ( : 3 
Bote geet Ct Arr 


A waste of sand with scattered rocks and seaweed fills the 
foreground, and on the left beyond a clump of bushes is seen 
a low bluff which projects half way across the composition. To 
the right of this extends the narrow line of sea meeting the 
horizon. Long bands of clouds stretch across the sky. 

Signed at the right, Homer Martin, 1884. 


Height, 7% inches; length, 13 inches. 


i =A 


ee es | 


a | 


” 


e 


RALPH ALBERT BLAKELOCK 


OC nrdlecen 


A cloudy sky, flecked by the light from a focus at the ho- 
rizon, occupies two-thirds of the picture and in the foreground 
a small sheet of water lies shimmering between sloping banks. 
In the middle distance are several isolated trees and the ground 
is broken by spots of shadow on the sunlit grass. 


Signed at the right, R. A. BLaKEtocx. 


127—LANDSCAPE 
oa aad 


Height, 8 inches; length, 9 inches. 


Pp. EL L. PERBOYRE 


128—THE BUGLER ae yes — Lae 
vce tial 


Mounted on a sturdy dark bay horse, the bugler of a light 
battery is sounding a call. In the background on the right are 
a mounted officer and a few men, and on the left is a gun with 
its limber apparently moving in obedience to the signal. 


Signed at the left, P. E. L. Prergoyre. 


Height, 8% inches; length, 10% inches. 


DAVID COL 


129—THE SPORTSMAN’S oo) 4 / 


Z TS ere ae Ade 

/ After a successful turn with his dog and gun, a sportsman 

: enters a cottage and, with his well-filled game bag by his side, 
sits & cheval on a chair while a serving maid in a white cap and 
kerchief, a blue bodice, lavender apron, red skirt and gray 
petticoat pours wine from an earthen jar into a glass held by 
the visitor. The gun leans against the wall near by and the 
dog sits beside his master. Behind the maid is a well-smoked 
fireplace and on the wall is a hanging cupboard surrounded by 
various articles of daily use in a kitchen. 


Signed at the right, Davm Cot, 1873. 
Height, 12 inches; width, 10 inches. 


ANGELO ASTI 


130—IDEAL HEAD Pk le A7 


2 sy 
xO a. This is the profile of a maiden with a mass of Auburn hair, 
her robe of red silk carelessly open at the bosom, her head slightly 
inclined downwards and her eyes raised. The head is lighted 
from above and the background is a broken tone of brown. 


Signed at the right, A. Astt. 
Height, 13% inches; width, 12% inches. 


RALPH ALBERT BLAKELOCK 


131—ACROSS THE SKY THE SHADES OF NIGHT ) 

Pe et ws C4. Lo Se, of, 5; 

A sky with great broad masses of clouds/with a ruddy glow- fe 
ing line at the horizon occupies three-quarters of the composi- 
tion. A scattered line of trees is in silhouette against the dis- 
tant hills and the sunset sky, and great ledges of rock in the 
foreground glisten with the reflected light from the clouds. 
Two figures walk along a path on the left. 

Signed at the right, R. A. BuaKetocx. 

Height, 7 inches; length, 11 inches. 


LOUIS PAUL DESSAR, A.N.A. 


132 


SHEEP RETURNING AT EVENING —— ie, 2 y 
ee Gi is 


tee a. te A shepherd in a long blue smock is leading his flock of sheep 
along a road in the foreground past a group of haystacks. Be- 
hind the stacks and also in contrast against the early evening 
sky is a line of great trees in full foliage. The evening star 
twinkles in the heavens on the left of the tree-tops. 


Signed at the right, Lovis Pavut Dessar. 
Height, 10 inches; length, 13 inches. 


JEHAN GEORGES VIBERT 


133—READING RABELAIS 


per woe), Ln 


A cardinal in full robes and beretta is seated in a tapestry- 
covered arm-chair with a purple velvet cushion at his back, hold- 
ing a paper-cover copy of Rabelais in both hands. He is ap- 
parently enjoying the humor of the tale. The background is 
a rich green brocade curtain, hanging in heavy folds. 


Signed at the left, J. G. Viperr. 
Height, 14 inches; width, 10% inches. 


RALPH ALBERT BLAKELOCK 


134—AFTER A SUMMER _SHOWER ) Die | 
The central feature in the nieve s a slender tree with 


dripping foliage glistening in the sun, in contrast against a deep- 
toned sky, where a rainbow is fast vanishing from sight. On the 
left a mass of rock is touched by the sunlight, and behind it a 
rounded tree throws a deep shadow on the ground. 


Signed at the right, R. A. BiaKetock. 
Height, 8 inches; length, 12 inches. 


HOMER D. MARTIN, N.A. 


SS Bee ee Js 

oD fl €S- Aon, 

ot a A narrow valley bounded on the right by high von il 
broadens in the foreground into a level meadow coveréd with 
rough grass. On the left is a low hillside with clumps of trees. 
The rising sun touches the shoulders of the hills and strongly 
lights a mass of cumulus clouds near the horizon. 


135—SUNRISE 


Signed at the left, H. D. M. 


Height, 7 inches; length, 12 inches, 


>< 7J- FRANCIS MURPHY, N.A. 


ae 
(oes 
The rough p: tne hi eeu the foreground is broken 


by a narrow pool which extends from the left nearly to a clump 
of trees growing above a fence on the right. On the left are 
farm buildings in the shelter of large trees and the sky is cov- 
ered with broken cloud forms showing here and there a spot of 
blue. The foliage and grass have been touched by the first frosts 
of autumn. 


Signed at the left, J. Francis Murpny, ’95. 


Height, 11 inches; length, 14 inches. 


E. P. BERNE-BELLECOUR 


137—ON PICKET oe Oo. 


Soe : 

A dismounted cavalryman in his gray overcoat, carrying a 
carbine and a sabre, is standing on a little hillock of bare ground 
trying to hold his rifle and to keep his hands warm at the same 
time. The distant rolling landscape is partly covered with snow, 


and against a simple winter sky rises, in the extreme distance, a 


line of hills. 


Signed at the right, EK. Berne-Beriecovur, 1896. 


Height, 14 inches; width, 10 inches. 


LUIS JIMINEZ 


138—COMPANIONS Bris ¢ tee ee 


lr ae ee ane | 
A barefooted girl, wearing a bright red kerchief around her 
shoulders and holding with both hands a bunch of branches and 
flowers in her raised skirt, walks along a narrow path in the 
grass, accompanied by a white goat who nibbles at the flowers. 
Behind the girl is a screen of dense foliage, through which is 
seen only a few spots of light in the sky. 


Signed at the left, Luis Jimtnez, Parts, 1890. 


Height, 13 inches; width, 8 inches, 


cit, ees ee ne 


A. WORDSWORTH THOMPSON, N.A. 


139—GOSSIP ON THE HIGHWAY Za. [SS lp 


as ‘adie A corporal of cavalry, mounted on a brown horse, stops on 
a rough country highway to talk with an old colored woman 
who is evidently showing him the road. <A rude fence borders 
the road on the left, and in the distance on the right is a red- 
roofed farm-house under a clump of tall trees. 


Signed at the right, WorpswortuH THompPson. 


Height, 9% inches; length, 12% inches. 


CARLETON WIGGINS, N.A. 
_ 140—OXFORDSHIRES ON THE CORNISH, DOWNS ~ ., 


oo pr scone 
Se weed A flock of shaggy Oxfordshire sheep Are feeding and mov- 
ing away from the spectator across a hillside just over the crest 
of which, seen against a low distant hill, are the backs of other 
sheep. The horizon is high and there is an expanse of simple 
gray sky above it. 
Signed at the left, Carteton Wicerns. 


Height, 10 inches; length, 14 inches. 


EMILE VAN MARCKE 


141—THE VILLAGE PASTURE Sn is 


A study of two cows lying down and one standing up, all 
spotted red and white. Farther away other cattle are feeding in 
a flat meadow which is enclosed by a ditch across which leads | 
a bridge with a rough wooden railing. 


Signed at the left, E. Van Marcxe. 


Height, 10 inches; length, 13 inches. 


J. D. CHAT FANS 


1j2—A GOOD STORY aa Ci 
eon 


Two old friends are seated opposite one another at a small 
antique table, cheered by a bottle of champagne which they are 
apparently emptying with great relish. One of them is relating 
a humorous tale with gusto, and the point of the story is ap- 
parently just reached. It is evidently a studio interior, for the 
wall at the back is covered with a collection of weapons, pictures, 
costumes and sketches. 


Signed at the right, J. D. Cuarrany. 


Height, 11% inches; length, 15 inches. 


J. FRANCIS MURPHY, N.A. 


148—SUNSET AFTER A RAIN cava fe, ey wa 
ta tee 
g th 


ee 

A rain-storm has swept over a wooded country, soaki Ve 
earth and filling a shallow place with water which in the fore- 
ground reflects the light of the sky. The sun is setting on the 
left behind a mass of trees, rich with autumn coloring, and the 
confused mass of drifting clouds in the sky is accented here and 
there by brilliant flashes of warm light. 

Signed at the left, J. Francis Murpny, 98. 


Height, 10 inches; length, 14 inches. 


RICHARD CREIFELDS 


144—IN CHURCH ss atc 
aoe ‘ 


fo oe This is a study of a young lady in church, seefi in profile 
down to the waist. She wears a straw hat trimined’ with brown 
ribbon and a lavender dress of figured silk, and holds a small 
prayer book in her hands. In the background beyond a white 
column is seen a gothic window with stained glass, and a wor- 
shipper seated in a pew. 


Signed at the lower right, R. Creirexps. 


Height, 14 inches; width, 10 inches. 


M. F. H. DE HAAS, N.A. 


145—A RAINY DAY OFF STAR I D bhak 
ee J 
a Wve ot It is a stormy day on the coast and the surf is tumbling in 


on the sands in the foreground. Moored in the shallow water 
just beyond the line of the breakers is a fishing sloop with low- 
ered sails and the two occupants are busy preparing to land their 
catch. The horizon is lost in the driving rain and through the 
mist are seen the ghostly forms of sailing craft buffeted by 
the wind. 


Signed at the left, M. F. H. pe Haas, N.A. 
Height, 14 inches; length, 22 inches. 


GEORGE INNESS, N.A. 


146—CAMP IN THE ADIRONDACK, fe: 

—r0 

J ofS In a dense forest, among great robust treeztrunks, a canvas 

tent has been erected and a gleam of sunlight strikes full upon 

it, bringing it into luminous contrast against the deep tones of 

the foliage beyond. In the shadow of the tent is the figure 

of a man seated, and standing near by is a colored servant in a 

red shirt. On the left a couple wander off into the wood, the 
lady wearing a red shawl. | 


Signed at the left, G. INNEss. 
Height, 12% inches; length, 14% inches. 


a 


St es 


M. DUBOY 


I47—THE OLD, OLD STORY 


es J - (Water Color) ee he aly ; 


A maiden in short pink petticoat, brocade jacket and stiff 
bodice, is resting on a stone garden seat, one hand on her lap 
and the other idly hanging over a large brass jar. Her lover 
has taken the opportunity to steal up at the back and is evidently 


urging his suit. 
Signed at the right, M. Dusoy, Paris, 1892. 


Height, 16 inches; width, 12 inches. 


M. DUBOY 


148—WINDING THE SKEIN 


y, 


gy ry (Water Color) Port ig) 
oS. 


A young lady and her lover are seated on the stone slab 
forming a seat at the base of a great stone vase in a garden; 
he holds a skein of silk while she winds it into a ball. They are 
dressed in rich silk costumes of the eighteenth century. 

Signed at the right, M. Dunoy, Paris, 1892. 


Height, 16 inches; width, 12 inches, 


eer ae 


CARLETON WIGGINS, A.N.A. 


149—THE PASTURE IN THE or 


In the foreground are two cows in sunlight, a red and white 
one lying down and a black and white one standing up. Be- 
yond the animals is a pond and across it a stretch of flat meadow 
bordered by a wood. Several isolated trees rise against the sky, 
which is broken by luminous cloud forms. 


Signed at the left, Carterton Wiccrns. 


Height, 12 inches; length, 18 inches. 


J. FRANCIS MURPHY, N.A. 


150—SUNDOWN Vs ie Lee 


fod os 


Broad shafts of warm light radiate over the cloudy sky from 
the focus near the horizon and the glow of sunset bathes the 
whole landscape, the luminous clouds reflecting strongly in a 
pool in the foreground near which on the right are a few strag- 
gling trees. Clumps of bushes and willows break the flat waste 
of the pasture here and there and bunches of dried weeds and 
grass make accents of strong autumn color in the patches of 
green grass. 


Signed at the left, J. Francis Murrny, 97. 
Height, 14 inches; length, 19% inches. 


ha 


= 


IRVING R. WILES, N.A. 


Wef4 LADY IN GREEN - Ps 7 
tie Vee Learn 


es G4 
ee: A young lady dressed in a dark green velvet jacket, pale 
green silk skirt and an embroidered, close-fitting cap, sits in pro- 
file with her left hand*under her chin and her elbow resting on 
her knee. The simple dark background is relieved by part of 
a red curtain which hangs on the right. 
Signed at the upper right, Irvine R. Wuzxzs. 


Height, 14 inches; width, 10 inches. 


CHARLES HARRY EATON, A.N.A. 
152—AT THE LAKESIDE 


(Water Color) (9 (eee ee 
Diag ie ee MVC r ier 


From the foreground the sedgy shore of a lake leads to the 
middle distance where stands a country house with a walled gar- 
den, near a flat meadow. On the low grassy bank at the left is 
a small wood in autumn foliage and beyond the house is a clump 
of trees. A range of hills forms the horizon in the far distance. 
The sky is covered with simple gray clouds and the light is con- 
centrated near the horizon. 


Signed at the left, C. Harry Eaton. 


Height, 11 inches; length, 17% inches. 


J. FRANCIS MURPHY, N.A. 


158—EARLY FALL () Bo, it pe 
‘a 


oa On the left is a group‘of trees rich with the color of early 


autumn, prominent among them a slender white birch which 
raises its top high above the others. The trees stand on the 
edge of a broad, flat meadow through which meanders a narrow 
streamlet. In the distance is a great wood with nestling farm- 
houses and over all the landscape is the delicate haze of the 
autumn season. — 

Signed at the left, J. Francis Murriy, ’98. 


Height, 14 inches; length, 19 inches. 


JAMES M. HART, N.A. 


a Ope 


In a broad marshy meadow fa herd of five cows and two 
calves are grazing on the rich’grass which grows between ir- 


154—THE PASTURE 
Oe id 


regular pools of water in the full sunshine of a summer day. On 
the left is an enclosing wall with a line of huge elms; and in the 
summer haze, in the distance, is suggested a farm-house and a 
distant hillside. Soft clouds lazily float in the sky below a thin 
veil of vapor which softens the blue above. 


Signed at the right, James M. Harr. 


Height, 16 inches; length, 21 inches. 


TAs .\5 weer, 2 V. 


HENRI LOUIS DUPRAY 
155 


In the foreground is a group of mounted officers, consisting 
of two hussars and four others wearing dark blue uniforms and 
large chapeaux, the leader of whom is mounted on a white horse 
and is apparently giving orders to the hussar officer at his side. 
In the distance is a detachment of grenadiers marching away. 


The sky is darkened by the smoke of battle. 
Signed at the right, H. Dupray. 


Height, 16 inches; width, 12 inches. 


WILLIAM MORGAN, A.N.A. 


156—MEDIT ATION &? ie 
EE CO 


This is the head and bust of a fair-haired young girl, some- 
what smaller than life. She wears a red kerchief on her head 
and a pale blue wrapper around her shoulders. Her eyes are 
cast down and her head is inclined to the right, showing the 
face in three-quarters view. 


Signed at the left, W. Morean. 
Height, 18 inches; width, 14 inches. 


—A MARSHAL OF FRANCE, 1810 ey ee 


WINSLOW HOMER, N.A. 


1857—DEFIANCE 
aie FO Ge 


oem , | . 

A hastily dug line of intrenchments straggles away from 
the foreground in a series of zigzags until it is lost in the 
distance. Confederate infantrymen crowd together in the ditch; 
a darky sitting on a stump picks a banjo; a solitary sentinel 
watches the Federal lines, which are marked by little puffs of 
smoke in the desolate waste of tree stumps and muddy earth, and 
the focus of the composition is the figure of a young soldier who, 
with unquenchable military ardor, has leaped upon the breast- 
work and is shouting defiance to the enemy. All around are 
the scars of a vigorous campaign and the landscape suggests the 
awful misery of war. 


Signed at the left, Homer, 1864. 


Height, 12 inches; length, 20 inches. 


DAVID JOHNSON, N.A. 


158—NEAR CHAPINVILLE, CON ECTIGUT_/— 
—~ pee 2 oe digit 40 2° 


A winding stream has cut a Abs channel in the soft e 
of a meadow where many cattle feed on the sparse ve 
Great willows overhang the stream and mark the course of it 
through the meadow in the middle distance. Near the low hori- 
zon the light breaks through a mass of gray clouds which 
partly cover the sky. 


Signed at the left, D. 
Height, 12 inches; length, 15 inches. 


GEORGE INNESS, N.A. 


159—IN THE WOODS—TWILIGHT x oA a | 


2G f.00 
: 


growth is rank and there is a tangle of brambles and rough 


It is a remote spot in a wild bit of woodland where the under- 


vegetation. Through this wood winds a narrow stream and its 
course makes an opening in the growth through which is seen 
a broad patch of blue sky and distant trees. The sunlight strikes 
the foreground, bringing into prominence two slender tree trunks 
and the figure of a woman who is half hidden by the under- 
growth through which she is walking. 


Signed at the right, G. INNEss. 


Height, 11% inches; length, 17 inches. 


J. FRANCIS MURPHY, N.A. 


4) f j ee 
so Pees bya f Se oe, niet Cte, 
ZA ae 4. In the middle distance an irregularly moe pond reflects Va 


the warm glow of a sunset sky, throwing into’ relief the’ slender 


160—EVENING GLOW 


trunks of a row of trees on the left and contrasting against the 
purple hills and woods in the distance. On the right is a strag- 
gling bit of wood; and the foreground, which is in shadow, is 
broken by rocks, bunches of autumn-tinted bushes and a narrow 
stream. 


Signed at the left, J. Francis Murpny, 795. 


TTeight, 14 inches; length, 19 inches. 


JEHAN GEORGES VIBERT 


161—_CARMEN 


is wos, Littticl 


Under a Moorish archway in front of a panel of elaborately 
decorated tiles stands a Spanish girl dressed in a gorgeous cos- 
tume of purple, red and orange, with her head thrown back, her 
left hand on her hip and her right raising a fold of her petticoat. 

Signed at the left, J. G. Vipert. 


Height, 19% inches; width, 12 inches. 


ALEXANDER H. WYANT, N.A. 


162—A GRAY EVENING OCP (5 fe 


he oe a It is a broad, flat country with here and there a marshy spot. 

| Under a group of tall trees on the left is a tiny cottage, the only 
sign of human life in the landscape. On the right the irregular 
plain stretches away to the horizon and in the sky above is a 
strong accent of white light in a great rift among the storm 
clouds. This accent is echoed in a marshy pool in the fore- 
ground where the water gleams among the reeds and grass. 


Signed at the left, A. H. Wyant. 


Height, 14 inches; length, 19 inches. 


{ 


‘ 


Pt ae | ke: % 
i he. Pat 4 Pr 


: ie 


CHARLES HARRY EATON, A.N.A. 


163—THE VILLAGE IN THE VALE 


/oO cr (Water Color) (y- Van ee weer 
In the foreground is a small pond bordered by rushes and 

weeds and on the right a low grassy bank with a clump of trees. 

The focus of the composition is a village nestled among the trees 

in the distance where a strong gleam of sunlight strikes a rich 

meadow and accents the white gables of the buildings. The sky 

is full of soft, rolling clouds. 


Signed at the right, C. Harry Earon. 
Height, 13% inches; length, 19% inches. 


C. MAZINI 


164—SPRING 
(Water Color Y) is Fae 
ceed VR Nae 
A young lady in pink silk dress and spotted white muslin 

overskirt and fichu stands near a stone basin in a garden, arrang- 
ing a branch of spring blossoms in her hair and watching the 
effect of it in the mirror of the water. Her lover, in late 
eighteenth century costume, has climbed upon a stone seat and 
plucks another branch from a tree. 


Signed at the left, Mazrnt. 


Height, 18 inches; width, 13 inches, 


LEON CAILLE 


165—DOMESTIC BLISS bere: VA 
ace re ce, 
Va 


Seated between an open doorway and a fireplace in whi 
copper kettle is steaming over a small fire is a mother holding 
in her lap a half-nude infant lying asleep. The woman has a 
red kerchief around her shoulders and a rough apron over her 
knees. A friendly cat nestles near her feet and a half-open 
basket near by discloses various articles of wearing apparel. 
Through the open door is a glimpse of a sunlit garden. 


Signed at the right, Lion Carrie. 


Height, 18 inches; width, 15 inches. 


JOHN W. CASILEAR, N.A. a 


166—PECONIC, LONG ISLAND Ss ie thu 
ae : 


XT. A grass-grown swale with a rich growth of low bushes sweeps 
around from the foreground to the right, past a rank of sturdy 
elms headed by a great oak under which are two men standing 
and a woman seated in the sunlight. Beyond the row of trees 
is a sunlit field; still farther away a farm-house stands among the 
trees, and on the distant horizon is a line of low hills. The upper 
part of the sky is simple, and lower down are great masses of 
sunlit cumulus clouds. 


Signed at the left, J. W. C., 782. 


Height, 16 inches; length, 24 inches. 


- 7 a 

; ee hai cone se 
" . i - & — > bd 

, ? ’ | 

} 
‘ 
* 
t 


BRUCE CRANE, N.A. 


167—A DECEMBER SUNSET laa 

4.02 Ip ae gs Ee 

In a well-wooded country the snow has eae ae fields 
many inches deep and the water of the brook which zigzags to 
the foreground looks cold and repellent. On the right is a mass 
of leafless trees, some of them with sturdy trunks and branches. 
On the left there is a low line of woods, purple in the distance, 
and, above, the sun setting behind a veil of thin clouds. 


Signed at the right, Bruce Crane. 
Height, 14 inches; iength, 20 inches. 


ARTHUR PARTON, N.A. 


165—THE -EDGE OF THE ORCHARD» of. 


mie a fee 
A shallow brook flows diagonally across the foreground, pa 
the end of a stone wall enclosing a grassy field where an apple 


tree is in full bloom. In the shadow of this tree a boy is fishing 
with a short rod, and beyond the tree is a grass-covered, sunlit 
slope with other trees in blossom in the middle distance. The 
sky is partly covered with drifting clouds and in the horizon is 
a wood, purple in the haze of summer. 


Signed at the left, ArvrHUR Parton. 


Height, 16 inches; length, 23 inches. 


JAN V. CHELMINSKI 


169—INQUIRY (iy 1). Aerie 
rd 


308 


Three mounted hussars have halted on the edge of a great 
field where peasants are ploughing with oxen and horses. The 
nearest peasant has left his plough and, hand to his cap, is 
running to answer the questions of one of the soldiers. In the 
distance, at the high horizon, is a wide, flat grass-covered field 
with scattered coppices and a farm-house on the right. A few 
spots of blue break through the rosy clouds. 


Signed at the left, JAN CHELMINSKI, 1884. 
Height, 15 inches; length, 21 inches. 


RALPH ALBERT BLAKELOCK 


170—THE STORY OF THE BUFFALO HU ! 
ee “UL (Ooms 


35 od. In a hollow in the ground at the edge of a forest, three In- 
dians are seated at the foot of a clump of gnarled trees, and a 
fourth, on the right, is breaking branches to build a fire which 
he is laying under a bank in the shelter of a low growth on the 
rocks. The horizon is a stretch of level plain and the sky is 
covered with thin clouds. 


Signed at the left, R. A. BLaKeEtock. 
Height, 16 inches; length, 24 inches. 


HOMER D. MARTIN, N.A. 


+ 7 


171—EARLY MORNING Fe Bvt a 
oe TL Ltt Cae. 


| rs 
6 Fd. 

A rough piece of waste land extends across the foreground 
and here and there are small isolated trees. Beyond is the reach 
of a river crossed by a stone-arched bridge, and on the left, in 
the distance, is suggested a line of low wooded elevations. Near 
the horizon the sky is still gray and indefinite in form, and a few 
degrees toward the zenith the morning light extends in a broad 
band across the sky and touches the clouds with a soft, rosy light. 


Signed at the right, Homer Martin, 1881. 
Height, 16 inches; length, 24 inches. 


FRANK FOWLER, N.A. 


172—FEEDING HER PETS 


78 Uf. Ven ei ouee 


ad (Water Color) /) . 


Standing in a narrow path which leads to a rustic cottage, 
a young girl in a pink dress is feeding white pigeons who flutter 
about her and perch on her hand. The rude porch of the cot- 
tage is overgrown with vines and behind it are large trees in 
summer foliage. In front of the porch is a tiny garden with a 
low box hedge and a large earthen vase on a white base. 


Signed at the left, Frank Fowter, 1883. 
Height, 20 inches; width, 15 inches. 


SS os 


ALEXANDER H. WYANT, N.A. 


5 yee 73d GOLDEN Hoge Se 4 ; z Fe 


A sandy path leads from the foreground to a coppice of 
young growth which extends across the picture, showing beyond, 
in the horizon, a range of hills. Diaphanous clouds cover the 
sky in broken forms and the whole is flooded with the diffused 
light from the sun, which is high in the heavens. 


Signed at the right, A. H. Wyant. 


- Height, 16 inches; length, 20 inches. 


ALEXANDER H. WYANT, N.A. 


174—KEENE VALLEY, NEW mus ‘Z 


Ure ce See A 4 : 

rough pasture broken by a sandy cart track and by occa- 
sional rocks extends across the foreground. On the right is a 
rank of trees, the nearest one brought into relief by a gleam of 
sunlight, and on the left are the end of a wood and a few scat- 
tered trees on the horizon. The sky is turbulent, and near the 
middle of it the light breaks through the clouds from the sun, 
which is near the zenith. | 


Signed at the left, A. H. Wyant. 


Height, 20 inches; length, 28 inches. 


HENRIETTE RONNER 


175—NO EASY PREY 


: y oR jt (Water Color) PPL. Lo ee: 


A swallow has built its nest under the stone ledge of an open- 
ing in a wall and a large gray and white cat has stolen up to 
the ledge and crouches there watching for the swallow to flutter 
out of its nest, hoping to seize it in its first flight. The sunlight 
strikes the head and shoulders of the cat and brings into strong 
relief a branch of ivy growing against the wall on the left. 


Signed at the left, Henrmerre Ronner. 


Height, 21% inches; width, 17 inches. 


ALEXANDRE DEFAUX 


176—SPRINGTIME fd Pn. 7 ye Jor Sn 


re 
/ vg g- In a narrow path, through green growing wheat, a lady is 
walking, holding a blue parasol over her head. On either side 
- of the path are straggling apple trees in bloom, and beyond is 
a church with a few houses near it, and in the distance is rising 
ground with a heavy growth of trees. The sky is covered with 

gray clouds broken occasionally by spots of light. 


Signed at the left, A. Deravx. 


Height, 19% inches; length, 29% inches. 


GEORGE INNESS, N.A. 


- 177—SUNLIT WOODS bare Shee 
7 too | 


Shafts of strong sunlight penetrate the dense foliage of a 
wood where slender trees grow from a deep carpet of moss and | 
fleck the leaves here and there with strong accents and spread 
a mysterious, glowing haze over the whole landscape. 


Signed at the right, G. INNEss. 
Height, 24 inches; width, 16 inches. 


GEORGE INNESS, N.A. 


178—VIADUCT AT LARICHA, PP ge 
om 


a On the right is a tall stone viaduct with a double row of 
many arches spanning a deep ravine, and across it the highway 
leads to a populous town. On the left are steep, wooded hill- 
sides and in the distance two rounded summits meeting a sky 
full of large cloud masses. 


Signed at the right, G. INNEss. 


Height, 18 inches; length, 20 inches. 


JULIAN RIX 


179—IN THE ADIRONDACKS 
ape oS 
a J 
, a ee (Water Color) ~~ - ig U Aare ger 


The stony bank of a lake, well grown with trees, with scat- / ij 
tered bushes and rough grass, rises diagonally across the picture ~ 
from the foreground; and between the trunks and branches of 
the trees, which are almost bare of foliage, is seen the placid 
mirror of a lake, with the roof of a house among rounded trees 
beyond. 

Signed at the right, Jovian Rix. 


Height, 26 inches; width, 18 inches. 


FIDELIA BRIDGES, A.N.A. 


180—INDIAN CORN 


0 gee 2, , 
> Vilad (Water Color) (Se dee @) OLE 


This is a study, about half the size of nature, of a few 
hills of corn in tassel. ‘The broad twisted leaves shine with re- 
flected light from the sky and a number of swallows flutter about 
the tassels or perch on the blossoms to feed on the pollen. 


Signed at the right, F. Brinces, 1878. 


Height, 28 inches; width, 15% inches. 


DAVID JOHNSON, N.A. 


181—VIEW AT DRESDEN, LAKE GEORGE 
i a. 
5 


a SF: << A broad pebbly beach runs eae y across the foreground 
to a clump of birches and a wooded point on the left. Just out 
of reach of the lapping wavelets a row-boat is drawn up and 
lies on its side. A small white paddle-wheel steamer is seen across 
the rippling waters of the lake at the foot of a high cliff in the 
range of rocky hills which form a high barrier beyond. From 
an opening in the rolling clouds which cover the sky the sunlight 
strikes on the distant hills and on the immediate foreground. 


Signed at the right, D, ’74. 
Height, 13 inches; length, 23 inches. 


E. P. BERNE-BELLECOUR 


182—FIELD ARTILLERY IN ACTIOD : 


or ee ne | 
wo-gun section of a field battery is in action on a half- 


ploughed plateau in a cultivated country. The men are training 
the near gun by lifting the muzzle and pulling at the wheels, and 
the piece in the distance is almost ready to fire. In the fore- 
ground an officer sits on a large brown horse, with a field glass 
in his left hand, holding in his right the reins and a folded 
map which he is diligently studying. Clouds of smoke drift 
away on the right and a long line of wooded hills meets the sim- 
ple sky in the distance. 


Signed at the right, . Berne-Bevriecour, 1892. 


Height, 17% inches; length, 25% inches. 


« 


LUIS JIMINEZ 


1883—THE YOUNG MOTHER 


A peasant woman in rough garments is seated Doe Prcpriet 


bank in a passage among the overhanging trees in a wood. She 

raises with both hands her infant, who is tightly wrapped up, 

as to his body and legs, with a piece of coarse drapery, and the 

youngster throws up his little hands and crows with delight at 

the tossing. Beside the woman lies an overturned basket. 
Signed at the right, Luis Jim1nEz, Paris. 


Height, 24 inches; width, 15% inches. 


ANGELO ASTI 


184A—FEMALE HEAD - 5 


rm EG: A head and shoulders of a young girl in a broad light from 
the upper left is in strong contrast against a deep-toned back- 
ground. The face is in profile and is turned to the left. A mass 
of light brown wavy hair falls over her right shoulder and a 
red velvet wrap is thrown around her bust. 
Signed at the right, A. Asti. 


Height, 24 inches; width, 18 inches. 


/9 


185—EVENING ON THE HUDSON. 


707 


i 


gre 


186—IN ALGERIA 


=— CU 


GEORGE INNESS, N.A. 


eee CRUGa 


From a considerable elevation the river is seen reflecting the 
modified tones of a very brilliant sunset sky in which are parallel 
lines of intense orange near the horizon and scattered rounded 
cloud forms above. On the high wooded bank across the river are 
the roofs of houses here and there among the foliage, and on the 
river below is a sloop, several barges and a steamboat which is a 
prominent object in the composition. 


Signed at the left, G. InNeEss, 1886. 


Height, 20 inches; length, 30 inches. 


GEORGES WASHINGTON 


ht. I Fable 


Two Arab horsemen leading a pack horse have halted to 
water their animals in a stream which runs over a broad rocky 
bed, evidently the course of a torrent in the rainy season. In 
front of the group stands a half nude native with a long gun 
and farther away a third horseman, on an iron gray stallion, 
leading a second animal, from which the rifleman has dismounted. 
Great trees rise against the sky in the middle of the composition, 
and between two scattered clumps in the middle distance is a 
vista to the remote horizon where a range of mountains meets the 
sky. 

Signed at the left, G. WasHINcTON. 
Height, 24 inches; length, 32% inches. 


“\ 


SEYMOUR J. GUY, N.A. 


2 a ; 
3 Sk fe 


though not uncommon, is always exciting. Alittle girl has been 
lost in the woods, and darkness comes on before she is found. 
The neighbors turn out with lanterns, and one of them, led by 
his dog, has found her asleep at the foot of a tree. The light 
from his lantern shines full upon her as she reclines against the 
rough tree trunk and casts a deep shadow on the rough ground 
in front. In the background a second searcher is calling to com- 
panions in the distance, among the trees, across an open field. 


This picture illustrates an incident in cguntry life which, 


Signed at the right, $Guy. 


Height, 36 inches; width, 24 inches. 


H. BOLTON JONES, N.A. 


188—LATE NOVEMBER fo é (pee 
Pate a 
Ve 


Le a i “~~ In the foreground a sluggish stream which flows through a 
| marshy tract spreads out into a wide pool bordered with rushes 
and dry reeds. Just across the pool rises against the gray 
autumnal sky a tangle of slender trees, bare of foliage, and a 
little farther away a second clump, beyond which the ground, 
partly cultivated, slopes upward, and on the crest of the low 
hill stands a row of cottages. Through the maze of trunks and 
branches a line of distant hills is visible and in the water are re- 
flected the slender lines of the tree trunks and the tones of the 
cloudy sky. 
Signed at the right, H. Botton Jones. 
Height, 24 inches; length, 36 inches, 


THIRD AND LAST NIGHT'S SALE 
FRIDAY, FEBRUARY 26TH, 1904 


AT MENDELSSOHN HALL 


BEGINNING PROMPTLY AT 8.30 O’cLOCK 


LEON CAILLE 


A young mother is suckling an infant whom she holds on a 
blanket in her lap. She is seated in a kitchen chair over which 


a red kerchief falls from her shoulders. 
Signed at the top, Laon Cari. 


eight, 4 inches; width, 3 inches. 


RALPH ALBERT BLAKELOCK 


190—INDIAN VILLAGE rg (7 Page Z 


ie 
/! This is a group of tepees on a plain in the Far West and, 


judging from the number of Indians, the wigwams are only 
a part of a larger assembly of these shelters. In the distance 
is seen a line of jagged mountain tops against a simple sky. 
Signed at the right, R. A. BLaKetock. 
Height, 2 inches; length, 7 inches. 


189—THE YOUNG MOTHER A. tage 


EDUARDO ZAMACOIS 


191—SPANISH MANDOLIN PLAYER 


es 


192—A CAVALIER AND LADI 


2 I 


Near a latticed window a musician in severfteenth century 
costume consisting of a gray jacket and breech¢s and red stock- 


ings sits on a table, swinging his right leg and playing on a 
mandolin. His hat lies on the floor in the foreground. The fig- 
ured red and white table-cloth is awry, and in the background are 
dimly seen the figures on a large tapestry. 


Signed at the right, Ep. Zamacots. 
Height, 6% inches; width, 4% inches. 


EUGENE LOUIS GABRIEL ISABEY 


AG - 
At the foot of ike gnayléd tree“trunks a cavalier richly 
clad in silk and velvet is seated’ on a low bank, with a young girl 
leaning on his knees and clasping his hands. Standing near, in 
full sunlight, are two ladies in Elizabethan costume, one in pink 


and the other in yellow. 
Signed at the left, EK. 1. 


Height, 9% inches; width, 7 inches. 


we 


; 


193—GIRL WITH FAN 


Sa 


ad 


194—NEAR TAMWORTH, NEW HAMPSHIRE 
TA 


RALPH ALBERT BLAKELOCK 


Ou Oz; 


A full length figure of a girl in eee dress, standing /near 
a streamlet, her head in full ight against a background sugges- 
tive of a wood interior, holding in her right hand an open fan. 


Signed at the left, R. A. BuaKerock. 


Height, 5 inches; width, 2% inches. 


DAVID JOHNSON, N.A. 


Me 


It is a pleasant glade in a heavily, mbered count 
small pond in the foreground, partly overhung by 
On the left is a sunlit point with a narrow path, and on the right, 
across the pond, is a broad meadow with cattle feeding, and a 


hedge of high trees beyond. 


Signed at the left, DD. 
Height, 4% inches; length, 7 inches. 


fos 
ee 


jo. 


RALPH ALBERT BLAKELOCK 


te 


195—THE DISTANT ENCAMPMENT 5 


Pa fart: Y even 
Great trees on either side frame a eae across a lev 


of country with low hills beyond at the foot of which a a 
few tepees. An Indian in a red blanket is seated under a tree 
in the foreground, apparently watching the distant encampment. 


Signed at the left, R. A. BraKxerock. 
"Height, 41% inches; length, 6% inches. 


J. CRAWFORD THOM 


: is . 
196—LANDSCAPE ie) Pg | 


0 
It is mid-afternoon in full summer time and the sun shines 


through the thin clouds and flashes on a stream which winds 
through the meadows between clumps of trees and undergrowth. 


Signed at the right, J. C. Tuom. 
Height, 4 inches; length, 7% inches. 


it oN 


ae we 


JEHAN GEORGES VIBERT 


197—WASH DAY AT THE MONASTERY ~ / | 
oy KL ae 


a. 
O/ 7 In the garden of some religious institution is a stone-bordered 
tank sunk in a partly paved enclosure. Kneeling at this tank 
is a washerwoman, back toward the spectator, with an earthen 
pan full of clothes, a tub and various other objects. On a path 
in the middle distance are two cardinals, one in sunlight and one 


in shadow, and in the near foreground are two ducks. 
Signed at the left, J. G. Vipert. 


Height, 3% inches; length, 5 inches. 


RALPH ALBERT BLAKELOCK 2 


Aig, ¢? Ces in rtd 
198—AT THE HARBOR MOUTH J eo 


A point of rock on the left and an island on the right mark 
the entrance to a harbor, and through this opening is seen a 
range of hills beyond the water, against a quiet evening sky. 
A few sea-gulls are flying toward their resting place for the 
night. 

Signed at the right, R. A. BLaKeLock. 


wy 


Height, 3% inches; length, 7 inches. 
g 9 


J. FRANCIS Ls N.A. 


1 LP san pena 


Oe Bg 


A brilliant sunset sky/illumines the whole She ith a 
warm glow and the strong note of color in the clouds is Me 
in a pool in the foreground. On the left is a clump of trees in 
brilliant autumnal foliage and on the right other trees bare of 
leaves rise against the distant horizon. 


Signed at the right, J. F. Murrny. 


Height, 4% inches; length, 7% inches. 


RALPH ALBERT BLAKELOCK 


200-—THE LONE W Iowa) g oy 


eee An Indian has pitched his Goes at the edge/of a forest over- 
looking a sunlit valley bounded in the distance by rocky hills. 


An Indian in a red blanket sits by the wigwam and another sits 
under a group of large trees near by. 


Signed at the right, R. A. BuaKerock. 


Height, 4% inches; length, 7 inches. 


~ = ur ' - _ 


LS 


RALPH ALBERT BLAKELOCK 


201—ON THE COAST OF ee 


A natural arch of rock rises from the tumbling waters of the 


ocean and the spray dashes high against the adjoining cliffs. A 
few sea-birds hover over the surf and in the foreground flower- 


ing plants grow on the rocky shore. 


Signed at the right, R. A. BLaKezocx. 
Height, 7 inches; width, 4% inches. 


GEORGE DEFOREST BRUSH, A.N.A. 


2092—HEAD OF A LADY on g ee oee | 


oe | 


This is the head and shoulders ih a lady against a simple 
brown background, seen in three-quarters view, facing the right, 
with the eyes looking straight out of the picture. She wears a 
small black hat trimmed with a band of feathers, and a black 
cloak with fur collar. 
Signed at the upper right, Gro. D. Brusu, 1880. 

Height, 8 inches; width, 6 inches. 


MARIANO FORTUNY 
\ 
903—SPANISH LADY WITH FAN 


A Spanish lady in a full black silk dress and with an ample 
black Jace veil hanging from her hair stands in profile, facing 
the left, her right shoulder advanced, holding in her left hand 


an open fan showing an elaborate color decoration. 
Signed at the upper right, Fortuny, Roma. 
Height, 12% inches; width, 9 inches. _ : 


From Mary JANE MorGan COLLECTION. : 


aN ; 


J. FRANCIS MURPHY, N.A. 


/p 

204—LANDSCAPE oe | tlle. 

7 wy TU ‘ 

TG: . 

The sun has just set behind a distant low hill and the western 

sky is rich with yellow and orange light. The strong accent of 

the sky is reflected in a stream which runs out of the foreground. 
On the right are straggling trees and a solitary figure. 

Signed at the left, J. F. Murpry, 796, 


Height, 5 inches; length, 8 inches. 


fork A orton cin tring eho ban ut 


ny, 
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Party a 


lft Guntlhe iTteote a 
ryaity 


! Me 
a hdd KARRI 
cage a 


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SAR RAR CTR ARS A ETE REED OTE T TET wt 


RALPH ALBERT BLAKELOCK 


PAT oe 


PALE 
This is the full length figure of an Indian whose costume is 


age THE ARROW 


simply a loin cloth, a pair of moccasins and a feather, in the 
attitude of drawing a bow. He is, apparently, just about to 
shoot. <A flood of sunlight illuminates the figure, which is in 
strong contrast against a deep-toned background. 


Signed at the right, R. A. BuaxKetock. 


Height, 8 inches; width, 6 inches. 


CHARLES BAPTISTE SCHREIBER 


206—THE SMOKER 
Vr. VS pa) ie 


8 
A priest is seated at a table in an easy attitude, smoking a ie 
German porcelain pipe. On the table is a crucifix, a breviary, a : 
newspaper, a pot of flowers, an earthen jug, a glass of beer 
and various other objects. 


Signed at the upper left, Cu. Scurerser. 
Height, 8% inches; width, 6 inches. 


PAUL GROLLERON 


207—A SKIRMISH 


A group of four French ai have dashed down a 
road toward the enemy. One of them, apparently shot dead, 
plunges down on his head; and a second, holding his hand to his 
face, staggers backward, about to fall. On the right, beyond a 
clump of slender trees which grow at the end of a wall, are seen 
the blue and red uniforms of a large detachment of soldiers, 
some of them already fallen under the enemy’s fire. 


Signed at the right, P. GRoLieRon. 


Height, 14 inches; width, 10% inches. 


JEAN BAPTISTE CAMILLE COROT 


208—THE EDGE OF THE ie a 7, Valea jum 


Ue 


This study of a simple motive shows tall trees with slender 
trunks and soft foliage standing on either side of a winding 
stream, screening the sky above and showing between their stems 
below a broad mass of sunlit clouds near the horizon. Narrow 
shadows fall across the sloping bank on the right. Near the 
stream in the foreground is the figure of a peasant woman wear- 
ing a red shawl. 


Signed at the left, Conor. 
Height, 14 inches; width, 9 inches. 


r mae". 
Se CU 


_— et 


ens ak 


ROBERT C. MINOR, N.A. 


209—NIGHTFALL ON THE WOLD f £- Wes 
: a A 
ees 


“ 4 On the left a great irregular mass of beads on a 
high bank overgrown with bushes, and on the right, in the 
middle distance, rising out of a rough field is a tall slender 
tree in full foliage. The lower part of the sky is covered with 
clouds and the light of the setting sun breaks through near 
the horizon. 

Signed at the right, Minor. 


Height, 64 inches; length, 9% inches. 


RALPH ALBERT BLAKELOCK 


ae GIRL—UINTAH eae eee! ae 
Gah: ae 


J a An Indian girl with a single white feather in her hair 
and a narrow fillet around her forehead, dressed in full robes 
of soft tanned skin ornamented with beadwork, sits on her 
heels, with one hand resting in her lap, playing with a string 
of beads, and the other on a deer skin spread on the ground. 
She faces the light, which comes from the left. 


Signed at the right, R. A. BiaKetock. 


#H eight, 8 inches; width, 6 inches. 


LOUIS MOELLER, N.A. 


211—ABSORBED 
a . A table covered h occupies the foreground. 
On the table are an earthen jug, a beer glass and an open 

book, and behind it is seated an old man with a puzzled ex- 


pression on his face, his right hand resting on a stick and his 


left held to his head. 


Signed at the right, Louis Moerzer. 


Height, 8% inches; width, 6% inches. 


H. SIDDONS MOWBRAY, N.A. 


/  212—A SONG OF mers (2 cone 


Reclining on a divan, in a richly embroidered robe of red silk, 
a young Circassian girl is playing a mandolin, and near her sits a 
companion listening to the music and holding in her hands an 
orange. She is dressed in a figured silk robe and wears in 
her ears great circlets of gold. Between the two figures is a 
Turkish stand on which is a brass tray with an orange and 
a few almonds. 


Signed at the right, H. Smpons Mowsray. 


Height, 12 inches; length, 16 inches. 


oo 


see ee 
Coes. 


re) 


JULES ADOLPHE GRISON 


g13—A CLANDESTINE DEPARTURE (,) ©) 74 
pe 7°” 

Two chair bearers in gray velvet livery have brought/a 
sedan chair to the large porte cochére of a city residence and 
are there awaiting the arrival of the person they are to carry 
away. A servant girl, with finger to her lips, peeps out of 
the door and a neighbor in a nightcap looks out of a window 
near by. ‘There is an elaborately wrought balcony of iron 
above the door. 


Signed at the right, Grison. 


| Height, 9 inches; width, 6% inches. 


ROBERT C. MINOR, N.A. 


214—ON THE UPPER THAMES, aa rs be 
Cine. 


ee itd. CaN broad stream flows from the low distance on the left 
diagonally across to the corner of the foreground in the right 
with a low stony bank on the near side and, on the far side, 
a mass of willows and other trees grow in a flat meadow. 
The sunlight strikes the grass under the trees, touches the 
trunks here and there and accents the foreground. 


Signed at the right, Minor. 
Height, 6% inches; length, 9 inches, 


RALPH ALBERT BLAKELOCK 


rac 
215—EVENING gs € ted 


Yams , 
ay oy 7 The horizon is low and the sky is full of warm clouds with 


here and there a strong flare of light. A rank of trees ex- 
tends across the composition from a large clump on the left 
to a lower one on the right and in the middle of the fore- 
ground a pool broken by a small islet reflects the glow of 
the sunset sky. 
Signed at the left, R. A. BLakE Lock. 
Height, 6 inches; length, 94% inches. 


GEORGE INNESS, N.A. 


216—SUMMER—SUNSHINE CUO ee ae 
La rive, 


- 70 
ee d iy So The late afternoon sun throws a broad gleam of light 
across a large pasture among great trees where many cattle 
repose after feeding during the day, and casts a deep shadow 
over the foreground. In the middle distance a load of hay is 
passing down a sunny road which enters the gloom of deep 
shadow between great elms; and to the right of these trees, in the 
middle of the picture, the eye wanders over a wide landscape, 
across a small lake, and a hillside beyond dotted with houses, 

to a line of blue hills still farther away in the remote distance. 
The lower part of the sky is filled with warm luminous clouds. 


Signed al the right, G. Inness, 1865. 


Height, 12 inches; length, 18 inches. 


CARLETON WIGGINS, A.N.A. 


? eg. 
217—A PEACEFUL AFTERNOON () ( TA oe 


ay 
a FO: On a broad meadow in the rate a few cattle are 
quietly browsing. The afternoon sun, which is nearing the 
horizon, strikes the white walls of two farm-houses which 
nestle among the trees in the middle distance. On the right 
there is a vista over broad, grassy fields to a narrow strip of 
quiet sea where a single sail is seen at the horizon. Rosy clouds 


extend in broad, simple masses across the sky. 
Signed at the left, Carteton Wiccrns. 


Height, 5% inches; length, 10 inches. 


HOMER D. MARTIN, N.A. 


218—ROADSIDE NEAR HONFLEUR ta he 
Ee Oe 


fe” en Yo Sangam 
This is a view along one of the pleasant highways of Nor- 


mandy in the flat country near the Seine. A_ broad “road 
winds past a clump of birches on the left, around a great mass 
of trees on the right and leads away toward a low wood beyond 
pastures in the distance. The distance is in sunlight, which 
is modified by a thin haze of vapor over the sky. © 


Signed at the left, H. D. Martin. 


Height, 7 inches; length, 10 inches. 


JEAN RICHARD GOUBIE 


219—SPRINGTIME, FOREST OF oe Ke Bi LE. U 
3 a U- 


a chestnut horse, has paused to rest a moment under a tree after 
a gallop in a glade of the forest. All around her is the fresh 


A young horsewoman in a blue habit and gray hat, riding 


verdure of spring. Her pet dog barks at the song of a bird 
in the trees and the horse with arched neck is enjoying the 
cool shade. 


Signed at the left, RicuHarp Gousie, 1896. 


Height, 11 inches; length, 14 inches. 


ROBERT C. MINOR, N.A. 


DO yO ees Vo 

By ae A SEPTEMBER EVENING Cee ei 
sb Oo. This is a momentary effect of sunset when the last bie 
of direct light strikes the earth. Behind an open mass of 
birch and other trees on the right is concentrated the hght 
of the setting sun, which strikes a green pasture on the left 
and illuminates also the trunks and foliage of two tall trees. 
Beyond this patch of sunlit grass are seen a tree top growing 
in a valley, and wooded hillsides rising above. In the fore- 
ground is a.pool reflecting the trees on the right and echoing 
the tones of the sky. 


Signed at the right, Minor. 
Height, 12 inches; length, 16 inches. 


i 
} 
{ 


it i i i i i ee I ee, ee 


GEORGES HAQUETTE 


221—AT THE PIER 


vo 
eg 4 A fisherwoman is standing on a wooden pier and, with her 
right hand shading her eyes, looks earnestly out to sea, where 
a few sails are seen in the distance. She is back to the spec- 
tator, wears a white kerchief on her head, a blue bodice, red 
skirt and brown petticoat, and carries an empty basket slung 
over her shoulder by a cord. 
Signed at the left, G. Haquerte. 


Height, 10 inches; width, 7% inches. 


JOHN S. SARGENT, N.A., R.A. 


222—-THE SUN BATH 


CEC. hegh 


i/ 


I | 
A youth who is apparently resting after a dip in the sea 
is lying at full length on the gray sand, in full sunlight, 
shading his eyes with his right arm, which holds a piece of 
reddish drapery over his head. 
Signed at the upper left, Joun S. Sarcent. 


Height, 7% inches; length, 12 inches. 


LUDWIG KNAUS 


223—PORTRAIT OF A LA : 


co . 

fi ae A lady dressed in a low-necked dress of black silk is seated 
on a grassy bank with her hands folded in her lap, holding a 
lace handkerchief. Her head is seen in three-quarters view 
with the eyes turned well to the right. A quaint headdress 
of black bordered with red and sparsely embroidered with — 
colors adorns her head. 


Signed at the right, K, 1846, and at the left, Louis Knaus, 1846. 
Height, 14 inches; width, 11 inches. 


GUSTAVO SIMONI 


224—WAITING FOR THE BEY 


(Water Colory/ iv 
9 po 0% i 


Standing near a white wall on the left is a Moorish attend- 
ant in rich costume with two Arab horses, one white, the other 
bay. The wall apparently encloses a garden, for it is over- 
grown with creepers and roses and is finally lost in a mass 
of rich growth. At the base of it is a clump of spiky aloes 
and on the right is an earthen basin in which ferns are grow- 
ing. Through the trees an arid, sun-scorched mountain shim- 
mers in the heat and the cloudless sky is softened by a torrid 
haze. 


Signed at the left, G. Stmont, TLEMcEN, 1882. 
Height, 14% inches; length, 21% inches. 


_ 


HOMER D. MARTIN, N.A. 


225—COAST BUSHES : Py A 
yt Hit de, * Sy 


ao Growing in the rough grass of a broad pasture which 
stretches away to a sandy beach along a narrow inlet of the 
sea are two scraggy broom bushes contrasting with their dark 
foliage against the weeds and shingle which are scattered over 
the pasture. Across the inlet under a cloud-covered sky is a 
line of low wooded hills. 


Signed at the left, H. D. Marin. 
Height, 7% inches; length, 10 inches. 


GEORGE INNESS, N.A. 


, Y 
226—LIGHT TRIUMPHANT kee | Sox ee 


os 


A simple sky glows with golden evening light and against 
it in interesting silhouette are seen a large wooden farm-house, 
surrounded by trees, a barn near by and a distant church spire. 
A streamlet flows across a small field behind the house and 
tumbles over a rude dam into a pool in the foreground. A 
single figure is seated on the bench near the pool. 


Signed at the right, G. InneEss, 1862. 


Height, 12 inches; length, 18 inches. 


J. FRANCIS MURPHY, N.A. 


227—FIRST TOUCH OF AUTUM VW Ve Lom 

ee pra Ul he | 

It is a sunny day in early/aéutumn and on the clump of 

trees on the left of the picture are the first rich hues which 

follow an early frost. The grass alongside the pool in the 

foreground is still rich and green and the smoke lazily drift- 

ing from the chimney of the farm-house on the right shows 

that a gentle breeze is blowing, tempered perhaps by a sus- 
picion of chill which comes on days like this. 


Signed at the right, J. Francis Murpny, 95. 


Height, 8 inches; length, 12 inches. 


J. H. L. DE HAAS 


; ge 
228-—-LANDSCAPE AND CATTLE” Me y Ka 


oU 

ay BEL In the corner of a rich pasture, under a clump of low trees, 
two cows are standing facing the spectator, one red and white, 
the other white with black head and shoulders. Behind them, 
knee-deep in the rank grass, is a dun-colored animal wandering 
away to the cool shade of the wood. On the left there is a 
view across the meadows, where other cattle are feeding, to a 
distant village. 


Signed at the right, J. H. L. De Haas, 


Height, 12% inches; length, 18% inches. 


a ae “ Cine — 


BE ee 


ea ug HOMER D. MARTIN, N.A. 
299—THE COAST OF FRANCE / - yee Pig co 


There is a broad stretch of sand and mud in the foreground, 
broken by pools of water, rocks and bunches of seaweed, and on 
the edge of the water in the middle distance are two boats lying 
close together in the sunlight, one with unlowered sail. The 
horizon is softened by summer haze and the sky is covered with 
thin clouds, rosy with the early light of day. 


Signed at the right, Homer Martin, 1884. 


Height, 8 inches; length, 12 inches. 


WILLIAM BLISS BAKER 


230—EARLY SPRING 
y Te. pes 
Sage From the left foreground a snake oe Se to the middle 


distance, meeting there the corner of an enclosed wood lot where 
the trees are showing their first tender foliage. On the right a 
rough pasture, dotted with stones and tufts of coarse grass, 
stretches away to the distance where blue hills are seen between 
the trunks of a row of tall trees growing along a wall. The 
landscape is in full sunshine, and here and there, in the pale 
blue sky, are small drifting clouds. 


Signed at the left, Wm. Buiss Baker. 
Height, 12% inches; length, 19% inches. 


y ; oe ARTHUR ce. N.A. 
ae 


231—_THE EDGE OF THE Po hee 
Three slender tree trurks rise from the foreground and ex- 


tend out of the picture at the top. ‘The sunlight flecks them 
here and there, touches the foliage in spots, and casts a deep 
shadow under the large trees where the forest ends and the open 
country begins. In the middle distance there is a wide expanse 
of sunlit hills and vale and a narrow inlet shimmers beyond. 


Signed at the left, ArtHur Parton. 


Height, 9 inches; length, 12 inches. 


JEAN RICHARD GOUBIE 


232— JUST BY CHANCE”. ye () Lean 
6 Ld fee / VA 

A young gentleman mounted on a spirited horse meets, as he 
trots along a grassy path in an open country, a young lady 
friend sitting a thoroughbred animal, and, as he nears her, re- 
moves his hat in salute while she replies with a smile and a ges- 
ture with her whip. Beyond the figures is a broken bank with 
a scattered growth of bushes and trees, and in the distance a 
line of blue hills under a bright summer sky. 


Signed at the left, Ricuarv Govusie, 1897. 
Height, 14 inches; length, 17 inches. 


* 


233—A VIEW IN COUNTY KERRY 
ZO 


MIS 


ALEXANDER H. WYANT, N.A. 


It is a wild nook in a rugged country where the clouds drive 
low across the steep hills and a flash of sunlight illuminates a 
rocky bit of half tilled ground where a rude hovel, thatched 
with heather, is built against a great boulder. The grass grows 
green among the rocks, and on the low stone wall which encloses 
a patch near the hovel a few garments are spread out to dry. On 
the left is seen a part of a sombre lake at the foot of the cloud- 
shadowed mountain side. 


Signed at the left, A. H. Wyant. 
Height, 12 inches; width, 10 inches. 


JERVIS McCENTEE, N.A. 


234—WINTER MOONLIGHT Jp- AZ 


peo: 


fv 

The full moon is breaking through a stratum of cirrus 
which covers the sky and touches with a broad light the snow- 
covered roof of a cottage on the banks of a pond, glimmers on 
the ice and strongly illuminates the foreground where rocks and 
bushes break the monotony of the snow. The warmly glowing 


We Tos.. 


L 


cottage window suggests comfort within and gives a friendly | 


touch to the otherwise desolate landscape. 
Signed at the right, J. H. McE., 1865. 
Height, 12 inches; width, 10 inches. 


WILLIAM BLISS BAKER 


Rinadythe Ge 


es which overshadow a farm build- 


235—A BARNYARD CORNE 


> SI 7? 


Near a group of tall 
ing is a collection of haystacks and straggling, half broken 
fences. A few fowl feed near by, and on the left beyond the 
grassy field which is bordered by a broad fence is a row of slender 
trees. A few delicate clouds float in the clear sky. 


Signed at the right, B. Baxer. 
Height, 14 inches; length, 20 inches. 


ROSWELL M. SHURTLEFF, N.A. 


2936—AN OPENING IN ee Wea ; 
V- pI 


la 
of bo This is a glade in a great wood where the large trees are 
scattered in open order over a level tract and here and there 
masses of undergrowth grow in rank abundance. In the fore- 
ground is a pool with a weed-grown outlet and beyond it in the 
middle distance is a sunlit opening with a vista between the trees 
beyond to a low, distant horizon. Between the tree tops the sky 
is visible, partly covered by rosy clouds. 


Signed at the left, R. M. Suurtierr, N.A. 
Height, 16 inches; length, 20 inches. 


WA Bor LaF up Z tog 
uproanpey : 
ee wy Gurneda “YH 


i fae 5 7-1 1 KYD | 


EK. P. BERNE-BELLECOUR 


237—FOR HIS COUNTRY Be Ie 
077 Cad Pe aes /p Ase 
oe The storm of battle has swept over a pleasant stretch of 


farming country and in its trail has left behind a wounded in- 
fantryman who, holding his right hand to the chest, raises him- 
self on his left arm and looks eagerly in the direction in which 
his comrades have disappeared. His kepi and knapsack lie on 
the grass near by. In the distance is a line of gently rolling 
hills and part of a wood all under an autumn sky. 


Signed at the left, E. Berne-Berrecour, 1896. 


Height, 10 inches; length, 14% inches. 


PAUL SEIGNAC 


‘ om é pe . Wi x ree 
238—THE LESSON We A Sy A ta 


yeas a It is a simple cottage interior lighted by a window on the left. 
On the wall are hung various kitchen utensils. Seated in a 
straight backed chair is a woman dressed in a red jacket and 
striped green and black petticoat, holding a book in her lap. 
Beside her stands a little girl in a blue dress evidently saying 
her lesson to her mother. 


Signed at the left, Se1ianac. 
Height, 14% inches; width, 10% inches. 


CARLE J. BLENNER 


239—THE LETTER ay, 7 rae 


BOE S/o 6 


This is the life-sized head and bust of a young girl in three- 
quarters view, the head turned to the right and the wide open 
eyes looking out of the picture. She holds a letter in her left 
hand and with her right hand, which screens the flame of a candle, 
she is apparently melting wax to seal the epistle. The face is 
lighted partly by the candle and partly by daylight. Her wavy 
auburn hair is held in place by a narrow mauve ribbon. 


_ Signed at the upper right, Carte J. BLENNER. 
Height, 24 inches; width, 20 inches. 


J. G. BROWN, N.A. 


240—‘ SPEAK, SIR” SZ we / Go 


LL AL 


ou 

A bootblack seated on his box, with a pet terrier beside him, 
is teaching the dog to bark at command. He has his left arm 
around the neck of the dog and holds his right hand up with a 
playful gesture of encouragement. The background is the dull 
green wall of a room with a painted sign a portion of which 
shows above the little group. 


Signed at the left, J. G. Brown, N.A. 
Height, 24 inches; width, 16 inches. 


pe ee Se i 


on ‘i 


( MNOGe 2¥ 


CARLETON WIGGINS, A.N.A. 


241—OVERLOOKING THE SEA, ST. WES (“7 7 
SGC." Ct. as 


In a wide pleasant pasture, broken here and there by walls 
and hedges, are three cows, two of them lying down and both 
looking toward the distant sea which meets the horizon on the 
right, and the third standing up looking inland. A soft blue 
sky with thin clouds suggests the height of the summer season. 
Far away on the quiet water shine the sails of passing vessels. 


Signed at the left, CarteToN WicGIns. 


Height, 10 inches; length, 14 inches. 


ALEXANDER H. WYANT, N.A. 


hie. 
242—THE CLOSE OF DAY oS fo a MACE 


. a me From the right foreground a rough path leads directly back 
and disappears behind an orchard near a small farm-house. Be- 
hind the house on the left is a wild pasture with scattered trees 
and near the foreground is a small pool echoing a strong accent 
of light from the sky. Against the sunset in the remote distance 
is a range of flat-topped hills. 


Signed at the left, A. H. Wyanvt. 
Height, 12 inches; length, 16 inches. 


PETER PAUL RUBENS 


2)3—FIGURE OF A BOY Rane 
ae 


fe This is the full length‘figure of a small boy wearing only a 
scant shirt which he holds up at the back with one hand and at 
the front with the other, standing much in the same attitude as 
the famous statuette in Brussels. In the background is a glimpse 
of a large, well-wooded park. 

Signed at the left, Pe. Pa. Rusens, 1631. 


Height, 13 inches; width, 9 inches. 


GEORGE INNESS, N.A. 


244—THE APPROACHING Se y ee 


is | 


There are unmistakable signs in the sky of a tempest which 


is about to burst on the iand, and against the lowering clouds 
the trees in their summer foliage, lighted by a strong flood of 
sunlight, come out in vivid contrast. In the sunlit middle dis- 
tance three cows stand in the rank grass and a transparent 

shadow is cast across the foreground, showing among the grass 

a patch of bare earth. 


Signed at the left, G. INNEss. 


j 
Height, 24 inches; length, 36 inches. i 


CHARLES H. MILLER, N.A. 


245—A RAINY DAY Pp Le. 


OS eg fall 


From the foreground where a flock of white ducks are 
gathered on the edge of a pool, and a woman holding an um- 


brella and leading a small child is standing in hesitation at the 
watery obstacle in their way, a muddy road leads up a small hill 
bordered on either side by straggling trees. In the distance 
against the gray sky is a cart on the crest of the elevation. 


Signed at the left, C. H. Mruuer. 


Height, 15 inches; width, 12 inches. 


ABBOTT H. THAYER, N.A. 


Qi6—A PRIZE BULL LZ / : 


: ai L 
a IO This is a study of a dark brown and white spotted bull stand- 


ing in his stall, halter on head and ring in nose. The light 
from an opening in the wall behind strikes sharply along the 
back of the bull, and a secondary light, presumably from an 
open door behind, further accents the vigorous anatomy of the 
animal. 


Signed at the right, A. H. THayer. 


Height, 12 inches; length, 16 inches. 


247—THE GRA 


SFIAO 


FELIX ZIEM 


The dominating mass of the Ducal Palace above which rises 
the Campanile, and the line of adjoining houses on the Riva, with 
the quay in front, occupies the right of the foreground. ‘The 
water is high and the bow of a gondola rests on the flagging of 
the quay and a group of people in medieval costume stands near 
by. On the left, beyond an area of shimmering water, is the 
entrance to the grand canal, with the church of the Salute. The 
sky is simple with a mass of soft sunlit clouds near the horizon. 


Signed at the right, Zien. 
Height, 29 inches; length, 39 inches. 


ROBERT C. MINOR, N.A. 


LPR 
248—EVENING PD) / _. Geewy 
i oe cae ALY, ‘ Cr A, 
| 1 


The tower of f andl sing from the red tiled roof of 
a building surrounded by trees on the shore of a small lake or 
a broad river and in strong contrast against an evening sky 
full of flashing clouds is the focus of the composition. At the 
horizon, between the mill and a large mass of trees on the right, 
is the red disk of the sun just disappearing below the horizon. 
In the foreground the quiet water reflects the deep tones of the 
trees and the buildings and the warm hues of the sky, and on the 
left the gloom of twilight is stealing over the trees on the shore 
and the clouds above. 


Signed at the right, Mrnor. 


Height, 26 inches; length, 36 inches. 


ND CANAL, (ENCE a Z ac Za 


if 


L, 3,28 Je ae Se 


“ft. | 


me 


RALPH ALBERT BLAKELOCK 


x ees FISHERMAN (o~ Ss B/ | Se re 


In a narrow stream which curves around a wooded point an 
Indian is paddling a canoe, standing up in the bow and gazing 
into the water apparently in search of the wary fish. In the 
distance on the right is a range of hills reflected in the water 
and, high up in the sky, patches of blue show between cloud 
forms. ‘The warm diffused light of midsummer is over the whole 
landscape. 


Signed at the right, R. A. BuaKeELock. 


Height, 10 inches; length, 17 inches. 


N. V. DIAZ DE LA PENA 


250-—MOORISH CHILDREN a ve Z Je ae essay a 


lea : Ges : . 
A group of five little Moorish girls are quietly playing to- 
gether, three of them seated on the ground and two standing; 
and one of the latter holds a small green and red parrot. On 
either side of the group are trees with scant foliage and across 
a lake in the middle distance is a low tract of country with moun- 


tain peaks on the horizon. 
Signed at the left, N. D1az. 
Height, 11 inches; length, 17 inches, 
_ — tS 
Ree eee ek Sake Lf 7oF £000 — | 
fle. - ik 7 
~ ; ie mes 1 OC: 
hb - (FB SUE 007. 20,17 


Jager HENRY Rk. TLE A.N.A. 


251—SPORTING DOGS 4 be 


This is a double portrait of two favorite dogs, one of them 
in profile, the other with head raised and considerably fore- 
shortened. Behind them is a stretch of sunlit pasture, with here 
and there a rock cropping out among the dry grass, and above 
is a sky full of rolling clouds. 


Signed at the right, H. R. Poorer. 
Height, 12 inches; length, 16 inches. 


CHARLES HARRY Se A.N.A. 
pe ts Ni 
252—A WET DAY IN OCTOBER Bie Oe me. 


From the middle of the foreground a broad, muddy road 


with glistening water in the ruts and in shallow pools leads 


\ 


straight back in perspective to the middle distance where is seen 
a man driving a horse and cart. On cither side beyond the 
waste ground of the roadside are enclosed pastures. A grove 
of tall trees forms a broken sky line against the gray sky where 
drifting clouds still threaten rain. 


Signed at the left, C. Harry Eaton. 
Height, 30 inches; length, 52 inches. 


fl 


RALPH ALBERT BLAKELOCK 


2583—THE PIPE DANCE ie Ki wag 


In the foreground two canoes are drawn up on the beach 
at the left and beyond them three squaws are seated on the bank. 
Near by an Indian with a drum in his left hand is dancing in 
unison with a score or more natives who are forming a ring on the 
sand in front. On the right of this ring of dancers another In- 
dian beats the drum with upraised hand. Behind the dancers there 
are hillocks on either side of a dip or narrow valley which leads 
the eye to a wide plain in the distance and on these elevations 
great sturdy trees with dark foliage stand in solemn dignity. 
The sun is below the horizon and the warm glow which extends 
all over the cloud-covered sky floods the foreground and here 
and there accents a tree-trunk or a projecting rock. 


Signed at the right, RatpH ALBERT BLAKELOCK. 


Height, 48 inches; length, 72 inches. 


CARLETON WIGGINS, A.N.A. 


= E HILL ee a 
254—ON THE H oe al 


id ee ah: SF 
On the slope of a hillside covered with patches o yough 


grass, a flock of sheep feeds under the charge of a shepherd with 
his dog. Against a mass of rolling clouds in the summer sky 
rises a great oak tree and, beyond, a few rounded trees stand in 
a strip of sunlit grass which marks the summit of the elevation. 


Signed at the left, Carterton Wiccrns. 


Height, 15% inches; width, 10% inches. 


RALPH ALBERT BLAKELOCK 


255—THE WOUNDED STAG Nara CAD / 


oc a 
Out of the gloom of a primeval forest where an Indian hunter 
has been concealed, a stag with an arrow in his side bounds 
swiftly across the foreground with head thrown up in agony. 
In front of the deer a rivulet spreads out over a shallow, rocky 
bed and across it on the left is a tangled wood, in the shelter of © 
which the wounded animal hopes for refuge. A small area of 
sky is seen in the left beyond the flank of a high mountain, and 
from this comes an embracing flood of warm evening light. 


Signed at the right, RatpH ALBert BLAKELOCK. 


Height, 21 inches; length, 39 inches. 


$040: £6. Bloomingdale sale, AAA, MiKC., 
Nov, 22, ifa&, t 67; REE pa. 54 
42,600 to A. ijcales egeul. 


A. H. WY ANE Ne 


256—LANDSCAPE Ag oe: . Hea 
Ce 


oF 
wi Fi: On the left, rising high against a turbulent s 
mass of a ledge of rock crowned by a few conifers. A rough 
path winds through the rich turf at the foot of the cliff and a 
great clump of trees, mostly in shadow, stands opposite the rocky 
eminence across the narrow passage of level ground. 


, is the great 


Signed at the right, A. H. Wyant. 
Height, 16 inches; width, 12 inches. 


_ Et ie gant ta eee 


JULIAN ALDEN WEIR, N.A. 


257—A CLOUDY DAY fe: Q o. 


a atl The rounded contour of a grass- Fe hillside cuts the sky 
at the left, and on the right meets the dark mass of an irregular 
growth of trees. The slope is broken here and there by a bit of 
rock or a bunch of dried grass; and the sky, which occupies 
nearly two-thirds of the composition, is covered with broad gray 


clouds in simple masses with a point of light above the trees on 
the right. 


Signed at the left, J. AtpEN Wem. 


Height, 12% inches; length, 16 inches. 


EMILIO SANCHEZ-PERRIER 


_ 858—A QUIET POOL 9 Le 
wad BCE bia 
/ A narrow, placid stream which curves around under a b 

fringed with densely growing willows broadens out in be 
ground into a wide pool. A large boat with a single occupant 
floats on the right near the overhanging foliage of the bank, 
and on the left glistening sand spits rise a few inches above 
the surface of the water. A rank of rounded trees shows in the 
middle distance against a simple sky with mauve-tinted drifting 
clouds. 


Signed at the left, E. Sancnez-Perrier. 
Height, 12 inches; length, 18 inches. 


JULES DUPRE 


259—THE OLD FARM yy (Pp LZ 
G? fee) me a Seo Bias 


A rambling farm-house, rudely thatched and with roughly 
plastered walls, occupies a large part of the composition. ‘There 
is a patch of strong sunlight on the wall around the door and 
on the roof and wall of the low gable on the left. The sun- 
shine also touches the figure of a peasant woman about to enter 
the house, and the foreground, which is covered with scattered 
patches of grass. The sky is full of lowering clouds showing 
one or two strong accents of light and a spot of blue. 


Signed at the left, Jures Durrt. 


Height, 15 inches; length, 18 inches. 


JEAN JACQUES HENNER 


260—GIRL IN BLU ‘be son 


we IEAd A young girl with auburn hair sits facing the spectator, 
with a blue wrapper thrown about her. Her eyes are slightly 
turned to the right. The light from above strongly illuminates 
the head and chest and the figure is cut off just below the level 
of the shoulders. ‘The background is a warm tone of brown. 
Signed at the upper left, J. J. HENNER. 


Freight, 18 inches; width, 13 inches. 


oe 


ALEXANDER H. WYANT, N.A. 


261 a KAATERSKILL oe 6 Oapmttee 
A 0 The sky is covered with luminous clouds, and the light is con- 

centrated near the zenith. ‘The broad flood of light is diffused 

over the landscape, uniting in a simple mass of color the great 

area of pasture land which stretches away to the distance where 

a coppice and a gently sloping hillside form the horizon, broken 

on the right by a rugged tree, bare of foliage. ‘Two cows are 

feeding in the pasture, and near the foreground there is a 

marshy spot with small pools of water reflecting the sky. 


Signed at the left, A. H. Wyant. 


Height, 14 inches; length, 19% inches. 


J. FRANCIS MURPHY, N.A. 


262—A GRAY DAY eae : 
~ Y Wit. ee 


Li ad Phere: ‘i on koi ae 
ere is a marshy spot in the broad pasture and near it, in 
| the foreground on the left, grows a clump of willows and other 
trees touched with the breath of an early frost. In the middle 
distance in a broad passage of modified sunlight are a haystack 
and a farm building near a clump of trees. The lower part of 
the sky is covered with masses of clouds which are thinner near 
the zenith, and the blue of the heavens breaks through the veil 
of vapor. 


Signed at the right, J. Francis Murpnuy, 1901. 
Height, 14 inches; length, 19% inches. 


PAUL JEAN CLAYS 


2683—EVENING CALM PY ODD ELDT' oe 
ee ae 7 ee 


Grouped around a great bluff-bowed brig which, with slack 
sails, forms the chief feature of the composition, are various 
motley craft common to the waters of the north of Europe. A 
Flemish fishing-boat with lee-boards and tanned sails has drifted 
against the bow of the brig, and a row-boat with three men floats 
near by. On the right are two strange-looking sailing-vessels, 
and beyond in the far distance are the hazy forms of the towers 
and spires of the city of Antwerp. The blue sky is half veiled 
by fleecy clouds. 3 


Signed at the right, P. J. Crays. 


Height, 22 inches; width, 16% inches, 


ROBERT C. MINOR, N.A. 


264—NIGHT ON THE SOUND oS OP ( e. Zo. 


/ od ; 

b IO. The full moon is struggling through a mass of clouds, and 
its broad light is half veiled by thin masses of vapor which drift 
across the sky not far above the water, where the moonlight 
glistens in a broad path of luminous ripples. Lights twinkle in 
the gloom along the horizon, and a large steamer dimly shows in 
the distance on the left. In the immediate foreground is a rocky 
point beyond a bit of sandy beach. 


Signed at the right, Minor. 


Height, 16 inches; length, 22 inches, 


% 


J. FRANCIS MURPHY, N.A. 


265—AN AUTUMN EVENING oe F, L. ae 
ca ary OAL 


se - A narrow strip of rough pasture land, rich with the warm 
colors of autumn, is bordered on the right by a wood where the 
foliage is splashed with red, and on the left by a few slender trees 
rising out of a mass of undergrowth. Beyond the crest of the 
gently sloping pasture in the middle distance is seen a distant 
wooded hillside, and the sky is brilliant with the glow of early 


sunset. 
Signed at the left, J. Francis Murpnuy, ’99. 


Height, 14 inches; length, 19% inches, 


ALEXANDER H. WYANT, N.A. 


ie ewe / f 
266—A GRAY MORNING wa cots REED ieee 


— od 
oe wa 2s A broad muddy road leads directly from the foreground to 
the middle distance where it turns to the left and disappears 
around an open clump of trees. On the right is an orchard and 
in the far distance is a low range of hills. The vaporous clouds 
which cover the sky are softened by a diffused light, and here 
and there are spots of blue showing between the clouds. 


Signed at the right, A. H. Wyant. 


Height, 16 inches; length, 20 inches. 


ALEXANDER H. WYANT, N.A. 


267—A POOL IN THE MEAD ig Aang 


PG is 


ea A 


268—A CLOUDY Rae ge) ag fs Pal: 
le 


A broad shadow extefds across the horizon and the water in 
a narrow pool glistens among the grass. Beyond the shadow 
an isolated tree in full summer foliage stands in a sunlit field 
where, in the distance, two cows are feeding. ‘The horizon is 
broken by a row of tall trees and large ledge of rock covered by 
grass and bushes. A broad mass of lofty clouds fills the lower 
part of the sky and, above, the blue breaks through and is 
partly hidden by a mass of light drifting vapor. 


Signed at the right, A. H. Wyant. 


Height, 16% inches; length, 22% inches. 


(See Frontispiece) 


J. FRANCIS MURPHY, N.A. 


yp 4 


RG VEL 

On the right of the forearinng is a pond on the edge of 
which at the foot of a gentle slope of pasture is a bunch of 
dead weeds and shrubs. Beyond an irregular clump of trees 
partly bare of leaves is a farm-house in a sunlit hollow with trees 
in autumn foliage above and behind it, and, on the right, in 
a cloud shadow, is the projecting point of a scattered wood. 
The light in the sky is concentrated on the cumulus clouds in 
the middle of the composition. 


Signed at the left, J. Francis Murpny, 91. 


Height, 16 inches; length, 22 inches. 


es = 
i ee eee Ay. 


ee ae ee oe, ne 2 


ALEXANDER H. WYANT, N.A. 


269—AN eee EVENING Ce EM wg oy: sas 


AT & a2 ihe sun has just gone down behind a range of hills in the 
horizon, and flashes of warm light accent the cloud-covered sky. 
The foreground is a rough pasture partly covered with trees 
sloping toward a small lake in the middle distance, where a glim- 
mer of light from the sky makes a bright spot in the early twi- 
. light gloom which settles down over the landscape. 


Signed at the left, A. H. Wyanv. 
Height, 16 inches; length, 22 inches. 


JULES WORMS 


270—FINISHING TOUCHES ge oe 


~ he ee a the patio of a Spanish house a young gallant stands with 
a small mirror in his hand putting the last touches to his elab- 
orate toilette. On a chair near by are his cloak and guitar. A 
servant girl brushes his embroidered jacket and, lounging on the 
back of a chair near by, a young woman in blue and black- 
checquered costume with a brilliant red embroidered shawl over 
her arm watches the toilette operations with languid interest. 
Behind her a staircase leads to an upper story, various objects 
hang on the wall at the back, and there are several pieces of fur- 
niture standing near a doorway on the left. 


Signed at the right, J. Worms. 
Height, 17% inches; length, 21% inches. 


J. FRANCIS MURPHY, NX 


271—_THE APPROACH ae LD~FARM | ee 


FP 50 ee From the left foreground a well-trodden path leads ia a 

: grassy field toward a small barn which stands beyond an open 
row of slender leafless trees in the middle distance. Near the 
barn are two straw stacks, and behind it are a broad slope and a 
great wooded hill against the sky beyond. The landscape is 
flooded by a diffused hight from the sky, which is covered with 
broad, luminous clouds. 


Signed at the left, J. Francis Murpny, 1902. 
Height, 22 inches; width, 16 inches. 


HENRY W. RANGER, A.N.A. 


279-LANDSCAPE Cn tee _ Taney Lele 


(/ OG 


ee The sky, which occupies three-quarters of the composition, 

. is covered by broken cloud forms with here and there a dark 
mass among the flickering spots of sunset light. A sheet of 
water full of reflections from sky and land extends across the 
foreground, and beyond it is a flat meadow with a haystack on 
the left and on the right a red-roofed cottage half hidden by 
trees. A flat-bottomed boat with a small sail and with a single 
occupant lies at the bank near the cottage. 


Signed at the left, H. W. Ranecer. 
Height, 17 inches; length, 25 inches. 


Ce en ee 


Perec, 
om rat 


iat Th Coed aa the 


Bei Se ey 


= 


ALEXANDRE GABRIEL DECAMPS 


- 
273—SELLING THE WHITE SLAVE Pes ay ‘ VA 
. ; f 0/4 — 


Supported by a crouching negress, a young girl with bare 
arms and shoulders reclines on the ground and behind her is the 
merchant, who has just removed the veil from her face to dis- 
play her beauty to a possible purchaser, who stands near with 
a companion. The gold embroidery on the rich Oriental cos- 
tumes of the two men engaged in the transaction glitters in the 
sunlight, and the white burnous of the third relieves the heads of 
all three against its strong light and luminous shadow. In the 
background against a high wall on the right is seen a veiled 
female and there are other figures in the background on the left. 


Signed at the left, Decamps. 
Height, 23 inches; width, 16 inches. 


HOMER D. MARTIN, N.A. 


274—SAGE’*S RAVINE, CONNECTICUT Q 4 ae 
ia edd 
2 Through a mass of jagged boulders a small stream forces 
| its way and tumbles down into a basin in the foreground. Scrub 
trees and rough undergrowth cover the ledges, and in the dis- 
tance is the dominating mass of a high rocky eminence with lower 
hills in perspective beyond, relieved against a mass of cumulus 
clouds which covers the lower part of the sky. 


Signed at the left, Homer Martin. 
Height, 24 inches; length, 20 inches. 


JULES ADOLPHE GRISON 


REED RY. SHI 0) Beli o Ya 


em FO The parents of a small boy have brought him to a tailor’s 
shop to be fitted with a new suit. The scene is laid in the time 
of the Directory, and the parents, the tailor and his wife and the 
small boy are dressed in the interesting costumes of the period. 
The brown and gray garments of the boy are placed on a chair 
and he stands near, awkwardly conscious, in a short green silk 
coat, a figured waistcoat and dove-colored breeches. The old 
tailor is laying down the law about the fit, his wife behind the 
counter holds the cat and wears a sympathetic smile, and the 
parents look on with absorbed interest. A bird cage and a brass 
lamp hang from the ceiling beams and in the background are 
shelves of goods and many bits of bric-a-brac. 


Signed at the right, Grison. 


Height, 18 inches; length, 214% inches. 


GEORGE INNESS, N.A. 


om vo gs * RAAgle 

af o J In the middle of a dense forest where great trees grow out 
of a carpet of rich moss, woodmen are at work felling super- 
fluous trees and stacking the branches. A diffused light pene- 
trates the sombre depth of the wood and all around a dense screen 
of foliage hides the sky. On the left, among the undergrowth, 
are seen the roof and smoke of a camp. 


276—-WOOD INTERIOR—KEENE 


Signed at the right, G. INNEss. 


Height, 18 inches; length, 24 inches. 


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GEORGE INNESS, N.A. 


oo? 3 V4 
277-LAKE NEMI, ITALY ws, } Li - 
V eS. 7 CO 


Lying deep among high enclosing hills is the placid sheet of 
water reflecting the deep blue of the zenith, and beyond the lake 
a great plateau, where a small town stands overlooking the 
water, extends far into the distance where the horizon is lost in 
the summer haze. In the foreground a steep, rough hillside 
crowned with the high walls of some old chateau garden and 
flooded with sunlight contrasts against the distant landscape. 
In the sky a stratum of cirrus floats high above the earth, in- 
dicating a balmy air and a season of perfect weather. 


Signed at the left, G. INNEss. 


Height, 18 inches; length, 26 inches. 


HOMER D. MARTIN, N.A. 


ye ae fi 
278—NEAR THE SEA A, ee 
Yh Oo mer 


a 

ue 7-2 TV An immense boulder or ledge of rock fringed with trees and 
bushes is the chief feature of the composition. It stands beyond 
a marshy spot where a small pond reflects the trees which grow 
at its base. On the right is a smaller ledge, and in the distance, 
across an inlet which gleams in the light, is a line of sand dunes 
with the sea horizon in the far distance. The sky is covered with 
vaporous clouds illumined by diffused light from the sun high 
in the heavens. 


Signed at the left, H. D. Martin. 
Height, 15 inches; length, 24 inches. 


Sak 


a 


Ke? 


9—A SHEEP PASTU 


LEON VICTOR DUPRE 


It is a wide view over a flat grazing country, with scattered 
trees here and there, and on the left an open clump of sturdy 
oaks which, lighted by the afternoon sun, throws a long shadow 
across the plain. <A flock of sheep, tended by a peasant woman 
in a red cloak, is lying down in the sunshine just beyond a small 
pool in the foreground from which the water trickles across a 
rough, sandy road. Along the lower part of the sky are assem- 
bled luminous clouds and toward the zenith is a mass of thin 
vapor veiling the blue beyond. 


Signed at the right, Vicror Durrt, 1882. 


Height, 16 inches; length, 27 inches. 


KENYON COX, N.A. 


“yY 


280-—AFTER THE HARVE ee ye | 
OIC YM. Ortee 

ae £ 

A 7 


A large apple tree stands in a broad shadow on a great wheat 
field which extends to the crest of a low tree-crowned hill which 
forms the horizon. The late afternoon sun, casting long shad- 
ows, brightly illumines the hillside, which is dotted with sheaves, 
and on the right, low down in the simple-toned sky, is the full 
disk of the harvest moon. 


Signed at the left, Kenyon Cox, 1888. 
Height, 18 inches; length, 30 inches. 


| 
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: 


ee 


rs t 
rel diar ee : i 


aia a 
Ses 


HOMER D. MARTIN, N.A. 


fl e ae oF fp 
281—ON THE SEINE ei oe mee oe tee 
a 


In the foreground a rough country road leads to the right 
and, accented by strong sunlight, disappears in a clump of 
thickly growing trees. On the left a pollarded willow stands _ 
on the banks of the broad river and across the water a range 
of flat-topped hills forms the horizon. Here and there in the 
confused masses of clouds which cover the sky are tiny spots of 


blue. 
Signed at the right, H. D. Martin. 


Height, 22 inches; length, 29 inches. 


J. FRANCIS MURPHY, N.A. 


282—AFTERNOON IN ee te De Py 
3 Vg J om 
eae | ray 2, Ge LE Oa Ae Nae 
oe van It is a broad open country gently rising from the foreground 
Pp YeB ORY. g g 

to a low elevation on the right and to distant wooded hills on 

the horizon. Here and there are stone walls and slender leafless 

trees. A narrow ribbon of water shines in the meadow beyond 

a clump of green willows on the left. The sky is entirely cov- 

ered with masses of clouds and the sun is near the zenith. 


Signed at the left, J. Francis Murpny, 1902. 


Height, 24 inches; length, 33 inches, 


a 


GEORGE INNESS, N.A. 


283—THE GLEANERS Gp? Oe ae 


/ A gently sloping wheat field runs downto the foreground 
and here in an open spot where the grain has been cut stands a 
girl holding in her arms a great sheaf of wheat. On the left a 
little higher up is the figure of a man half ‘hidden by the tall 
stalks of grain. It is the hour of sunset and, between the trunks 
of the trees which grow in a thick rank beyond the wheat field, 
the glow of the evening sky steals in and touches the figures 
and the uncut harvest, and spreads over the cloudy sky which 
here and there is seen between the tree tops. 


P77) 


ea 


Signed at the right, G. Inness, 1893. 


Height, 26 inches; length, 36 inches. 


AMERICAN ART ASSOCIATION, 


a neegie Panna aio : 
sO ea a Managers. 


THOMAS E. KIRBY, 


Auctioneer. 


. 


“NOTES AND INDEX 


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BIOGRAPHICAL NOTES 
AND INDEX 


ALVAREZ (LUIS) Spain 


Born in Spain, contemporary. Genre painter; pupil of Ma- 
drazo the elder. Studio in Rome. 


119—THE BAY OF NAPLES 


AMOROS (A. A.) Rome 
41—SPANISH PEASANTS 


ASTI (ANGELO) Paris 
Born at Milan. Studied in Paris. 
184A—FEMALE HEAD 
130—IDEAL HEAD 


BAKER (WILLIAM BLISS) New York 


A prominent landscape painter who, during a few years, rapidly 
ascended to the head of his profession. He was born in New York, 
1859. Studied under Albert Bierstadt, M. F. H. De Haas and at 
the National Academy; above all, he was a graduate of the school 
of nature. His landscapes are true character studies, in which 
varieties of vegetation and the varying influences of light and 


weather are identified with amazing skill. He possessed the very 
uncommon ability to elaborate detail and to render minute and 
subtle effects with close finish, yet preserving in his paintings the 
breadth and dignity of the largest facts. In 1879 he first exhib- 
ited at the National Academy, and was awarded one of the Hall- 
garten prizes in 1889. While in the enjoyment of a flood-tide of 
success, he went to his summer studio in Ballston, N. Y., where he 
died in November, 1889. By his death American art experienced 
a loss not easy to repair. 


230—EARLY SPRING 
235—A BARNYARD CORNER 


BERNE-BELLECOUR (E. P.) Paris 


Born at Boulogne-sur-Mer (pas de Calais), June 29, 1838. 
Pupil of Picot and Barrias. Medal, 1869; Medal, First Class, 
1872; Cross of the Legion of Honor, 1878; Medal, 1878, Ex- 
position Universelle. Hors Concours. 


1387—ON PICKET | 
182—FIELD ARTILLERY IN ACTION : : 
237—FOR HIS COUNTRY 


BERTZIK (A.) Munich 
A painter of genre subjects. Studied in Munich. 


20—MARGUERITE 


BLAKELOCK (RALPH ALBERT) New York 
The career of Ralph Albert Blakelock will find record among 


the romances of American Art. He was the son of a physician, 
and was born in New York City in 1847. He was destined for his 
father’s profession, but his native predilection for art and music 


rebelled. He became his own master, being deprived of the means 
of securing instruction either as painter or musician. His chief 
preparation for his life’s work was a short tour in the Far West. 
Its results are encounters in his landscapes with Indian groups, and 
episodes as accessories—pictures vibrant with a strange and pene- 
trating charm of chromatic harmonies. His color is as original and 
positive as the theories which his art illustrates, and the individ- 
uality of the man impresses itself upon every manifestation of his 
art. 


2—LANDSCAPE 

5—MORNING 

10—SUMMER IN THE CATSKILLS 
13—A MOUNTAIN TORRENT 
25—WATERFALL IN THE CATSKILLS 
87—THE BOULDER AND THE FLUME 
92—A LONELY LAKE 

95—_SUNSET ON THE PLAINS 
98—SUNSET AT SEA 

99—INDIAN BURIAL PLACE, COLORADO 
1083—A FOREST GLADE 
1O{—IN THE CATSKILLS 
107—THE WAYFARERS 
108—AN INDIAN HUNTER 
112—MOONLIGHT 
116—HIGH BLUFFS, CALIFORNIA 
117—EVENING GLOW 
102—TWILIGHT 
127—-LANDSCAPE 


181—ACROSS THE SKY THE SHADES OF NIGHT 
13}—AFTER A SUMMER SHOWER 

170—THE STORY OF THE BUFFALO HUNT 
190—INDIAN VILLAGE ; 
193—GIRL WITH FAN 

195—THE DISTANT ENCAMPMENT 

198—AT THE HARBOR MOUTH 

200—THE LONE WIGWAM 

201—ON THE COAST OF CALIFORNIA 
205—SHOOTING THE ARROW 

210—INDIAN GIRL—UINTAH TRIBE 
215—EVENING 

249—INDIAN FISHERMAN 

253—THE PIPE DANCE 

255—THE WOUNDED STAG 


BLENNER (CARLE J.) New York 


Born at Richmond, Va. Studied under W. A. Bouguereau, Tony 
Robert-Fleury, Aman Jean and at Yale Art School. Member of 
the Salmagundi and Players’ Clubs. Exhibited in Salon, 1887 and 
1889. Medals, Boston Art Club, 1891. Awarded the Julius Hall- 
garten Third Prize, National Academy, in 1899. 


35—A DEBUTANTE 


2389—THE LETTER 


BOGERT (GEORGE H.), A.N.A. New York 


Landscape painter. Born in New York in 1864. First studied 
art under Thomas Eakins. In 1884 he went to France, and after 
painting landscapes for a time at Grez, near the Forest of Fontaine- 
bleau, he went to Paris to become a pupil of three famous masters, 
Raphael Colin, Aimé Morot, and Puvis de Chavannes. In 1888 
he returned to New York, and has been since that time a constant 
exhibitor at the Society of American Artists, and occasionally at 
the National Academy. Honorable Mention, Pennsylvania Acad- 
emy of Fine Arts, 1892; Webb Prize, Society of American Artists, 
1898; Hallgarten First Prize, National Academy of Design, 1899; 
Bronze Medal, Paris Exposition, 1900. He is an Associate of the 
National Academy, and a Member of the Society of American 
Artists, the Society of Landscape Painters, the Salmagundi Club, 
the National Arts Club, and the Artists’ Fund Society. 


85—NEAR OVERSCHIE, HOLLAND 


BONHEUR (MLLE. ROSA) Paris 


Animal painter. Born at Bordeaux, March 22, 1822. Daughter 
‘and pupil of Raymond Bonheur, a good artist, who died in 1853. 
She first began by copying in the Louvre, and afterwards made 
studies and sketches near Paris. Her first two pictures, exhibited 
at Bordeaux in 1841, attracted much attention, and were followed 
by others which established her world-wide fame. In 1853 she ex- 
hibited her famous “ Horse Fair.” At the Expositions of 1866 and 
1867 her works were admired by all the world. During the Franco- 
Prussian War her studio and residence were respected by special 
order of the Crown Prince of Prussia. In 1849 she became Direc- 
tor of the Paris Free School of Design for Young Girls, which she 
founded. She was elected a Member of the Antwerp Institute 
in 1868. Medals: Third Class, 1845; First Class, 1848, 1855; 
Second Class, 1867; Legion of Honor, 1865, personally delivered 
by the Empress Eugénie; Officer, 1894; Leopold Cross, 1880; Com- 


mander’s Cross of Royal Order of Isabella the Catholic, 1880. Died 
in 1899. 


50—OXEN IN STABLE 


BRIDGES (FIDELIA), A.N.A. New York 


Pupil of W. T. Richards. Associate of the National Academy, 
New York, 1874. 


180—INDIAN CORN 


BRISTOL (Je B.), N.A. New York 


Landscape painter. Born at Hillsdale, N. Y., March 14, 1826. 
Pupil of Henry Ary of Hudson. In 1859 he visited Florida and 
painted from his sketches tropical pictures which brought him into 
notice. Elected A.N.A. in 1861, and N.A. in 1874. Studio in New 
York. 


80—LONG POND, BERKSHIRE 


ee td 


BROWN (J. G.), N.A. New York 


Genre painter. Born at Durham, England, November 11, 1831. 
He studied art in Newcastle-on-Tyne and at the Royal Scottish 
Academy, Edinburgh, where he received a Medal in the Antique 
Class of 1853; he also studied in National Academy Schools in New 
York. He received a Medal in Boston, and the First Medal in San 
Francisco in 1877. Most of Mr. Brown’s professional life has 
been spent in New York. He was made Member of the National 
Academy in 1863; was an original member of the Water Color So- 
ciety in 1866, and has been for some years its Vice-President. He 
is also Vice-President of the Artists’ Fund Society. 


59—RETURNING FROM MARKET 
210—* SPEAK, SIR” 


BRUSH (GEORGE DEFOREST), A.N.A. New York 


Figure painter. Born in Shelbyville, Tenn., in 1855. After a 
preliminary course at the National Academy of Design, he crossed 
the ocean to become a pupil of Géréme. He is a Member of the 
Society of American Artists, and an Associate of the National Acad- 
emy of Design. 


202—HEAD OF A LADY 


CAILLE (LEON) Paris 


Born at Merville, 1836. Pupil of Cogniet. Won wide popu- 
larity by his work in genre, characterized by careful execution and 
an attractive style and color. Member of the Society of French 
Artists. 


3—GUITAR PLAYER 
165—DOMESTIC BLISS 
189—THE YOUNG MOTHER 


CARPENTIER (EVARISTE) Paris 


Born at Cuerne-les-Courbrai, Belgium. Studied at the Royal 
Academy of Antwerp. 


70—IN THE GARDEN 


CASILEAR (JOHN W.), N.A. New York 


Born in New York. In 1840 he went to Europe to study paint- 
ing in oils. In 1854 he opened a studio in New York, and three 
years later again went to Europe. Elected Member of the Na- 
tional Academy, 1851. Died, 1893. 


166—PECONIC, LONG ISLAND 


CHALFANT (J. D.) Delaware 


Born in Chester County, Pennsylvania, 1856. Studied in Eu- 
rope under Bouguereau, Tony Robert-Fleury and Jules Joseph 
Lefebvre for some three years. He was one of the founders of the 
American Artists’ Association of Paris, 1890. 


142—A GOOD STORY 


CHASE (WILLIAM M.), N.A. New York 


Born at Franklin, Ind., in 1849. Pupil of National Academy 
and J. O. Eaton, New York; entered Royal Academy at Munich in 
1872. His masters were Alexander Wagner and Carl von Piloty. 
He studied the masters in England, France, Spain, Italy and Hol- 
land. Honorable Mention, Paris, 1881; Medal, Munich, 1883; 
Silver Medal, Exposition Universelle, Paris, 1889; First Prize, 
Cleveland Art Association, 1894; Shaw Prize, Society of American 
Artists, 1895. He is a National Academician, a Member of the 
Society of American Artists, and of the American Water Color 
Society. 


60—THE PET BIRD 
81—STILL LIFE 


‘= 


CHAVET (VICTOR) France 


Genre painter. Born at Aix, July 21, 1822. Pupil of P. Revoil 
and C. Roqueplan. Medals: Third Class, 1853; Second Class, 1855 
and 1857; Legion of Honor, 1859. 


15—THE PROMENADE 


CHELMINSKI (JAN V.)) gucl /92o= Paris 


Born at Brzostov, Poland, January 27, 1851. Genre and land- 
scape painter. Pupil of Franz Adam; also studied at Munich Acad- 
emy. In 1884 he visited America and resided in New York for 


three years, then returned to Munich. For a number of years he 
has been a resident of Paris, where he has his studio. 


169—INQUIRY 


CLAYS (PAUL JEAN) Paris 


Born at Bruges in 1819. He devoted himself to marine sub- 
jects. Pupil in Paris of Gudin. Settled at Brussels, where in 
1851 he received a Gold Medal. He also received the following 
medals: Second Class, Paris, 1867, 1878; Legion of Honor, 1875; 
Officer, 1881; Commander of the Order of Charles III, of Leopold, 
and of St. Michael of Bavaria. Member Royal Academy of Bel- 
gium, and of the Academy of Fine Arts of Antwerp. Died at Brus- 
sels, 1900. 


263—EVENING CALM ON THE SCHELDT 


COL (DAVID) Belgium 


Born at Antwerp in 1822, and became a pupil of the Academy 
in his native place, under De Keyser. His pictures, which are mostly 
on a small scale, are carefully executed, without excess of detail, 
and are found in nearly all the museums and private collections of 
Belgium. Medal, Vienna Exposition, 1873. Chevalier of the Order 
of Leopold. 


129—THE SPORTSMAN’S REST 


COROT (JEAN BAPTISTE CAMILLE) Paris 


Born at Paris, 1796. Pupil of Victor Bertin and Michallon. 
In 1826 he travelled in Italy; he also travelled in France, painting 
from nature. Medals, 1833, 1848, 1855; Exposition Universelle, 
1867; Legion of Honor, 1846; Officer of Legion of Honor, 1867. 
Diploma to the Memory of Deceased Artists, Universal Exposition, 
1878. Died in Paris, 1875. 


208—THE EDGE OF THE WOODS 


CORTEZ (A.) Spain 


8J—THE RETURN FROM PASTURE 


COX (KENYON), N.A. New York 


Figure painter. Born at Warren, Ohio, October 27, 1856. He 
studied first in Cincinnati and Philadelphia; later pupil in Paris of 
Carolus Duran and Géréme. He visited Europe in 1877, and re- 
mained in France with short intermissions until 1882. He is a 
Member of the Society of American Artists, and a National Acade- 
mician. 


280—AFTER THE HARVEST 


& 


CRAIG (WILLIAM) New York 


Born at Dublin, 1829. A water-color artist. First exhibited 
at the Royal Gallery, Dublin, 1846. Settled in New York in 1863. 
He was one of the original members of the American Society of 
Water Color Painters. Accidentally drowned in Lake George, 
NiaYs, 265 fo. 


58—POLING UP STREAM 


167 


CRANE (BRUCE), N.A. New York 


One of the younger American landscape painters. Born in 
New York, 1857. Pupil of A. H. Wyant. In 1878 he went abroad 
and painted for several years, principally in France. He became 
a Member of the Society of American Artists in 1881. He is also 
a Member of the American Water Color Society, the New York 
Water Color Club and a National Academician. 


A DECEMBER SUNSET 


i 


CREIFELDS (RICHARD) New York 


Born in New York City. Studied at the Royal Academy, 
Munich, 1872-76, under Professors Barth and Wagner, where he 
won his school medals and secured his position as an artist. Upon 
his return he spent some years in Brooklyn, N. Y., and then moved 
his studio to New York. One of his recent works is the large 
altar-piece for the Church of St. Andrew in Harlem. 


1—EVENING 
120—THE LAST CHANCE 
144—IN CHURCH 


CROPSEY (JASPER F.), N.A. New York 


Born at Staten Island, 1823. In 1847 he went to Europe and 
spent three years in Italy. He was made Member of the National 
Academy in 1851, and six years later he went to London, where he 
practised his profession until 1863. After his return to America 
he devoted himself particularly to the painting of autumn scenery. 
Died in 1900. 


77—ON THE SAWMILL RIVER 


DECAMPS (ALEXANDRE GABRIEL) Paris 


History, landscape and genre painter. Born in Paris, March 
8, 1803. Pupil of Abel de Pujol, David and Ingres. He freed 
himself early from classical principles of style and imitation of the 
antique, and formed himself through the study of nature; his name 
was counted with those of Ingres, Delacroix and Delaroche as a 
leader of the modern romantic French school. In 1827 he accom- 
panied the marine painter Garneray to Greece, Constantinople and 
Asia Minor, and there conceived a lasting predilection for Oriental 
subjects, which he treated with consummate skill and power. Of- 


ficer of the Legion of Honor. In 1860, while hunting in the Forest 
of Fontainebleau, he was thrown from his horse and killed. 


275—SELLING THE WHITE SLAVE 


DEFAUX (ALEXANDRE) Paris 


Born at Bercy, Paris, September 27, 1826. Pupil of Corot. 
Medals, 1874 and 1875; Legion of Honor, 1881. 


176—SPRINGTIME ‘ 


DE HAAS (J. H. L.) Brussels 


Commander (with the Star) of the Order of Isabella the Catholic 
of Spain, and of the Order of Charles III of Spain; Chevalier of 
the Order of Leopold of Belgium; Officer of the Order of the Cou- 
ronne de Chene, Holland; Officer of the Order of Merit of St. 
Michael, Bavaria; Officer of the Couronne d’Italie; Chevalier of 
Francis Joseph of Austria; Chevalier of the Couronne de Prusse; ‘ 
Member of the Academy of St. Ferdinand of Spain; Member of the 
Royal Academies of Amsterdam, Antwerp and Rotterdam. He is 
one of the greatest of living animal painters. 


228—LANDSCAPE AND CATTLE 


DE HAAS (M. F. H.), N.A. New York 


Born at Rotterdam, 1832. Pupil of the Academy of Fine Arts, 
Rotterdam, and Louis Meyer at The Hague. In 1851 he went to 
London for a year, painting in water colors; later he sketched on 
the English and Dutch coasts. In 1857 he was appointed Artist to 
the Dutch Navy. In 1859 he settled in New York, and was elected 
Associate of National Academy in 1863, and Academician in 1867. 
He was one of the original members of the American Society of 
Painters in Water Colors. Died in 1895. 


78—TEN POUND ISLAND 
I45B—A RAINY DAY OFF STAR ISLAND 


DE HAVEN (FRANK), A.N.A. New York 


Landscape painter. Born at Bluffton, Ind. Studied under 
George H. Smillie, New York. For the past fifteen years his works 
have been in many exhibitions. He has devoted himself entirely to 
landscapes, and paints twilights and sunsets with much feeling. 


68—A SUNSET GLEAM 


DELOBBE (FRANCIS ALFRED) Paris 


Genre painter. Born in Paris, October 13, 1835. Pupil of A. 
Lucas and of Bouguereau. Medals: Third Class, 1874; Second 
Class, 1875. Hors Concours. Member of the Society of French 


Artists. 
71—THE FOOT BRIDGE 5 
DESGOFFE (BLAISE ALEXANDRE) Paris 


Still-life painter. Born at Paris, January 17, 1830. Pupil of 
Flandrin, and a most skilful imitator of near objects, his subjects 
being finished with microscopic exactness. Medals: Third Class, 
1861; Second Class, 1863; Legion of Honor, 1878; Bronze Medal, 
Universal Exposition, 1889. Hors Concours. Member of the So- 
ciety of French Artists. 


101—OBJECTS OF ART, LOUVRE 


DESSAR (LOUIS PAUL), A.N.A. New York 


Born in Indianapolis, Ind. Studied at the National Academy, 
under Bouguereau and Robert-Fleury, and at the Fcole des Beaux 
Arts, Paris. Gold Medal, Salon, Paris, 1891; Medal, World’s Fair, 
Chicago, 1893. Honorable Mention, 1897. Is an Associate of the 
National Academy of Design. 


182—-SHEEP RETURNING AT EVENING 


DIAZ DE LA PENA (N. V.) Paris 


Genre and lanscape painter. Born at Bordeaux in 1807 of 
Spanish parents, who were banished from Spain on account of 
political troubles. At the age of ten he was left an orphan in a 
strange land, and at fifteen was apprenticed to a porcelain manu- 
facturer, when his talent first displayed itself. After he had quar- 
relled with and left his master he spent several years in most bitter 
poverty. When his ability as a wonderful colorist was recognized 
he painted and sold many pictures, accumulating a vast fortune. 
Diaz revelled in the enchantment of light and shade; seeking the 
recesses of the forest where dark masses of luminous shadows 
abound, and the sunlight filters through the tangle of foliage and 
branches; and with a magical celerity of brush work recording his 
impressions in the first impulse of his enthusiasm. Medals: 1844, 
1846 and 1848. Cross of the Legion of Honor, 1851. He died at 
Mentone, November 18, 1876. Diploma to the Memory of De- 
ceased Artists, 1878. 


250—MOORISH CHILDREN 


DOLPH (J. H.), N.A. New York 


Genre and animal painter. He achieved his greatest popular- 
ity as a delineator of cats, having made them his constant study. 
Born at Fort Ann, N. Y., April 18, 1835. His professional life, 
with the exception of a few years spent abroad, has been lived in 
New York City. He studied under Louis Van Kuyck at Antwerp, 
1870. On his return to New York he was made an Associate of the 
National Academy in 1877; he studied at Paris, 1880-82; also 
studied in Rome and painted on the Continent for some time. 
Elected Member National Academy, New York, in 1898. He was 
a Member of the Society of American Artists at its organization in 
1878, and contributed to its first exhibition. His works were regu- 
larly exhibited at the National Academy. Died in New York, 1903. 


32—THE NEW BOOK 
9{—NOT SUCH A FOOL AS HE LOOKS 


DUBOY (M.) ; Paris 
147—THE OLD, OLD STORY 


14S—WINDING THE SKEIN 


DUPRAY (HENRI LOUIS) 


Born at Sedan in 1841. Pupil of I. Pils and Léon Cogniet, 
Dupray ranks with Detaille as a leader in the new school of mili- 
tary painters. 


155—A MARSHAL OF FRANCE, 1810 


DUPRE (JULES) France 


Born at Nantes in 1812. Landscape painter, one of the most 
original and powerful of the modern French school. As a boy he 
studied design in the porcelain manufactory of his father; at length 
he essayed oil paintings, and made his début at the Salon of 1831, 
with five landscapes. Medals: Second Class, 1833 and 1867; Legion 
of Honor, 1849; Officer, 1870. Died in 1889. 


259—_THE OLD FARM 


DUPRE (LEON VICTOR) Paris 


Landscape painter. Brother and pupil of Jules Dupré. Born 
at Limoges (Haute-Vienne), June 18, 1816. Medals at Paris, 1849, 
and Philadelphia Centennial Exposition, 1876. His pictures are in 
many French museums. 


115—LANDSCAPE 


279—A SHEEP PASTURE 


EATON (CHARLES HARRY), A.N.A. New York 


Self-instructed. First exhibited at the National Academy, New 
York, 1881. Member of the American Water Color Society and 
of the Salmagundi Sketch Club. Awarded a Gold Medal for a 
landscape exhibited at a Competitive Prize Fund Exhibition of the : 
American Art Association, New York, 1888. Died in 1901. 


Landscape painter. Born in Akron, Ohio, December 13, 1850. . ; 
z 
; 


152—AT THE LAKESIDE 
168—THE VILLAGE IN THE VALE 4 
252—A WET DAY IN OCTOBER 


ECHTLER (ADOLF) Paris 


Genre and portrait painter. Studied at Venice Academy under 
Karl Blaas; at Vienna Academy under Fuhrich, and at the Munich 
Academy. Gold Medal, Berlin, 1875. 


45—A PEACEFUL COMPANY 


EPP (RUDOLF) Munich 


Genre and portrait painter. Born at Eberbach, Baden, July, 
1834. Pupil of Carlsruhe Art School under Descoudres. Since 
1865 settled at Munich. 


72—AN ITALIAN MAIDEN 


ESCOSURA (IGNACIO DE LEON Y) Paris 


Born at Oviedo, Spain. Pupil of Géréme, Paris. Commander 
of the Order of Isabella the Catholic. Chevalier of the Orders of 
Charles III of Spain and of Christ of Portugal. Died in 1901. 


19—REVERIE 


FLETCHER (BLANDFORD) London 


27—ENGLISH COTTAGE GARDEN 


FORTUNY (MARIANO) Rome 


Born in Reus, Catalonia, June 11, 1838. Genre painter. Pupil 
of Palau, of Claudio Lorenzalez and of the Barcelona Academy, 
where he won the Prix de Rome in 1856. At Rome, which became 
his principal residence, he studied Raphael and made sketches of 
Roman life. He was sent to Morocco by the government in 1859 
to paint the incidents of General Prim’s campaign, and during this 
and a second visit painted a large picture of the battle of Tetuan, 
besides making many sketches of Moorish life. He went to Paris 
in 1866, where, through Zamacois, he entered into business relations 
with Goupil. The following year he went to. Madrid, where he 
married the daughter of Madrazo, the Director of the Madrid Mu- 
seum, and studied the works of Velasquez, Ribera and Goya. He 
spent most of his life in Rome. He gained a great reputation by 
his vigorous and original style, correct drawing and fine color. Died 
in Rome, November 21, 1874. Diploma to the Memory of De- 
ceased Artists (Exposition Universelle), 1878. His name, which 
custom has abbreviated to that which his genius made immortal. was 
Mariano Fortuny y Carbo. 


208—SPANISH LADY WITH FAN 


FOWLER (FRANK), N.A. New York 


Portrait and figure painter. Born in New York. He studied 
art under E. White in Florence and Carolus Duran in Paris, assist- 
ing the latter in painting the fresco of the Apotheosis of Marie de 
Medicis in the Luxembourg Museum. He is a National Acade- 
mician. 


172—FEEDING HER PETS 


GIFFORD (SANDFORD R.), N.A. New York 


Landscape painter. Born at Greenfield, Saratoga County, N. 
Y., July 10, 1823. In 1842 he graduated from Brown University, 
and two years later went to New York and studied under J. R. 
Smith and at the National Academy. Elected A.N.A., 1851; N.A. 
in 1854. From 1855 to 1857 he studied in Paris and Rome, and 
sketched in different parts of Europe. In 1860 he again crossed 
the ocean, this time sketching along the Rhine, in Italy, Switzerland, 
Egypt and on the Nile. In 1870 he visited and sketched in the 
Rocky Mountains. He was commended for excellence in landscape 
painting at the Centennial Exposition in Philadelphia, 1876. Died 
in New York, August 29, 1880. 


51—ON THE BRONX 


GOUBIE (JEAN RICHARD) Paris 


Born at Paris, 1842. Genre and animal painter. Pupil of 
Gérome. Medal (Third Class), Salon, Paris, 1884. Bronze Medal, 
Exposition Universelle, Paris, 1889. Member of the Society of 
French Artists. 


219—SPRINGTIME, FOREST OF FONTAINEBLEAU 
2382—"* JUST BY CHANCE” 


GRISON (JULES ADOLPHE) Paris 


Born at Bordeaux. Pupil of Lequien. A regular exhibitor at 
the Salon, and the recipient of various artistic honors. Honorable 
Mention, 1885. Medal, Third Class, 1890. Member Society of 
French Artists. 


2183—A CLANDESTINE DEPARTURE 
278—THE NEW SUIT OF CLOTHES 


+ =e 


GROLLERON (PAUL) Paris 


Born at Seigneley (Yonne). Pupil of Bonnat. Honorable 
Mention, Paris, 1882. Medals: 1886, 1889. Hors Concours. 


39—A FROSTY MORNING 
105—DEFENDING THE WALL 


207—A SKIRMISH 


* 


GUILLEMIN (ALEXANDER M.) _ Paris 


Genre painter. Born in Paris, October 15, 1817. Pupil of 
Gros. Painted scenes from the daily life of the middle classes; 
then subjects from Brittany and the Pyrenees; also hunting pieces. 
Medals: Third Class, 1841; Second Class, 1845 and 1859; Legion of 
Honor, 1861. Died at Bois-le-Roi (Seine-et-Marne), October, 1880. 


5J—PLAYMATES 


GUY (SEYMOUR J.), N.A. New York 


Genre painter. Born in Greenwich, England, January 16, 1824; 
schooled in London as a pupil of Buttersworth and Ambrose Jerome. 
In 1854 he came to New York, where he painted portraits with con- 
siderable success, but soon turned his attention to genre painting, 
in which his success has been more decided. Elected A.N.A., 1861, 
and National Academician in 1865; he was also one of the original 
members of the American Society of Painters in Water Colors. His 
works are comparatively rare, owing to the critical conscientiousness 
with which he lingers over each canvas. 


79—WAITING 


187—FOUND 


HAGBORG (AUGUST) ; Paris 


Genre and landscape painter. Born at Gothenburg, Sweden. 
Pupil of Stockholm Academy, and in Paris of Palmaroli. Medal, 
Paris, Third Class, 1879. 


S86—THE OLD STORY 


HAQUETTE (GEORGES) Paris 


Born in Paris. Genre and portrait painter. Pupil of Millet 
and Cabanel. Medal, Third Class, 1880; Boston, 1883; Nice, 1884. 


Ae tt Sn A ee 


221—AT THE PIER p 


HARRIS (CHARLES X.) New York 


Born at Foxcroft, Maine, 1856. When very young he travelled 
across the Continent with his family, and commenced drawing by 
instinct during these wanderings. In 1875 he went to Paris and | 
studied under Cabanel at the Ecole des Beaux Arts. After leaving : 
Paris he went to Italy, and lived for some time on the Island of 
Capri, then he made an expedition through Sicily. After travelling 
through Spain and North Africa, he returned to America in 1881 
and settled down to work. He first exhibited at the National Acad- 
emy in 1885. Studio in New York. 


48—COLONIAL DAYS 


HART (JAMES M.), NA. New York 


Landscape painter. Born at Kilmarnock, Scotland, May 10, 
1828. When a child he was taken to America and settled in Albany, 
N. Y. In 1851 he went to Germany and studied for a year under 
Schirmer at Diisseldorf. He opened a studio in New York in 1856, 
and was elected Member of the National Academy in 1859. He was 
Vice-President of the National Academy of Design, and his pictures 
are in some of the best collections. Died October 24, 1901. 


1654—THE PASTURE 


HART (WILLIAM), N.A. New York 


Born in Paisley, Scotland, March 31, 1823. Brother of James 
M. Hart. He was taken to America in 1831, and became one of the 
leading cattle painters. He was self-taught, and opened a studio 
in New York in 1853. Elected National Academician in 1858. He 
was one of the founders, and for three years the President of the 
American Water Color Society; he was also President of the Brook- 
lyn Academy of Design at its foundation. Died in 1894. 


42—AN ALDERNEY HEIFER 


HENNER (JEAN JACQUES) | Paris 


Genre painter. Born March 5, 1829, at Bernwiller (Alsace). 

Pupil of Drélling and Picot; also studied at l’Ecole des Beaux Arts. 
In 1858 he won the Grand Prix de Rome. Medals: Third Class, 
1863, 1865 and 1866; Legion of Honor, 1873; Officer of same, 1878. 
Medal, Exposition Universelle, 1878. Member of the Institute, 
1889. 

30—A HEAD 

118—FEMALE HEAD 

260—GIRL IN BLUE 


HENRY (KE. L.), N.A. New York 


Born January 12, 1841, in Charleston, S. C. Genre painter, 
pupil of Pennsylvania Academy, and of Gleyre in Paris. Sketched 
on the James River during the Civil War; visited Europe in 1871, 
1875 and 1882, when he sketched in France and England. In ¥870 
he was elected National Academician. 


4—MEETIN’S OUT 
16—RETURNING FROM THE WALK 
97—AT THE WELL 


HERRMANN (LEO) Paris 
110—A BEAU 


HOMER (WINSLOW), N.A. New York 


Genre painter. Born in Boston, Mass., February 24, 1836. 
During the Civil War he sketched for several periodicals and painted 
in oil and water colors. He studied under F. Rondel, and was a 
pupil of the National Academy. Elected Member of the National 
Academy, 1865, and in 1866 he assisted in organizing the American 
Water Color Society. About this time he made his first visit to 
Europe, where he stayed only a short time, and in 1884-85 he made 


a sketching tour in the West Indies. 4 
157—DEFIANCE Z 
HOWLAND (ALFRED C.), N.A. New York . 
Genre and landscape painter. Born in Walpole, N. H., Feb- ; 


ruary 12, 1838. Pupil of Schultz and of Eppindale in Boston. In 
1860 he visited Europe and studied for one year in the Academy 
of Diisseldorf, two years in the studio of Professor Flann of Diis- 
seldorf, and two years in Paris under Emile Lambinet. Returning 
to America, he was elected a Member of the Artists Fund Society 
in 1873, an Associate of the National Academy in 1874, and National 
Academician in 1882. 


386—THE POND IN THE PASTURE 


INNESS (GEORGE), N.A. New York 


Generally recognized as the greatest of landscape painters; was 
born at Newburg, N. Y., May 1, 1825. Studied for one month 
under Regis Ginoux in New York, and visited Europe three times 
for study. He was elected National Academician in 1868. He 
died in Scotland on August 3, 1894, while on a summer journey. 

In the early days of his study he gave himself up to a profound 


application to nature. There was not a tree but he analyzed ex- 
haustively. He made a serious study of the anatomy of Nature, 
and he knew her thoroughly. When this had all been mastered, 
he gave himself up to expressing his own sentiment before the scene. 
He went out of doors with the certainty of being able to put down 
his notions of the time and place unhampered by any technical diffi- 
culties, and the results were poems on canvas. It is no exaggera- 
tion to say that his work constituted the highest product of land- 
scape art in this country in the century just past, and from the 
beginning his progress was logical, sound and brilliant. 


4J—IN THE WOODS 
47—THE HUNTERS 

146—CAMP IN THE ADIRONDACKS 
159—IN THE WOODS—TWILIGHT 
177—SUNLIT WOODS 

178—VIADUCT AT LARICHA, ITALY 
185—EVENING ON THE HUDSON 
216—SUMMER—SUNSHINE AND SHADOW 
226—LIGHT TRIUMPHANT 

24,—THE APPROACHING STORM 
276—WOOD INTERIOR—KEENE VALLEY 
277—LAKE NEMI, ITALY 

288—THE GLEANERS 


IRVING (J. BEAUFAIN), N.A. 


New York 


Mr. Irving was born at Charleston, S. C., in 1826. He was a 
pupil for some time of Leutze, who left in him, however, little traces 
of his manner of working. It was at the close of the War of the 


Rebellion that he first attracted attention as a painter of genre 
pictures, his initial offering being shown at the Academy of De- 
sign in 1867. <A picture called “The Wine Tasters”’ secured for 
him an election as Associate of the Academy, and he was made an 
Academician in 1872. He was represented at the Paris Exposition 
of 1878. He was not without appreciation during his life, but since 
his death the true value of his talent and his excellent performances 
have been more fully recognized, until to-day he must be counted 
as one of the notable figures in the history of native art. Died, 1877. 


58—AT THE CONFESSIONAL 


ISABEY (EUGENE LOUIS GABRIEL) Paris 


Landscape and marine painter. Born in Paris, July 22, 1804. 
Son and pupil of Jean Baptiste Isabey. Several of his water colors 
are at the Luxembourg. Medals: First Class, 1824, 1827, 1855; 
Legion of Honor, 1832; Officer of the Legion of Honor, 1852. Died 
in Paris, April 26, 1886. 


192—A CAVALIER AND LADIES OF THE COURT 


JIMINEZ (LUIS) i Saute 


Born in Seville, Spain, June 21, 1845. Genre painter. Pupil 
of Eduardo Cano. Removed in 1875 to Paris. Medals: Paris, 
1887; Grand Prix a Exposition Universelle, 1889, the only grand 
prize awarded to Spain; Chevalier of the Legion of Honor, 1889. 
Hors Concours. 


138—COMPANIONS 
1883—THE YOUNG MOTHER 


JOHNSON (DAVID), N.A. New York 


Born in New York, May 10, 1827. Received a few lessons 
from J. F. Cropsey; otherwise self-taught. Never went abroad. 


Ts ies) a Pe ee se 


Elected A.N.A., 1860, and N.A., 1861. He was one of the founders 
of the Artists’ Fund Society, and received one of the first awards at 
the Centennial Exhibition of 1876. 


96—ECHO LAKE, FRANCONIA, NEW HAMPSHIRE 
188—NEAR CHAPINVILLE, CONNECTICUT 
1SI—VIEW AT DRESDEN, LAKE GEORGE 
19,—NEAR TAMWORTH, NEW HAMPSHIRE 


JONES (H. BOLTON), N.A. New York 


Landscape painter. Born in Baltimore, Md., October 20, 1848. 
Studied in Baltimore. Visited Europe in 1877, and studied there 
four years, sketching in Spain and Brittany. Elected Associate 
National Academy, 1881, and National Academician in 1883. 


188—LATE NOVEMBER 


KNAUS (LUDWIG) Berlin 


Genre painter. Born at Wiesbaden, October 10, 1829. Pupil 
ef Jacobi, and studied at the Diisseldorf Academy under Sohn and 
Schadow. Afterwards studied in Paris. He visited Italy, lived in 
Diisseldorf and in Berlin for some time, and was Professor of the 
Berlin Academy from 1874 to 1884, when he resigned. He was a 
member of the Academies of Berlin, Vienna, Munich, Amsterdam, 
Antwerp and Christiania, and Knight of Prussian Order of Merit. 
Medals: Paris, 1853, 1855, 1857 and 1859; Cross of the Legion of 
Honor, 1859; Officer of the Legion of Honor, 1867; Grand Medal 
of Honor, 1867; Hors Concours; Gold Medal, 1882; Munich, 1883; 
Medal of Honor, Antwerp, 1885 (Universal Exhibition); Great 
Gold Medal, Berlin, 1886. 


228—PORTRAIT OF A LADY 


KOEKKOEK (BAREND CORNELIS) Holland 


Landscape painter. Born at Middelburg, Zeeland, October 11, 
1803. Pupil of his father, Johannes Hermanus Koekkoek, who 
was a marine painter; also studied at the Amsterdam Academy under 
Schelfhout and Van Oos. He travelled in Belgium, in the Ardennes, 
on the Rhine and Moselle; visited Paris, afterwards settled at Beck 
in Gelderland, and in 1841 founded an Academy of Design at Cleves. 
He was a member of the Rotterdam and St. Petersburg Academies _ 
in 1840. Order of the Lion, 1839, and of Leopold, 1842; Legion 
of Honor; Gold Medals in Amsterdam, 1840; Paris, 1840 and 1843; 
and The Hague. He died at Cleves, April 5, 1862. The land- 
scapes of this painter are much esteemed. 


85—THE WOODLAND FARM 


LE POITTEVIN (LOUIS) Paris 


67—_THE GLEANER 


LOOP (HENRY A.), N.A. New York 


Figure and portrait painter. Born at Hillsdale, N. Y., in 1831. 
Studied under Henry Peters Gray and Couture. He visited Eu- 
rope in 1856 and in 1867, and studied in Paris, Rome, Venice and 
Florence. In 1861 he was elected a Member of the National Acad- 
emy, New York. Died in 1895. 


28—HAPPY FANCIES 


MAGNUS (CAMILLE) Paris 
Pupil of Diaz. 


88—THE FOREST OF FONTAINEBLEAU 


MARAIS (ADOLPHE CHARLES) Paris 


Landscape painter. Born at Honfleur (Calvados). Pupil of 
Busson, Berchére and C. de Cock. Medal, Third Class, 1880. 


64—A PLEASANT PASTURE 


MARTIN (HOMER D.), N.A. New York 


Landscape painter. Born in Albany, N. Y., October, 1836. 
With the exception of a few weeks’ study under William Hart, 
early in his career, he is entirely self-taught as an artist. He be- 
came an Associate of the National Academy in 1868, and an Acade- 
mician in 1875, and was one of the founders of the Society of Ameri- 
can Artists in 1877. He died in the West in 1897. 


74—GOLDEN SANDS 

126—THE NORMANDY COAST 
135—SUNRISE 

171—EARLY MORNING 
218S—ROADSIDE NEAR HONFLEUR 
225—COAST BUSHES 

229—_THE COAST OF FRANCE 
274—SAGE’S RAVINE, CONNECTICUT 
278—NEAR THE SEA 

281—_ON THE SEINE 


MASURA (E.) Paris 
111—THE COQUETTE 


MAZINI (C.) Paris 
164—SPRING 


McCORD (GEORGE H.), A.N.A. New York 


Landscape painter. Born in New York, 1849. Pupil of ‘Pro- 
fessor M. Morse, 1866. His professional life has been spent in 
New York and Brooklyn, and he has made many sketches in New 
England, Canada, Florida, and as far west as the Upper Mississippi. 
He first exhibited at the National Academy in 1870, and frequently 
since that time. He was made a Member of the Artists’ Fund So- 
ciety in 1877, and Associate of the National Academy in 1880. 


73—COMING TO PORT 


McENTEE (JERVIS), N.A. New York 


Landscape painter. Born July 14, 1828, at Rondout, N. Y. 
In 1850 he studied art in New York City, under F. E. Church. Was 
elected Member of the National Academy in 1861. Eight years 
later he went abroad and studied in the art galleries on the Conti- 
nent, making sketching tours in Switzerland and Italy. He ex- 
hibited at the Paris Exposition, 1867, and at the Philadelphia Ex- 
position, 1876, where several of his pictures were commended by 
the judges for artistic excellence. He died in 1891. 


2384 —WINTER MOONLIGHT 


MILLER (CHARLES H.), N.A. New York 


Landscape painter. Born in New York, March 20, 1842. 
First exhibited at the National Academy, 1860. In 1864 and 1867 
he visited the art centres in Europe, and finally settled at Munich, 
where he remained for three years, studying under Professor Leir, 
and at the Bavarian Royal Academy. He also studied at Leipsic, 
Paris, Dresden, Vienna and Berlin. Elected Member National 
Academy in 1875. 


90—NEW YORK FROM THE LONG ISLAND SHORE 
245—A RAINY DAY 


MINOR (ROBERT C.), N.A. | New York 


Landscape painter. Born in New York in 1840. Pupil of 
Diaz in Paris, and of Van Luppen and Boulanger in Antwerp. 
Sketched in Germany and Italy. Member of the National Acad-. 
emy, and of the Society of American Artists. His works have in 
them qualities of luminosity, depths of tone, and ripeness and vital- 
ity of color, that carry one out of the domain of modern landscape 
back to the days when Marilhat painted from his palette of gold, 
and when Rousseau and Diaz, Dupré and Decamps were at their 
best. The secret of his power is that, like them, he feels nature as 
well as sees it, and paints it with heart as well as hand. 


209—NIGHTFALL ON THE WOLD 

214—ON THE UPPER THAMES, CONNECTICUT 
220—A SEPTEMBER EVENING 

248—EVENING 


264—NIGHT ON THE SOUND 


MOELLER (LOUIS), N.A. New York 


Genre painter. Born in New York City, 1855. Studied at the 
National Academy, New York, and spent several years abroad study- 
ing under Duveneck and Professor Dietz at Munich. First ex- 
hibited at the National Academy in 1883, and received the First 
Hallgarten Prize in the National Academy Exhibition of 1884. 
Elected Academician, 1895. 


6—THE OLDEST INHABITANT 
109—THE STUMP SPEAKER 


-211—A BSORBED 


MORGAN (WILLIAM), A.N.A. New York 


Genre painter. Born in London, 1826. Studied at the Na- 
tional Academy Schools in New York. Associate Member of the 
National Academy. He was widely known, and many of his works 
are in private collections in the United States. Died in 1900. 


156—MEDITATION 


MOSLER (HENRY), A.N.A. New York 


Genre painter. Born in New York, June 6, 1841. Taken to 
Cincinnati as a child, where he studied under James H. Beard. At 
the close of the Civil War he went to Paris and studied under Ernest 
Hébert; also pupil of Muche and Kindler at Diisseldorf, and Wagner 
at Munich. In 1874 he again went to Europe, and worked under 
Piloty for six months, winning a medal at the Royal Academy. 
Honorable Mention, Salon, 1879; Gold Medal, International Ex- 
hibition, Nice, France, 1884; Prize $2,500. Prize Fund Exhibition, 
New York, 1885; Gold Medal, Salon, 1888; Silver Medal, Paris 
Exposition, 1889; Hors Concours, 1890; Chevalier, Legion of 
Honor, 1892; Officer d’Académie, 1892; Archduke Carl Ludwig of 
Austria, Gold Medal, 1893; Grand Gold Medal and Diploma of 
Honor, Atlanta Exposition, 1895; Thomas B. Clarke Prize, National 
Academy of Design, New York, 1896; Gold Medal, Art Club of 
Philadelphia, 1897. Made Associate of National Academy, New 
York, 1895. 


49—IN THE ORCHARD 


S89—“ HELPING GRANDPA ” 


MOWBRAY (H. SIDDONS), N.A. New York 


Born in Alexandria, Egypt. Pupil of Bonnat, Paris. Received : 
T. B. Clarke Prize at the National Academy, New York, 1888. = 
Medals: Atlanta, Boston, Chicago. Member Jury of Selection, 3 " 


Tennessee Centennial, 1897. Member of the National Academy 
and of the Society of American Artists. 


212—A SONG OF CIRCASSIA 


MURPHY (J. FRANCIS), N.A. New York 


Born in 1853 at Oswego, N. Y. Self-taught. He is one of the 
best known American landscape painters, and his works are in many 
private collections. National Academician; Member of the Ameri- 
can Water Color Society. Webb Prize, Society of American Artists, 
1887. 


9—THE PASTURE POND 
2)—A SUNSET GLEAM 

29—AN AUTUMN SUNSET 
88—SUNSET 

68—THE CHARCOAL BURNERS 
100—LANDSCAPE 
114—LANDSCAPE 
121—AN OCTOBER DAY 
186—EARLY AUTUMN 
1483—SUNSET AFTER A RAIN 
150—SUNDOWN 
168—EARLY FALL 
160—EVENING GLOW 
199—LANDSCAPE 
204—LANDSCAPE 
297—FIRST TOUCH OF AUTUMN 


262—A GRAY DAY 
265—AN AUTUMN EVENING 

268—A CLOUDY AFTERNOON 

271—THE APPROACH TO MY OLD FARM 
282—-AFTERNOON IN SEPTEMBER 


NEUVILLE (BRUNEL) Paris 
26—KITTENS 
OCHTMAN (LEONARD), A.N.A. New York 


Born in Zonnenaire, Holland, 1854. Self-taught. Medals: 
World’s Fair, Chicago, 1893; Art Club of Philadelphia, 1894; 
(Gold) Prize, Brooklyn Art Club, 1891; Diploma, Boston. Mem- 
ber of Society of American Artists, American Water Color Society, 
New York Water Color Club and the National Arts Club. 


69—OCTOBER 


PARTON (ARTHUR), N.A. New York 


Landscape painter. Born at Hudson, N. Y., March 26, 1842. 
Studied under William T. Richards of Philadelphia. In 1869 he 
went abroad, visiting London and Paris, and in the summer of 1871 
he sketched in Scotland. Member of the Artists’ Fund Society, and 
elected Academician in 1884. Awarded a Gold Medal at the Third 
Prize Fund Exhibition, American Art Galleries, New York, 1888, 
and the Temple Silver Medal at the Pennsylvania Academy of Fine 
Arts, 1889. Exhibited at the Exposition Universelle, Paris, 1889. 
Honorable Mention, Paris, 1889. 


168—THE EDGE OF THE ORCHARD 
231—THE EDGE OF THE WOODS 


PASINI (ALBERTO) Paris 


Born at Brusseto, Italy. Genre painter. Studied under E. 
Ciceri, E. Isabey and Theo. Rousseau. He paints chiefly subjects 
taken from Turkey, Arabia and Persia, where he lived for several 
years. His treatment is broad, the light effects in his pictures are 
often peculiar, and the aérial perspective especially fine. Honorary 
Professor at Parma and Turin Academies. Medals: Paris, Third 
Class, 1859; Second Class, 1863 and 1864; Legion of Honor, 1868; 
Officer of same, 1878. 


124,—ENTRANCE TO THE PALACE 


PERBOYRE (P. E. L.) | Paris 
Pupil of Bonnat, Detaille and Tony Robert-Fleury. 
48—AN OFFICER OF ARTILLERY 


128—THE BUGLER 


PINCHART (EMILE AUGUSTE) Paris 


History, genre and portrait painter. Born at Cambrai, Nord. 
Studied under Gérdme. Honorable Mention, 1883. Medal, Third 
Class, 1884. 


357—BON VOYAGE 
62—FLIRTATION 


PIOT (ADOLPHE) Paris 


Honorable Mention, Paris, 1890. Member of the Society of 
French Artists. 


82—A BRUNETTE 


POORE (HENRY R.), A.N.A. New York 


Landscape and animal painter. Born in Newark, N. J., 1858. 
Pupil of the National Academy, 1876; Pennsylvania Academy and — 
in studio of Peter Moran, 1877; under Luminais in Paris, 1883. 
Associate National Academy. 


251—SPORTING DOGS 


PORTIELJE (EDWARD) Antwerp 


Gold Medals: Antwerp, 1888; Brussels, 1890; Amsterdam, 1891. 
Mewber of Royal Academy of Belgium. 


22—A PLEASING REFLECTION 


PORTIELJE (GERARD) Antwerp 


Member of the Royal Academy, Belgium. Gold Medals; Lon- 
don, 1877; Antwerp, 1882; Chevalier of the Order of Leopold, 
1863. Member of the different Art Societies. 


18—THE GAMESTERS’ QUARREL 


POST (W. MERRITT) New York 


Born in Brooklyn in 1857, Mr. Post began the study of painting 
at the Art Students’ League, subsequently painting in the studio of 
H. Bolton Jones, whose influence is more or less apparent in his 
work, though his canvases are in no sense imitative. Mr. Post 
is a Member, and was one of the organizers, of the New York Water 
Color Club, of which-he has long been an officer. He is also a 
Member of the older organization, the American Water Color So- 
ciety, at the exhibitions of which he is a frequent contributor. 


83—AN OCTOBER MORNING 


— 
. a ee 


RANGER (HENRY W.), A.N.A. New York 


Landscape painter. Born in New York, 1858. Self-taught. 
Bronze Medal, Paris Exposition, 1900. Member of the American 
Water Color Society and the National Arts Club. His paintings 
are shown in a collection by themselves, from time to time, in some 
one of the smaller New York galleries. He has no prize record, not 
having been a competitor for official honors or medals. He visited 
Europe and studied the masterpieces of the modern and ancient 
schools, but has in the past few years evolved a style of his own. 
The chief characteristics of his work are depth and richness of tone, 
and fulness and strength of color. He has travelled extensively, 
and painted much in Holland. 


65—NEAR LAAREN, HOLLAND 


272—LANDSCAPE 


REAM (C. P.) New York 
388—STILL LIFE 


RICHET (LEON) Paris 


Born at Solesmes, Nord. Studied under Diaz, Boulanger and 
Lefebvre. Honorable Mention, Salon, Paris, 1885. 


57—MORNING 


RICO (MARTIN) (/é~0 ' , ‘ 74 Tas ea Spain 

Born in Madrid, and taught to draw by a cavalry captain who 
practised art as an amateur. He then went to the Madrid Academy, 
and during his hours of leisure made his living by drawing and en- 
graving on wood. During the summer he would wander off on foot, 
studying from nature, and living among the gypsies out of doors; at 
the end of the season being almost compelled to beg his way to 
Madrid. In 1862 he secured the first Prix de Rome ever given at 


Madrid for landscape; he then went to Paris, where for four years 
he studied nature. Zamacois took him in hand, and Meissonier and 
Daubigny advised him. Medals: Paris, Third Class, 1878; Legion 
of Honor, 1878. 


115—VENICE 


RIX (JULIAN) New York 


Was born in San Francisco in 1851. He began to paint when a 
youth, and for several years worked at his easel with fair results. 
His work was comparatively unknown outside of California until 
he came East some fifteen years ago. It was soon seen that he pos- 
sessed talent, and his work was soon in demand. He called him- 
self a pupil of Nature. Died, November, 1903. In his will he 
stipulated that all works found in his studio that did not do him 
credit should be destroyed. 


179—IN THE ADIRONDACKS 


ROBIE (JEAN BAPTISTE) Brussels 


Born in Brussels in 1821. Still-life painter. Studied at the 
Brussels Academy. Medals: Brussels, 1848; Paris, 1851 and 1863; 
Hors Concours, Hague, 1861; Sydney, 1879; Order of Leopold, 
1861; Officer of the same, 1866; Commander, 1881; Universal Ex- 
position, 1889; Hors Concours. Most of his works are in private 
collections in England, France and America. 


52— JUNE FLOWERS 


RONNER (HENRIETTE) Brussels 


Born in Amsterdam, May 31, 1821. She paints principally do- 
mestic animals. Pupil of her father, Josephus Augustus Knip. 
She resided for more than twenty years in Brussels, and received 


1 ge BOes 


as 


many medals in her own country and others. She exhibited at the 
Glasgow Fine Art Loan Exhibition in 1678, and at the Jubilee Ex- 
hibition, Berlin, 1886. Member of the Academy of Rotterdam. 


102—THE BEST OF FRIENDS 


175—NO EASY PREY 


RUBENS (PETER PAUL) Antwerp 


Born at Siegen, Westphalia, June 29, 1577. Flemish school. 
Studied at Antwerp with Tobias Verhaegt and Adam van Noort, 
and then with Otto van Veen from 1596 until 1600, when he went 
to Venice, where his copies after Titian and Giorgione attracted the 
notice of the Duke of Mantua, Vincenzo, Gonzago I, who made him 
his court painter. At the end of 1605 he went to Rome to continue 
his studies. He afterwards spent eleven years at Antwerp, having 
numerous pupils and constant demands for original works; then 
went to Paris in February, 1622, at the call of Maria de’ Medici to 
decorate the Luxembourg Palace with twenty-one great pictures now 
in the Louvre. He died at Antwerp, May 30, 1640. 


248—FIGURE OF A BOY 


RYDER (PLATT P.), A.N.A. New York 


Platt Powell Ryder, a well-known genre painter, was born in 
Brooklyn, N. Y., in 1821. In 1869-70 he was a pupil of M. Bon- 
nat in Paris, and he also studied in Belgium and Holland. He was 
elected an Associate of the National Academy in 1869. His studio 
was in New York, and he died here in 1896. His “ Boys Playing 
Marbles” was exhibited at the Paris Exposition of 1889, and at- 
tracted favorable notice. 


61—EXPECTATION 


SANCHEZ-PERRIER (EMILIO) Spain 


-Born at Seville, and a pupil of the School of Fine Arts of that 
city and of Cano. He has also studied some time in France. He 
has been called the Meissonier of Spanish landscape. 


258—A QUIET POOL 


SARGENT (JOHN §.), N.A., R.A. London 


Portrait and genre painter. Born in Florence, of American 
parents, in 1856. Pupil of Carolus-Duran. Has lived and painted 
many years in Europe. Honorable Mention, Salon, 1879; Medal, 
Second Class, 1881. Elected Member of the National Academy, 
1897. 


222—THE SUN BATH 


SCHILL (ADOLPHE) Munich 
Pupil of Edouard Frere. 


14—IN THE VESTIBULE 


SCHLESINGER (FELIX) Germany 


Born at Hamburg, October 8, 1833. Genre painter. Studied 
at the Diisseldorf Academy under Jourdan. Lived in Paris for 
several years, then settled in Munich. 


J1I—THLE BUTTERMILK GIRL 


SCHREIBER (CHARLES B.) Paris 


A pupil of the Paris Ecole des Beaux Arts, and a young genre 
painter of merit and growing popularity. Member of the Society 
of French Artists. 


46—A CAVALIER 
206—THE SMOKER 


SEIGNAC (PAUL) Paris 


Born at Paris. Pupil of Picot. Member of the colony of artists 
which gathered around the late Pierre Edouard Frére at Ecouen. 
Honorable Mention, Paris, 1889. Hors Concours, 1895. 


2388—THE LESSON 


SIEFERT (ALFRED) Munich 
Born in Harowitz, Bohemia, 1850. Pupil of Lindenschmidt. 
381—PERPLEXITY 
93—INNOCENCE 


SHURTLEFF (ROSWELL M.), N.A. Newivock 


Landscape and animal painter. Born at Rindge, N. H., June 
14, 1841. Pupil of the Lowell Institute, Boston, and of the Na- 
tional Academy, New York, where he first exhibited in 1872. He 
was elected a Member of the National Academy in 1890; he is also 
a member of the American Water Color Society, Salmagundi Club 
and the Artists’ Fund Society. 


236—AN OPENING IN THE FOREST, ADIRONDACKS 


SIMONI (GUSTAVO) | Italy 


He is a painter much in vogue with the patrons of the modern 
Roman school of water color painting. His pictures are cleverly 
painted, and are attractive in quality and brilliant in color. 


224—W AITING FOR THE BEY 


TAMBURINI (ANTONIO) Rome 


Pupil of Ciceri and Bonnat in Paris. Medal, Academy of Fine 
Arts, Florence. Various medals, Rome and Florence. 


40—‘ SAY WHEN” 


THAYER (ABBOTT H.), N.A. New York 


Animal and landscape painter. Born in Boston, Mass., August 
12, 1849. He began to paint from nature without instruction when 
a child of eight years. Pupil of Henry D. Morse in Boston. In 
1867 he settled in Brooklyn, studying under J. B. Whittaker in the 
Brooklyn Academy of Design, gaining in 1868 the Gold Medal for 
the best drawing from the antique. From 1875 to 1879 he studied 
in the Ecole des Beaux Arts under Lehmann and Géréme. 


246—A PRIZE BULL 


THOM (J. CRAWFORD) New York 


Landscape and genre painter. Born in the United States. 
Studied under Edouard Frére in Paris. In 1864 he first exhibited 
at the Royal Academy, London. He also exhibited at the French 
Gallery, London; National Academy, New York; and Mechanics’ 
Fair, Boston, 1878. Died at Atlantic Highlands, N. J., February 
16, 1898. 


7—CHILDREN AT PLAY 


196—LANDSCAPE 


sed 


THOMPSON (A. WORDSWORTH), N.A. New York 


_ Genre and history painter. Born May 26, 1840, at Baltimore, 
Md. Studied under Charles Gleyre, Emile Lambinet and Alfred 
Passini, in Paris. Sketched in Morocco, Algiers and Spain. First 
exhibited at Paris Salon, 1865. Elected Member of the National 
Academy, New York, 1875, and joined the Society of American 
Artists in 1878. Died in 1896. 


139—GOSSIP ON THE HIGHWAY 


TOM (JAN BEDYS) Netherlands 


Landseape painter. Born at Boskoop, March 4, 1813. Pupil 
of Andreas Schelfhout. 


17—SHEEP 


VAN ELTEN (KRUSEMAN), N.A. New York 


Landscape painter. Born at Alkmaar, Holland, November 14, 
1829. Pupil in Haarlem of Lieste, and student of nature in Ger- 
many, Switzerland and Tyrol. Continued his studies in Brussels, 
and settled in Amsterdam. He moved to New York in 1865. Mem- 
ber of Rotterdam and Amsterdam Academies, and of Belgian Water 
Color Society. Elected an Associate of the National Academy in 
1871, and National Academician in 1883. Medals: Amsterdam, 
1860; Philadelphia, 1876. 


55—THE STONE BRIDGE 


VAN MARCKE (EMILE) Paris 


Born at Sévres, August 20, 1827. Landscape and animal painter. 
While employed as a decorator in the porcelain works at Sévres, he 
attracted the attention of Troyon, who gave him much encourage- 


ment and help. His early pictures betray much of the feeling and 
influence of Troyon. He appeared first at the Salon in 1857. 
Medals: 1867, 1869, 1870; Exposition Universelle, First Class, 
1878; Legion of Honor, 1872. He died January 7, 1891. 


123—IN TREPORT MEADOWS 


141—THE VILLAGE PASTURE 


VAN SEVERDONCK (F.) Brussels 


Born about 1825. Pupil of Verboeckhoeven, with whom he lived 
in Brussels for many years. He paints small landscapes with sheep 
and sometimes fowls introduced as accessories. They are agreeable 
in color, truthful in drawing and action, and painted with great 
care. His works are in many fine collections in America. Received 
Gold -Medal at Brussels, 1851. Chevalier of the Order of Leo- 
pold, 1863. 


8—SHEEP AND FOWL 


VERESTCHAGIN (VASILD Russia 


Battle and genre painter. Born at Tcherepovets, Government 
of Novgorod, Russia, October 14, 1842. Pupil of St. Petersburg 
Academy, where he won a medal with his first picture. After a visit 
to Paris, the Pyrenees and Germany, he went to the Caucasus to 
study Oriental subjects, and in 1864 to Paris to study under Géréme 
and at the Ecole des Beaux Arts, spending his vacations in the 
Caucasus and on his paternal estates, where he studied the man- 
ners of Russian peasantry. He visited Antwerp, Brussels, Tur- 
kestan, and went to the East as far as China; he visited .India in 
1874-76, and again in 1882 and 1884. 


91—MILITARY ROAD TO TIFLIS 


VIBERT (JEHAN GEORGES) Paris 


Genre painter. Born in Paris, September 30, 1840. Studied 
under Picot and Barrias, also at the Ecole des Beaux Arts, Paris. 
First exhibited at the Salon of 1863. Medals: 1864, 1867 and 
1868; Legion of Honor, 1870; Medal, Third Class, 1878. He was 
one of the founders of the Society of French Aquarellists, whose 
work has given water color a permanent place in Parisian favor. 
Died in 1902. 


133—READING RABELAIS 
161—CARMEN 


197—WASH DAY AT THE MONASTERY 


WASHINGTON (GEORGES) 3 Paris 


Born at Marseilles. Honorable Mention, Paris, 1876. Medal, ~ 
Second Class, 1886. Hors Concours. 


78—ARABIAN HORSEMEN AT CHELIF 


186—IN ALGERIA 


WEIR (JULIAN ALDEN), N.A. New York 


Portrait painter. Born at West Point, N. Y., August 30, 1852. 
Son and pupil of Robert W. Weir, and pupil of Géréme in Paris in 
1872-76. Sketched and painted in Spain and Holland. He was 
one of the founders of the Society of American Artists. He ex- 
hibits at the Paris Salon and National Academy, New York. Hon- 
orable Mention, Paris Salon. Elected Member of National Acad- 
emy, New York, in 1886. 


257—A CLOUDY DAY 


WEISER (JOSEF EMANUEL) Munich 


Born at Patschkau, Silesia, May 10, 1847. Genre painter. 
Studied under Wilhelm Diez at Munich Academy. Visited Ger- 
many, Austria and Italy. 


12—IN A CARDINAL’S LIBRARY 


WIGGINS (CARLETON), N.A. New York 


Born at Turner’s, Orange County, N. Y., 1848. Landscape and 
cattle painter. Studied at the National Academy, also for a short 
time under George Inness. First exhibited at the National Acad- 
emy in 1870. Studied in France from 1880 to 1881. Awarded a 
Gold Medal at a Competitive Prize Fund Exhibition held in New 
York, 1887. Member of the Society of American Artists; Associate 
of the National Academy; Member of the American Water Color 
Society and of the Salmagundi Sketch Club. 


140—OXFORDSHIRES ON THE CORNISH DOWNS 
149—THE PASTURE IN THE MEADOWS 

217—A PEACEFUL AFTERNOON 
241—OVERLOOKING THE SEA, ST. IVES 
254—ON THE HILL 


WILES (IRVING R.), N.A. New York 


Born in Utica, N. Y., 1862. Pupil of his father, Lemuel M. 
Wiles, the well-known artist, from whose studio he graduated to the 
schools of the Art Students’ League of New York. He also studied 
for two years in Paris under Jules Lefebvre and Carolus Duran. 
He made his appearance as an exhibitor with the American Water 
Color Society in 1879, and his talent was so marked as to attract 
attention. He was awarded the Third Hallgarten Prize at the Na- 
tional Academy in 1886, and the Thomas B. Clarke Prize in 1889. 


Honorable Mention at the Paris Exposition in 1889. He is a Mem- 
ber of the National Academy, New York, the Society of American 
Artists and of the American Water Color Society. 


28—THOUGHTFUL 
151—A LADY IN GREEN 


WOOD (THOMAS W.), N.A. New York 


Portrait and genre painter. Born at Montpelier, Vt., Novem- 
ber 12, 1823. Studied under Chester Harding in Boston. Went 
abroad and studied in Paris from 1858 to 1860; visited Italy and 
Switzerland. He painted in Louisville and Nashville before open- 
ing a studio in New York, 1867. For many years was President of 
the National Academy of Design, New York, of which he was 
elected a Member in 1871. Died, 1903. 


76—THE NEST 


WORMS (JULES) Pais 


Genre painter. Born in Paris, December 16, 1832. Studied 
under Lafosse. Medals: 1867, 1868, 1869, 1878. Legion of 
Honor, 1876. 


270—FINISHING TOUCHES 


WYANT (ALEXANDER H.), N.A. New York 


Landscape painter. Born at Port Washington, Ohio, January 
11, 1836. Pupil of Hans Gude in Carlsruhe; afterwards studied 
in London. Elected Academician, 1869. Member of the Society 
of American Artists and of the American Water Color Society. 

The work of the late Alexander H. Wyant is the expression of 
a mind of great refinement looking at Nature in her most poetical 
aspect. The interpretation of subtle delicacy of twilight; the ren- 
dering of the opalescent tones of gray weather-—all the gentle, lov- 


ing moods of the landscape he expressed with alluring charm and 
fineness of perception. Early in his career he went to the Adiron- 
dack Mountains, where he identified himself with the scenery which 
he ever saw under the most tender conditions of sentiment and 
romance. Rarely, if ever, dramatic, his renditions of the stretches 
of mountain or valley were given in true poetic vein, delicately, 
adequately, with gentleness and deep feeling. Even when he found 
themes in the approaching storm, they were the more delicate pas- 
sages of color effects, which he rendered with exquisite charm. By 
his death in 1892 America suffered a severe loss. He had received 
a recompense in Paris, at the Universal Exhibition of 1889, and was 
universally admitted to be one of the ablest and most sympathetic 


landscape painters in all American art. 
21—LATE NOVEMBER 
56—THE SMUGGLERS’ CAVE—JONES’S WOODS 
106—PATH THROUGH THE WOODS 
125—-FOOTPATH ACROSS THE PASTURE 
162—A GRAY EVENING 
1783—A GOLDEN HOUR 
174— KEENE VALLEY, NEW HAMPSHIRE 
2388—A VIEW IN COUNTY KERRY 
242—THE CLOSE OF DAY 
256—LANDSCAPE 
261—PASTURELAND, KAATERSKILL 
266—A GRAY MORNING 


267—A POOL IN THE MEADOW 


269—AN AUTUMN EVENING 


| 
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An eee a. 


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YOUNG (HARVEY) Boston 
66—A BRITTANY LANDSCAPE 


ZAMACOIS (EDUARDO) | Spain 


Genre painter. Born at Bilboa in 1842. Studied under Balaco 
at Bilboa, then under Federico de Madrazo at Madrid Academy, 
and pupil of Meissonier in Paris. He made his début at the Salon 
of 1863, and at each succeeding Salon his pictures widened his 
popularity and augmented his reputation. Medals at Paris, 1867; 
Munich, 1870. He died in Madrid, January 14, 1871. Diploma 
to the Memory of Deceased Artists (Exposition Universelle), 1878. 


191—SPANISH MANDOLIN PLAYER 


ZIEM (FELIX) Paris 

Architecture and marine painter. Born at Beaune (Cote d’Or), 
February 25, 1821. Pupil of Art School at Dijon. In 1845-48 
he travelled in southern France, Italy and the East. His pictures, 
particularly his views of Venice, have won for him a world-wide 
reputation. Medals: Third Class, 1851, 1855; First Class, 1852; 
Legion of Honor, 1857; Officer, 1878. 


247—THE GRAND CANAL, VENICE 


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